Max your summer in Sydney

Dear gentle readers, if you’ve ever imagined being Her Majesty Queen Charlotte’s diamond of the season, then here’s your chance. While a trip back to Regency-era London isn’t on the cards, Pandora is set to bring the world of Bridgerton to life with an immersive pop-up at Queen Victoria Building from February 3 to March 8. Alongside the pop-up comes a swoon-worthy 14-piece collection inspired by the Netflix hit series, giving fans the chance to take a little piece of finery home – and you might even spot your new jewellery in the hotly anticipated fourth season, of which the first part lands in late January.  Drawing on the lavish universe of Shonda Rhimes’ period romp, the Pandora and Bridgerton Rules to Love By collection reimagines classic Regency-era jewellery through a modern lens. Crafted in 100 per cent recycled sterling silver and 14k gold plating, the range will feature pearls, bows and crystal accents in pastel shades, including lilac wisteria (a Bridgerton staple). There’ll be everything from ear climbers to necklaces, adorned with hand-finished flowers that nod to the secret love messages of Regency romance.  Watch the Pandora QVB space transform to a salon gorgeous enought to make all the ladies of the ton jealous. The QVB's romantic architecture is already a step back in time, but now the Pandora store will be adorned with wisteria wallpaper and flourishing wall mouldings. Don't miss the regal ceiling-to-floor drapery that's perfect to snap a pic in front...

The question of meaning has long shaped the human condition, at once a source of existential anxiety and a catalyst for some of the world’s most powerful artistic expression. For some, purpose is not pursued but inherited – something life quietly unfolds in its own time, revealing itself only in hindsight. For others, it is a relentless obsession, a restlessness that has driven monks, scholars and countless others towards faith, philosophy and protest in the hope of naming and securing it. Whatever the path, one thing remains certain: purpose is a question that sits within all of us.  Sydney Theatre Company has built a reputation for championing African American voices, staging landmark works by writers such as August Wilson (Fences, 2023) and Lorraine Hansberry (A Raisin in the Sun, 2022). While those productions connected Australian audiences with enduring American classics, Purpose offers a voice unmistakably of the present, one grappling with the complexity of living in a world that is hyper-aware of itself.  The play premiered on Broadway in the 2024-25 season, winning the 2025 Tony Award for Best Play and the Pulitzer Prize for Drama. It's rare for Australian audiences to encounter work with such immediacy; more often, international successes arrive years after their debut. Its programming signals that new artistic director Mitchell Butel may be shaping a tenure characterised by currency. At a moment when conversations around race, human rights, identity, politics...

A dazzling blood moon eclipse is coming our way on Tuesday, March 3 – and the Sydney Observatory is inviting you to its watch party. From 8-11.30pm, the Observatory will host a stellar (get it?) event: Lunar Eclipse Live: Sydney to Nagoya. In a very cool international collaboration, our Powerhouse Museum is teaming up with Nagoya City Science Museum in Japan to livestream the eclipse. You’ll be able to compare Sydney’s view with Nagoya’s in real time – and, yes, the moon really does look a little different depending on where you’re located. You’ll get a chance to peer through telescopes at the Observatory to watch the moon slip into Earth’s shadow and turn a dramatic shade of red for 58 mesmerising minutes. Peak eclipse is set to hit at 10.33pm, when the moon will glow its deepest crimson above Sydney Harbour. This is the last total lunar eclipse until December 2028 – so it’s kind of a big deal. It's your chance to chat with the legends from the Sydney City Skywatchers and professional astronomers. It’s relaxed, it’s outdoors and it’s completely free. Bring a picnic blanket or camping chair, rug up and settle in for a cosmic show. Just keep an eye on the forecast – if the clouds roll in, the moon might play hide and seek. While the event is free, you do need to book your spot here. Stay in the loop: sign up for our free Time Out Sydney newsletter for more news, travel inspo and activity ideas, straight to your inbox. RECOMMENDED: Love nature? Check out these cool...

