Max your summer in Sydney

Love, for all its risks, is rarely framed as something unsettling or dangerous. Desire, hope and care are often gathered together in pursuit of joy. Though sometimes what emerges is darker: love can shift your sense of self, clouded by danger, deceit and dread. The River, directed by Margaret Thanos, explores the space between desire and deceit in an evocative introspection on love. Written by Tony Award-winning playwright Jez Butterworth, the production forces the audience to confront not only what love reveals, but what it conceals. What is the premise of The River? The Man (Ewen Leslie) and The Woman (Miranda Otto) spend a weekend together at his remote cabin by a river. He is eager to share a particular fishing expedition with her – one that can only happen at night, with no moon. As the play unfolds, what begins as ripples of a tender, romantic escape becomes more uncertain – an estuary sifting through contradiction, manipulation and honesty. The production never fully decides what it wants to be – a romance, a tragedy, or something in between. While these questions linger, Thanos’s creative vision allows the ambiguities to become an asset, giving the audience space to remain in the uneasy territory between desire and distrust, where each confession feels both revelatory and suspect. Rather than resolving its tensions, the production lets them pool and deepen, leaving the audience suspended – albeit a little too long – in its murky emotional currents. Who are the cast...

It seems that across time, the pursuit of creative expression has often been, in itself, an act of rebellion and self-sacrifice. Writers and artists rarely live lives of stability or wealth, and yet, in humanity’s most uncertain and desperate moments, it is to poetry, theatre and art that we turn to make sense of the world. The relentless act of writing, of shaping and sharing one’s perspective on life, still carries a quiet defiance, even in a technological age where everyone has a keyboard and an opinion. It is perhaps for this reason that My Brilliant Career continues to resonate today. Since its publication in 1901, the novel has been adapted across multiple forms, including film and stage, with a television adaptation currently in development by Netflix. Now, it’s on at Sydney Theatre Company’s Roslyn Packer Theatre. What is the premise of My Brilliant Career? This award-winning iteration of My Brilliant Career, which debuted at Melbourne Theatre Company in 2024, is a musical theatre adaptation with a book by Sheridan Harbridge and Dean Bryant, music by Mathew Frank, and lyrics by Bryant. It follows Sybylla Melvyn (Kala Gare, SIX the musical), a fiercely independent young woman growing up in rural Australia in the 1800s. Chafing against the limitations placed on her as a woman – particularly the expectation that she should marry for security – Sybylla dreams instead of becoming a writer and forging a life of her own making. As she navigates family hardship, social...

Thought-provoking. Boundary-pushing. Unapologetically disruptive. The elusive yet world-famous street artist Banksy has another exhibition coming to Sydney. If you missed the chance to see The Art of Banksy: Without Limits at Sydney Town Hall in 2024, you’re in luck. Banksy Limitless opens at The Rocks (155 George Street) on April 1, 2026 for a limited season, following a sold-out run in London.  This new showcase features more than 250 works, large-scale installations, sculptures, digital displays – plus an impressive state-of-the-art hologram experience. Visitors can uncover untold stories behind iconic works including Cinderella at Dismaland, London Zoo and Ice Cream Van, while immersive rooms and bold visual storytelling invite audiences to step inside Banksy’s provocative universe. Renowned for his sharp wit and unflinching social commentary, Banksy continues to challenge perspectives on politics, culture and human rights. In keeping with his humanitarian ethos, a portion of proceeds from Banksy Limitless will support the M.V. Louise Michel, an independent high-speed lifeboat rescuing migrants in distress. So much more than a traditional exhibition, Banksy Limitless is a powerful, multi-sensory experience that will pull you in. Don't miss it.  Ticket prices are from $42 for adults, $30 for children. Get your tickets here. Stay in the loop: sign up for our free Time Out Sydney newsletter for more news, travel inspo and activity ideas, straight to your inbox....

