Max your summer in Sydney

Dear gentle readers, if you’ve ever imagined being Her Majesty Queen Charlotte’s diamond of the season, then here’s your chance. While a trip back to Regency-era London isn’t on the cards, Pandora is set to bring the world of Bridgerton to life with an immersive pop-up at Queen Victoria Building from February 3 to March 8. Alongside the pop-up comes a swoon-worthy 14-piece collection inspired by the Netflix hit series, giving fans the chance to take a little piece of finery home – and you might even spot your new jewellery in the hotly anticipated fourth season, of which the first part lands in late January.  Drawing on the lavish universe of Shonda Rhimes’ period romp, the Pandora and Bridgerton Rules to Love By collection reimagines classic Regency-era jewellery through a modern lens. Crafted in 100 per cent recycled sterling silver and 14k gold plating, the range will feature pearls, bows and crystal accents in pastel shades, including lilac wisteria (a Bridgerton staple). There’ll be everything from ear climbers to necklaces, adorned with hand-finished flowers that nod to the secret love messages of Regency romance.  Watch the Pandora QVB space transform to a salon gorgeous enought to make all the ladies of the ton jealous. The QVB's romantic architecture is already a step back in time, but now the Pandora store will be adorned with wisteria wallpaper and flourishing wall mouldings. Don't miss the regal ceiling-to-floor drapery that's perfect to snap a pic in front...

If you've ever wondered what would happen if a kid's drawing of their wildest dream utopia suddenly came off the page and into real life, you're in luck, because that's pretty much what's happening right now beneath the Art Gallery of NSW.  Artist and professional disruptor Mike Hewson has taken over the weird subterranean world of The Tank with his one-of-a-kind new exhibition, Mike Hewson: The Key's Under the Mat, where for the first time ever, all the main lights in the normally pitch-dark Tank will be switched on, revealing a weird wonderland of interactive art pieces and play equipment that have to be seen to be believed. We're talking: A steam room with stained glass windows that you can actually sit in, a functioning sauna with bespoke church pews, five actual operating public barbeques that you can cook on, rushing water to play in (seriously, bring your swimmers), a working laundry,  and a free-to-use recording studio, plus a whole plethora of bright and delightful surprises that are all about getting community together, to do cool stuff, for free. Basically, break your imagination and delete all adult expectations. This is unlike anything we've ever seen.  Kids who aren't afraid of some risk are also one of Hewson's big targets with this show (although parents, rest easy, the floor is specially made out of recycled soft rubber that's rated for use in public playgrounds), with the space also home to a wild children's playground. Intrepid kidlets can test their...

Jay Gatsby invites you into the decadent world of The Green Light, nestled inside The Studio theatre of the Sydney Opera House, where the roaring '20s is reborn for an evening of decadence, debauchery and delight. Gatsby at the Green Light is back by popular demand and, with an extended run until March 2026, there’s clearly a demand for cabaret with a touch of elegance and plenty of grandeur.  What type of show is Gatsby at the Green Light? Based on F. Scott Fitzgerald’s classic text, The Great Gatsby, director Craig Ilott once more takes audiences into an exploration of the liquor-fuelled parties, yearning and lust of the illusive figure, Jay Gatsby, in an evening of professional cabaret. Ilott doesn’t so much play out the story of The Great Gatsby, but instead takes the crux of it – one of greed, love, decadence and the unreachable American Dream – to showcase some of the best talents in cabaret, aerial acrobatics, tap and circus. Set inside the fictionalised bar, The Green Light, designer Stuart Couzens creates a world that feels like you’ve stepped back into a speakeasy bar of Fitzgerald’s America. The three-tiered seating elements of Green Light mean that audiences have the choice of sitting back in the rafters and overseeing the party (much like the host himself) or the middle of the space set far enough back to see all but not be so close as to feel the intimacy of the stage.  Those who want to hear the heartbeat of the waiter-come-dancers around you, feel the heat...