"You paid a hundred and sixty thousand euros for this shit?" Marc asks his old friend Serge at the start of Lee Lewis’s restaging of the 1994 satire by French writer Yasmina Reza, Art. It feels sort of meta to be reviewing and speaking to a show whose literal tagline is “Everyone’s a critic. Especially your friends.” But, here we are.   Art has been having its own sort of renaissance on world stages, with the most recent revivals featuring three well-known male celebrities to draw in crowds. In London, it was Rufus Sewell, Paul Ritter and Tim Key, while on Broadway it was Neil Patrick Harris, James Corden and Bobby Cannavale. Australian audiences have been gifted with three long-time friends and collaborators Richard Roxburgh (Rake, The Correspondent), Damon Herriman (Justified, Together), and Toby Schmitz (Boy Swallows Universe, Gaslight). It’s a massive drawcard for audiences to have three actors of this calibre together on stage in a play about the worth of art and what holds together a friendship. And it’s one that has been proving to be working, if the “House Full” sign that’s been sitting outside Sydney Theatre Company’s Roslyn Packer Theatre during previews is anything to go by. What type of show is Art? Marc (Roxburgh) is filled with “some indefinable unease” by his friend Serge’s (Herriman) most recent extravagant spend on a painting that essentially appears to be a blank, white canvas. It’s the recurring gag, the somewhat theatrical McGuffin to Reza’s satiric...

If you've ever wondered what would happen if a kid's drawing of their wildest dream utopia suddenly came off the page and into real life, you're in luck, because that's pretty much what's happening right now beneath the Art Gallery of NSW.  Artist and professional disruptor Mike Hewson has taken over the weird subterranean world of The Tank with his one-of-a-kind new exhibition, Mike Hewson: The Key's Under the Mat, where for the first time ever, all the main lights in the normally pitch-dark Tank will be switched on, revealing a weird wonderland of interactive art pieces and play equipment that have to be seen to be believed. We're talking: A steam room with stained glass windows that you can actually sit in, a functioning sauna with bespoke church pews, five actual operating public barbeques that you can cook on, rushing water to play in (seriously, bring your swimmers), a working laundry,  and a free-to-use recording studio, plus a whole plethora of bright and delightful surprises that are all about getting community together, to do cool stuff, for free. Basically, break your imagination and delete all adult expectations. This is unlike anything we've ever seen.  Kids who aren't afraid of some risk are also one of Hewson's big targets with this show (although parents, rest easy, the floor is specially made out of recycled soft rubber that's rated for use in public playgrounds), with the space also home to a wild children's playground. Intrepid kidlets can test their...

The Art Gallery of New South Wales is one of our fave places to hang out year-round – and this December it welcomes a banging new exhibition from Melbourne-born artist Ron Mueck. Ron Mueck: Encounter is the artist’s largest exhibition ever in Australia, bringing together a stunning selection of his hyperreal human sculptures from around the globe.  The life-like and scaled up sculptures aim to challenge perceptions by offering a profound and observational look at the human experience. Grounded in realism, the captivating figures tenderly embody themes such as birth, death, alienation and togetherness.  After making his start in children’s television, Mueck trained under Jim Henson (The Muppets) in puppeteering and model making where he made a name for himself on major projects including Sesame Street and the film Labyrinth. Soon after he relocated to London to run his own animatronic studio, before finding his way to figurative sculptures in the late ‘90s and revitalising the medium.  Ron Mueck: Encounter runs daily from December 6 to April 12, 10am–5pm, and until 10pm on Wednesday nights, as part of the Sydney International Art Series, a government initiative that teams up with Destination NSW to bring the world’s most prolific artists exclusively to Sydney. Tickets are $35 for adults on weekdays, $37 on weekends and public holidays, with two-for-one Art After Hours deals on Wednesday evenings, or $45 flexi tickets (which are un-dated single entry tickets). You can book...

Hate supermarket shopping? You’ll love browsing these aisles of The Grocery Store – an exhibition of inedible goods instead. This fake supermarket is packed with very real food-themed art and it’s the most fun grocery run you’ll ever do. Get to Marrickville's Voluptuary Ceramics studio for this immersive, retro-kitsch exhibition. More than 20 Australian artists have reimagined everyday supermarket staples into covetable artworks through ceramics, sculpture, photography, painting, print and textiles. Nothing is edible; everything is collectible.  Wander the aisles to find ceramic milk cartons, oil-painted mangoes, pasta clocks, glittering fish combs and even asparagus wall hooks. It’s surreal, it's tongue-in-cheek, it's the mundane made magnificent. New works are being added throughout the run, so no two visits are quite the same. The exhibition runs daily until March 15 and entry is free. Find out more here.  Stay in the loop: sign up for our free Time Out Sydney newsletter for more news, food & drink inspo and activity ideas, straight to your inbox. RECOMMENDED:  Want more? These are the best art galleries in Sydney to visit Make a day of it with these fun things to do in Marrickville  Grab a bite later at any of the Marrickville restaurants on this list

