1. Hayes Theatre Co
  2. Abe Mitchell, Victoria Falconer, Stefanie Caccamo, Jane Watt in Godspell
    Photograph: Hayes Theatre Co/Philip Erbacher | 'Godspell' (2022)
  3. Production image from Metropolis at The Hayes
    Photograph: Hayes Theatre Co/Grant Leslie | 'Metropolis' (2023)

Hayes Theatre Co

Big theatrical moments go down at Sydney's small but mighty home of musical theatre
  • Theatre | Musicals
  • Elizabeth Bay
Alannah Sue
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Time Out says

Congratulations to Hayes Theatre Co, which took out the Critics' Choice Impact Award at the 2025 Time Out Sydney Arts & Culture Awards, presented in partnership with the Sydney Symphony Orchestra.

Our Impact Award recognises the efforts of groups and organisations that are raising the bar for Sydney’s arts industry, and also making an impact that reverberates much further than that. Hayes Theatre Co has been an essential space for Australia’s musical theatre theatre industry since it was founded in 2012. From holding open auditions to working with various independent producers, this company has established itself as the beating heart of Australia’s musical theatre industry – presenting everything from neglected classics to brand new Australian shows, cabarets, and works-in-progress from diverse voices, always impressing audiences and critics alike with what can be achieved in such a small space. Under the guidance of the current leadership team, including co-artistic directors Richard Carroll and Victoria Falconer, we’ve seen this company go from strength to strength.

*****

Named after Australian musical theatre legend Nancye Hayes OAM, this demure little theatre just off the main drag of Kings Cross is the beating heart of Sydney’s musical theatre and cabaret community. Yeah, the Hayes Theatre Co is pretty much our local answer to Off-Broadway. 

Brand new Aussie musicals (like the inaugural Time Out Sydney Arts & Culture Award-winner Zombie! The Musical) cut their teeth here alongside bold new takes on the classics, contemporary hits, and neglected musical gems. Undiscovered performers rub shoulders with seasoned stars on the Hayes stage, and productions here have the potential to feel miles bigger than the humble 110-seat theatre should even be able to pull off (but they do).

In 2024, the Hayes celebrated a decade since opening the doors for their first show. The building was previously the home of the now-retired Darlinghurst Theatre Company and called the Darlinghurst Theatre, but changed hands in 2013 and re-opened as Hayes Theatre Co in February 2014. 

How to get to the Hayes Theatre 

The Hayes is located at 19 Greenknowe Avenue, Elizabeth Bay. It’s about a 10-minute walk from Kings Cross Station. If you’re catching the bus, take the 311 from Railway Square or York Street near Wynyard Street, and hop off on Elizabeth Bay Road or Greenknowe Avenue. 

If you’re set on driving, be aware that there’s limited street parking. But discount parking is available from Kings Cross Parking Station on Ward Avenue. Bring your parking ticket with you to the theatre to have it validated at the Box Office and receive unlimited parking for $15. Find out more about your visit, including accessibility information, over here.

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Details

Address
19 Greenknowe Ave
Potts Point
Sydney
2011

What’s on

Gutenberg! The Musical!

4 out of 5 stars
As the nights grow colder and my toddler at home seems permanently on the brink of the next illness, the effort it takes to leave the house can feel outsized. There is comfort in staying put, wrapped in something soft, conserving energy for the long nights ahead. What tempts me out anyway is the possibility that a show might meet me where I am (usually tired, frayed, vulnerable) and change my mood or shift my mindset. Gutenberg! The Musical!, now showing at Hayes Theatre, does exactly that, reminding me how deeply restorative it can be to laugh, to be surprised, and to feel briefly, gloriously lighter. What is the premise of Gutenberg! The Musical!? Gutenberg! The Musical! centres on two hopelessly enthusiastic writers, Bud (Ryan Gonzalez, In The Heights) and Doug (Stephen Anderson, Titanique), who have created a loose, logistically impossible musical about the life of Johannes Gutenberg, the inventor of the printing press, and are desperate to get it produced. The premise is gleefully meta: the audience is positioned as a room full of potential Broadway producers invited to a showcase, while the two performers play not only themselves but every role in their historically questionable show. Armed with nothing but baseball caps to signify characters and an unwavering belief in their own genius, Bud and Doug’s earnest ambition drives the comedy, as the musical becomes less about Gutenberg himself and more about the absurd, scrappy devotion of theatre-makers willing to do...
  • Musicals
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