The Art Gallery of New South Wales is one of our fave places to hang out year-round – and this December it welcomes a banging new exhibition from Melbourne-born artist Ron Mueck. Ron Mueck: Encounter is the artist’s largest exhibition ever in Australia, bringing together a stunning selection of his hyperreal human sculptures from around the globe.  The life-like and scaled up sculptures aim to challenge perceptions by offering a profound and observational look at the human experience. Grounded in realism, the captivating figures tenderly embody themes such as birth, death, alienation and togetherness.  After making his start in children’s television, Mueck trained under Jim Henson (The Muppets) in puppeteering and model making where he made a name for himself on major projects including Sesame Street and the film Labyrinth. Soon after he relocated to London to run his own animatronic studio, before finding his way to figurative sculptures in the late ‘90s and revitalising the medium.  Ron Mueck: Encounter runs daily from December 6 to April 12, 10am–5pm, and until 10pm on Wednesday nights, as part of the Sydney International Art Series, a government initiative that teams up with Destination NSW to bring the world’s most prolific artists exclusively to Sydney. Tickets are $35 for adults on weekdays, $37 on weekends and public holidays, with two-for-one Art After Hours deals on Wednesday evenings, or $45 flexi tickets (which are un-dated single entry tickets). You can book...

Somebody pop the Champagne, because the world's most beautiful outdoor cinema will be back by the harbourside, running over 47 nights from January 9 to February 24 – and tickets are now on sale. Westpac OpenAir will once again take over Mrs Macquaries Point this summer, with panoramic views of the Sydney Opera House and Sydney Harbour Bridge as its staggering backdrop.  The line-up features everything from old-school hits to cult classics and brand-new Aussie debuts, including films like Dirty Dancing, Marty Supreme, Mission: Impossible – The Final Reckoning, Hamnet and 10 Things I Hate About You. You can check out the full program here.  Meanwhile, there’s more than just iconic views and the latest blockbusters in store, with a bunch of excellent food and drink offerings available for every budget. Think fresh seafood and Spritzes at The Chandon Garden, a lush waterfront restaurant by acclaimed chef Danielle Alvarez called Summer House Dining, and a classy dining terrace for Westpac customers. A heads-up that you’ll need to book your spot in advance.Just after a sundowner? Then order a beer (or an entire bottle of Champagne, ice bucket and all) and settle in for a film screening projected on the huge 350-square-metre, three-storey-high screen that lights up as night falls over the harbour.  If you really want a run-up for the view, take a stroll through the Royal Botanic Gardens on your way to the cinema (but word to the wise, don't leave it too late, lest you be caught...

Pretty Woman: The Musical has arrived at the Theatre Royal for its Sydney debut. Directed by two-time Tony Award winner Jerry Mitchell, the feel-good stage spin of the classic film will leave you dancing in your seat, if not deeply moved. What the production sometimes lacks in depth, it makes up for in nostalgia, charm and good vibes. What is the premise of Pretty Woman: The Musical? The production follows Vivian Ward (Samantha Jade), a sex worker working on Hollywood Boulevard to survive. Despite her edgy exterior, Vivian dreams of a life captured in the song ‘Anywhere But Here’. Her luck begins to change when she meets businessman Edward Lewis (Ben Hall). What starts as a one-night business transaction turns into a longer deal – for $3000, Vivian becomes Edward’s partner for six days, while he secures a business deal, all whilst staying in the glamourous penthouse suite of the Beverly Wilshire Hotel. The mix of business, pleasure and pastel sunsets results in a cocktail of romantic fantasy, class mismatch and questions about who is really saving whom. Who are the cast and crew of Pretty Woman: The Musical? In her theatrical debut, singer-songwriter Samantha Jade is Vivian, opposite Ben Hall’s Edward. The pair have moments of flirtatious charm, which show glimmers of chemistry, but struggle to transition this spark into the sweeping passion the narrative is reaching for by its final scenes. Jade and Hall are supported by Tim Omaji as Happy Man/Mr Thompson, and Michelle...

Sydney’s immersive art scene is on the up and up, with Balloon Story, Museum of Illusions and Mike Hewson’s The Key’s Under the Mat all alive and kicking in the Harbour City. Now, there’s more. Landing right in the middle of the CBD, DigiPark is a brand-new digital playground that blends science, art, education and entertainment into one futuristic, all-ages experience. Fresh from huge success across Asia, this is the first DigiPark to open in Australia, bringing 19 interactive attractions to Level 5 of Westfield Sydney, just steps from the centre’s ever-busy food precinct. Highlights include the Space & Time Cube, a trippy 3D holographic tunnel that pulls you into a swirling world of light and colour, and the Orbital Cinema (7D) – a flying adventure powered by a massive 180-degree curved screen, motion seats and special effects like wind, vibration and water spray (no VR headset required). There’s also a 3D Figurine Creator Studio, where you can scan yourself and walk away as a custom mini digital avatar, plus dreamy installations like Wandering Planet, Cosmic Space and the Holographic Studio, which blur the line between reality and the virtual world. According to DigiPark’s Head of Sales and Marketing, Jacques Wong, the venue is designed to hook everyone from curious kids to culture-hungry adults – with VR, holograms, kinetic light art, digital play and 3D printing all under one roof. Open seven days a week from 10am to 10pm, DigiPark welcomes all ages (kids under 12...