Anastasia (1997) was among the first musical films I knew in its entirety. While many children frolicked to Timon and Pumbaa’s playful anthem in The Lion King, I was instead reenacting “Once Upon a December” in my living room, captivated by a heroine whose quiet determination carried her through danger and uncertainty. At the time, I could not have anticipated how deeply this film would shape my relationship with musical theatre. “Journey to the Past” soon became a staple audition piece, and Anya’s unwavering belief in her own worth quietly informed my own developing sense of confidence.  What I did not yet understand, however, was the historical context behind the story: the execution of the Russian imperial family in 1918 and the long-standing myth that Grand Duchess Anastasia Romanov survived. The 1997 animated film leans fully into fantasy, using magic and spectacle to distance itself from historical reality. The stage musical, which premiered on Broadway in 2017 with a book by Terrence McNally and music and lyrics by Stephen Flaherty and Lynn Ahrens, takes a different approach, removing the supernatural elements in favour of a more realistic political setting. This creative decision has lingered uneasily over the production since its premiere, inviting criticism for its revisionist narrative – a species of theatrical “fake news,” further undermined by the musical’s questionable commitment to American accents. In performance, now at Sydney Lyric Theatre, this shift...

If you've ever wondered what would happen if a kid's drawing of their wildest dream utopia suddenly came off the page and into real life, you're in luck, because that's pretty much what's happening right now beneath the Art Gallery of NSW.  Artist and professional disruptor Mike Hewson has taken over the weird subterranean world of The Tank with his one-of-a-kind new exhibition, Mike Hewson: The Key's Under the Mat, where for the first time ever, all the main lights in the normally pitch-dark Tank will be switched on, revealing a weird wonderland of interactive art pieces and play equipment that have to be seen to be believed. We're talking: A steam room with stained glass windows that you can actually sit in, a functioning sauna with bespoke church pews, five actual operating public barbeques that you can cook on, rushing water to play in (seriously, bring your swimmers), a working laundry,  and a free-to-use recording studio, plus a whole plethora of bright and delightful surprises that are all about getting community together, to do cool stuff, for free. Basically, break your imagination and delete all adult expectations. This is unlike anything we've ever seen.  Kids who aren't afraid of some risk are also one of Hewson's big targets with this show (although parents, rest easy, the floor is specially made out of recycled soft rubber that's rated for use in public playgrounds), with the space also home to a wild children's playground. Intrepid kidlets can test their...

As the nights grow colder and my toddler at home seems permanently on the brink of the next illness, the effort it takes to leave the house can feel outsized. There is comfort in staying put, wrapped in something soft, conserving energy for the long nights ahead. What tempts me out anyway is the possibility that a show might meet me where I am (usually tired, frayed, vulnerable) and change my mood or shift my mindset. Gutenberg! The Musical!, now showing at Hayes Theatre, does exactly that, reminding me how deeply restorative it can be to laugh, to be surprised, and to feel briefly, gloriously lighter. What is the premise of Gutenberg! The Musical!? Gutenberg! The Musical! centres on two hopelessly enthusiastic writers, Bud (Ryan Gonzalez, In The Heights) and Doug (Stephen Anderson, Titanique), who have created a loose, logistically impossible musical about the life of Johannes Gutenberg, the inventor of the printing press, and are desperate to get it produced. The premise is gleefully meta: the audience is positioned as a room full of potential Broadway producers invited to a showcase, while the two performers play not only themselves but every role in their historically questionable show. Armed with nothing but baseball caps to signify characters and an unwavering belief in their own genius, Bud and Doug’s earnest ambition drives the comedy, as the musical becomes less about Gutenberg himself and more about the absurd, scrappy devotion of theatre-makers willing to do...

With all the doom and gloom in the world today, we sure could use a belly laugh. Good news – the Sydney Comedy Festival is turning 21 and you're invited to the celebrations from April 13 to May 17, 2026. That’s five glorious weeks and more than 400 shows that guarantee plenty of LOLs.  SCF has two exclusives this year: Star power shines through the likes of Tiffany Haddish who brings her stand-up to the State Theatre on April 25 and the Enmore Theatre on April 26. And, if you loved the 2024 Netflix hit Baby Reindeer, catch its creator Richard Gadd for a special in-conversation event at the Sydney Opera House on May 11. Consider your funny bone officially tickled. We’re super happy to report that the Sydney Comedy Festival Comedy Crawl is back with six offerings across top-notch bars. Led by a stellar host, you will join a group and proceed to sip and laugh your way from one bar to the next for bite-sized comedy sets. All sessions sold out in 2025, so get in quick.  Love seeing multiple acts in one night? The Comedy Gala is for you – with a massive show at the Sydney Opera House and the closing event at Enmore Theatre. Also returning is Comedy Gala on the Green at Darling Harbour's Tumbalong Park on April 18, with global superstars and the delightful Guy Montgomery as host. Make sure to return the very next day for the outdoor comedy showcase Great Laugh in the Park (April 19). Kids will get a hoot out of seeing ABC Kids' Giggle and Hoot host Jimmy Rees OAM and their fave...