Sydney’s immersive art scene is on the up and up, with Balloon Story, Museum of Illusions and Mike Hewson’s The Key’s Under the Mat all alive and kicking in the Harbour City. Now, there’s more. Landing right in the middle of the CBD, DigiPark is a brand-new digital playground that blends science, art, education and entertainment into one futuristic, all-ages experience. Fresh from huge success across Asia, this is the first DigiPark to open in Australia, bringing 19 interactive attractions to Level 5 of Westfield Sydney, just steps from the centre’s ever-busy food precinct. Highlights include the Space & Time Cube, a trippy 3D holographic tunnel that pulls you into a swirling world of light and colour, and the Orbital Cinema (7D) – a flying adventure powered by a massive 180-degree curved screen, motion seats and special effects like wind, vibration and water spray (no VR headset required). There’s also a 3D Figurine Creator Studio, where you can scan yourself and walk away as a custom mini digital avatar, plus dreamy installations like Wandering Planet, Cosmic Space and the Holographic Studio, which blur the line between reality and the virtual world. According to DigiPark’s Head of Sales and Marketing, Jacques Wong, the venue is designed to hook everyone from curious kids to culture-hungry adults – with VR, holograms, kinetic light art, digital play and 3D printing all under one roof. Open seven days a week from 10am to 10pm, DigiPark welcomes all ages (kids under 12...

If you’re craving something surreal to snap you out of reality for an hour or so, Sydney’s recently opened Museum of Illusions has got your back. The first Aussie outpost of the global concept, this interactive exhibition invites visitors to step into gravity-defying rooms, giant 3D illusions, mind-bending perspective zones, holograms and other sensory experiences – in a vast space spanning over 900 square metres in the heart of the CBD.With more than 80 unique exhibits to explore, the museum doesn’t directly follow its global siblings – it’s packed with bespoke Sydney-inspired rooms that you won’t find anywhere else. There’s a ‘Reversed Room’ inspired by a classic Aussie pub, a ‘Building Illusion’ which echoes Sydney’s iconic skyline, and an immersive exhibit called ‘Following Eyes’ – a playful nod to sunscreen-slapping beach days. Part science, part spectacle, part pure fun, the Museum of Illusions is perfect for families, curious minds, and any office worker who’s finding the return to work a little tricky. Whether you’re chasing an escape from the here and now or an Instagram goldmine, or you’re just keen to see your friends wobble in a room that defies gravity, it’s a one-stop shop for awe, giggles and head-scratching wonder. The experience is open now at 413 George Street in Sydney’s CBD, with regular admission tickets for $47 and family tickets offering slightly reduced rates. We’d suggest giving around 60–90 minutes for wandering, posing, and rethinking the laws of...

Sydneysiders don’t need many excuses to roll out a picnic rug, pop a bottle of pét-nat and spend a balmy evening under the stars – but this summer, Moonlight Cinema is making an especially solid case. Australia’s most well-established outdoor movie night is officially turning 30, and to celebrate, it’s handing the programming reins over to the people. Yep: for the first time ever, you get to help shape the season’s line-up. Since its debut back in 1995 – opening with a now-iconic screening of Pulp Fiction – Moonlight Cinema has become a staple of the Sydney summer. More than five million people have sprawled across the lawns since then: first dates, proposals, celeb sightings, and countless delighted doggos who’ve come to expect their own bean bag and biscuit as standard. This year, the beloved Belvedere Amphitheatre in Centennial Parklands will once again transform into one of the Harbour City’s most picturesque open-air theatres, with films running throughout the summer from Friday, November 21, 2025 to Sunday April 5, 2026. And while the November–December program is already on sale, the real thrill lies in The People’s Program – a nationwide vote to decide which nostalgic favourites will hit the big screen from January through March. Voting is now open, with film choices including Shrek, Dirty Dancing, The Castle, Jurassic Park and more. Everyone who casts a vote gets 30 per cent off General Admission to People’s Program screenings – plus a shot at winning a Double...