Sydneysiders don’t need many excuses to roll out a picnic rug, pop a bottle of pét-nat and spend a balmy evening under the stars – but this summer, Moonlight Cinema is making an especially solid case. Australia’s most well-established outdoor movie night is officially turning 30, and to celebrate, it’s handing the programming reins over to the people. Yep: for the first time ever, you get to help shape the season’s line-up. Since its debut back in 1995 – opening with a now-iconic screening of Pulp Fiction – Moonlight Cinema has become a staple of the Sydney summer. More than five million people have sprawled across the lawns since then: first dates, proposals, celeb sightings, and countless delighted doggos who’ve come to expect their own bean bag and biscuit as standard. This year, the beloved Belvedere Amphitheatre in Centennial Parklands will once again transform into one of the Harbour City’s most picturesque open-air theatres, with films running throughout the summer from Friday, November 21, 2025 to Sunday April 5, 2026. And while the November–December program is already on sale, the real thrill lies in The People’s Program – a nationwide vote to decide which nostalgic favourites will hit the big screen from January through March. Voting is now open, with film choices including Shrek, Dirty Dancing, The Castle, Jurassic Park and more. Everyone who casts a vote gets 30 per cent off General Admission to People’s Program screenings – plus a shot at winning a Double...

Sydney is stepping up its game when it comes to immersive experiences, with the Art Gallery of NSW’s Mike Hewson exhibition attracting global attention, Museum of Illusions landing with a splash in the CBD, and now, a huge new playground formed of 500,000 carefully curated balloons opening its doors at Sydney Olympic Park. Fresh from a record-breaking New York season that turned the Park Avenue Armory into a 30,000-square-foot fantasy universe, this joy-fuelled, art-meets-play exhibition has arrived in Sydney.Balloon Story is a fully immersive journey through time and imagination, where every room is built at cinematic scale using hundreds of thousands of biodegradable balloons. You’ll wander from prehistoric jungles and dinosaur-filled landscapes to ancient civilisations, underwater worlds and cosmic cities, all sculpted entirely from air and colour. For the Australian season, expect all-new local content too, with balloon-built tributes to some of our most iconic buildings, places and stories. Hailed overseas as “the most joyful exhibition of the year”, Balloon Story is designed to delight. It’s hugely photogenic and clearly engineered by people who take balloons very, very seriously (we’re talking an international team of creative directors, balloon engineers and immersive design pros). Keen? The team suggests that visitors allow around 60 to 90 minutes to explore the whole experience – though don’t be surprised if the kids hang around for longer trying to get the...

If you’re craving something surreal to snap you out of reality for an hour or so, Sydney’s recently opened Museum of Illusions has got your back. The first Aussie outpost of the global concept, this interactive exhibition invites visitors to step into gravity-defying rooms, giant 3D illusions, mind-bending perspective zones, holograms and other sensory experiences – in a vast space spanning over 900 square metres in the heart of the CBD.With more than 80 unique exhibits to explore, the museum doesn’t directly follow its global siblings – it’s packed with bespoke Sydney-inspired rooms that you won’t find anywhere else. There’s a ‘Reversed Room’ inspired by a classic Aussie pub, a ‘Building Illusion’ which echoes Sydney’s iconic skyline, and an immersive exhibit called ‘Following Eyes’ – a playful nod to sunscreen-slapping beach days. Part science, part spectacle, part pure fun, the Museum of Illusions is perfect for families, curious minds, and any office worker who’s finding the return to work a little tricky. Whether you’re chasing an escape from the here and now or an Instagram goldmine, or you’re just keen to see your friends wobble in a room that defies gravity, it’s a one-stop shop for awe, giggles and head-scratching wonder. The experience is open now at 413 George Street in Sydney’s CBD, with regular admission tickets for $47 and family tickets offering slightly reduced rates. We’d suggest giving around 60–90 minutes for wandering, posing, and rethinking the laws of...