Around Sydney

The Biennale of Sydney returns for its 25th edition from March 14 to June 14, 2026 – and, as always, it’s completely free. Titled Rememory, this year’s festival is curated by internationally renowned artistic director Hoor Al Qasimi. Inspired by the writing of Toni Morrison, the theme explores how memory and history shape who we are. Through powerful artworks from Australia and around the world, artists reflect on their roots to connect with communities by telling their stories. At its heart, Rememory shines a light on voices that haven’t always been heard. It highlights First Nations stories, diverse diasporas and the layered histories that have shaped Australia.  As Australia’s largest contemporary art event, the Biennale stretches across five major venues: White Bay Power Station, Art Gallery of New South Wales, Chau Chak Wing Museum at the University of Sydney, Campbelltown Arts Centre and Lewers: Penrith Regional Gallery. Extra talks, performances and events will pop up across Greater Sydney, with a big opening night concert, Lights On, kicking things off at White Bay Power Station on March 13. This year's festival features 83 collaborations from artists across 37 countries, including Australia, New Zealand, India, Lebanon, Argentina and Ethiopia. Expect large-scale installations, immersive works and site-specific pieces from both international and Australian artists. A major highlight is the Ngurrara Canvas II at the Art Gallery of NSW – an 80-square-metre...

Theatre fans, take note. Sydney Theatre Company – Sydney’s largest and most prominent theatre producer – has just dropped the details for its 2026 season. The beautifully varied 2026 season will comprise 13 productions, with more than 80 beloved and emerging performers set to take to the stage throughout the year. Following Kip Williams' departure from the company, the 2026 season will be the first curated by new Artistic Director Mitchell Butel, who joined STC in late 2025. Reflecting on what theatre-goers can expect in 2026, Butel described the 2026 program as a "season of dream teams: celebrating the diversity of Australian storytelling. Highlights from STC’s 2026 season will include three world premieres of brand-new Australian works, the Australian Premiere of the most awarded Broadway play of 2025, the Sydney premiere of a new Australian musical and a handful of other Australian and international plays. If you’re keen to see something new, get in line for the season’s key world premieres: Whispering Jack: The John Farnham Musical (from award-winning writer and director Jack Yabsley), Bennelong in London (by Jane Harrison, the brilliant playwright behind The Visitors and Stolen) and Strong is the New Pretty by Olivier Award-winning playwright Suzie Miller. Bennelong in London will be showing from July 24 until August 16 2026, Strong is the New Pretty will be playing from October 26 until December 5 2026, and Whispering Jack: The John Farnham Musical will be showing...

No Lights, No Lycra is an afterwork activity unlike any other. Beloved by its loyal followers for decades, this pitch black anonymous dance class is all about two things: total and unfettered freedom and the chance to seriously, seriously dance.  With locations all over the world, No Lights No Lycra has been bringing sweet tunes, sweat and a total lack of inhibition to people who are keen to boogie like nobody’s watching them for years. And for interested Sydneysiders, opportunities to let loose in the pitch dark are plentiful.  How does it work? You arrive (solo, or with whoever you want to bring as your anonymous dancing companion), enter a community hall, and dance for a good hour and a half to absolute bangers. The catch? It’s so dark you can’t see your feet.  The joy of this dance class is that it cuts out all the surface bullshit of judgement and fear and leaves space just for you, your joy and time for you to move your body in a way that thrills you, and you alone. In Sydney, there are weekly classes going down in Bondi, Newtown, Parramatta and Sutherland – plus a whole lot more. You can find out all the details of your closest local event by just typing in your location into their online interactive map.  Tickets generally seem to cost around the $10 to $15 mark for an hour or so, which feels pretty worth it to us, and you can book online through your location (which can be found using the aforementioned map). Forget Saturday nights and 79 tequila shots. No Lights...

Few songs embed themselves into the cultural DNA quite like Jeff Buckley’s cover of “Hallelujah”. While younger generations are discovering his talent through TikTok, Oscar-nominated filmmaker Amy Berg, who grew up on the grunge and punk of the ‘90s, revisits his life in a tender new documentary It’s Never Over, Jeff Buckley. Pieced together through curated footage of the late singer-songwriter both onstage and off, the documentary is told in large part by the women in his life. We hear from his single mother, Mary Guibert, his good friend Aimee Mann, his former girlfriend Rebecca Moore, and his longtime partner Joan Wasser, who each offer emotional memories and thoughtful insights.  What’s undeniable through their recounts is Buckley’s talent, as Time Out reviewer Elizabeth Weitzman writes: “The punk angel with the four-octave range also had a rare and remarkable mimetic gift – which made him an unusually skilled interpreter of other artists, from Nina Simone to MC5 to Nusrat Fateh Ali Khan.”  Whether you know him for the myth forged by his untimely death – echoing that of his musician father, Tim Buckley – or for his elegiac take on Leonard Cohen’s “Hallelujah,” a rendition that has moved millions, It’s Never Over, Jeff Buckley offers another side of the story. “Fans, of course, will fiercely argue that Buckley has so much more to offer. And in the strongest compliment to Berg’s affectionate portrait, she makes a similarly convincing case, with ample and tender grace.”...

When winter rolls around in Sydney, Vivid steps in to bring a little light to our streets for those first chilly weeks. And while Circular Quay sparkles with kaleidoscopic projections, the real magic often happens indoors – on the stages and dancefloors where the festival’s music program comes to life. Keen to plan ahead this year? Two of the city’s most iconic live music venues – Sydney Opera House and Carriageworks – have just dropped the details of their music programs for 2026. From May 22 to June 13, Vivid Live will take over Sydney Opera House, with more than 50 artists lighting up every corner of the World Heritage-listed landmark. Masterful tastemaker Ben Marshall (Head of Contemporary Music at the house) has curated another divinely diverse program spanning genres, generations and geographies – featuring everything from Detroit techno to Arnhem Land surf rock and the one and only Erika de Casier. In the Concert Hall, indie icon Mitski will headline four sold-out nights, performing in-the-round with songs from her new album Nothing’s About to Happen to Me alongside all-time fan faves. Meanwhile, Matt Berninger – best known as the frontman of The National – will deliver a rare, intimate set featuring material from his reflective solo album Get Sunk. Scottish post-rock pioneers Mogwai will celebrate 30 years together with a career-spanning performance, while Yolŋu rock heroes King Stingray make their Opera House debut (indoors at least, they opened for Parcels on the...