The opening note of ‘The Circle of Life’ may just be one of the most recognisable in a Disney musical. If you don’t agree, then you may have to convince the entire theatre-going audience who were at Disney’s The Lion King on opening night. The full house’s roars could be heard all the way out of the Capitol Theatre’s front doors as the king of musicals triumphantly returned to Sydney – the first time in more than a decade. What type of show is The Lion King? It’s called The King of Musicals for a reason. If it’s not Elton John’s iconically recognisable music, or Tim Rice’s lyrics you’ve sung over a late-night karaoke session, then its Roger Allers and Irene Mecchi’s book featuring the characters you love, the characters you hate, and the ones you undoubtedly cry over – tears were definitely still shed during that scene. What’s so beautiful about The Lion King is the blurring of worlds and culture that merges in between all of these. Julie Taymor’s directorial conception blends African culture, language, movement and costume underneath masks and puppetry of the animal characters. Mufasa’s “crown” is a stoic, strong and towering headdress. The elegant lionesses soar and leap through the sky through Garth Fagan’s choreography as wing-like gowns flow behind them. The animals of Pride Rock are adorned with larger-than-life puppets of intricate designs and architecture: a re-engineered bicycle becomes leaping antelope, birds fly above the crowd on poles manipulated by...

After a cancellation the previous evening due to the raging storm and winds, the opening night of The Phantom of the Opera was looking dire. But magically at the stroke of 6pm, when the team of Opera Australia’s Handa Opera rolled out the red carpet, the rain dissipated and a warm setting sun floated over Sydney Harbour. The Phantom still has magic left up his sleeve after all. Phantom of the Opera on Sydney Harbour represents that age-old maxim, “The show must go on”. And go on The Phantom of the Opera shall! Rain, wind, or sun, the show is at the mercy of nature, but overcoming the natural challenges from Mother Nature makes it all the more thrilling to witness. Every outdoor spectacle presented by Handa Opera is consistently infused with decadence, and this restaging of Andrew Lloyd Webber’s classic is no different. This is a highbrow spectacle at its most luxurious. What type of show is The Phantom of the Opera? The musical version of the mysteriously masked Phantom living beneath the Paris Opera House has captivated audiences around the world for 40 years. His obsession with the young Christine Daaé and subsequent devious nurturing of her talents has played to more than 160 million people in 58 territories and 205 cities in 21 languages.  As a character, Christine is at the mercy of the men she’s surrounded by. Be it the Phantom’s obsessive love, her saviour in the shape of Raoul, Vicomte De Chagny, or the whims of the new owners of the Paris Opera House, Monsieur...

The Biennale of Sydney returns for its 25th edition from March 14 to June 14, 2026 – and, as always, it’s completely free. Titled Rememory, this year’s festival is curated by internationally renowned artistic director Hoor Al Qasimi. Inspired by the writing of Toni Morrison, the theme explores how memory and history shape who we are. Through powerful artworks from Australia and around the world, artists reflect on their roots to connect with communities by telling their stories. At its heart, Rememory shines a light on voices that haven’t always been heard. It highlights First Nations stories, diverse diasporas and the layered histories that have shaped Australia.  As Australia’s largest contemporary art event, the Biennale stretches across five major venues: White Bay Power Station, Art Gallery of New South Wales, Chau Chak Wing Museum at the University of Sydney, Campbelltown Arts Centre and Lewers: Penrith Regional Gallery. Extra talks, performances and events will pop up across Greater Sydney, with a big opening night concert, Lights On, kicking things off at White Bay Power Station on March 13. This year's festival features 83 collaborations from artists across 37 countries, including Australia, New Zealand, India, Lebanon, Argentina and Ethiopia. Expect large-scale installations, immersive works and site-specific pieces from both international and Australian artists. A major highlight is the Ngurrara Canvas II at the Art Gallery of NSW – an 80-square-metre...