Max your summer in Sydney

Summer is here, and to celebrate the first Saturday of the silly season, the City of Sydney is throwing a pool-centric extravaganza that's almost too good to be true. For the entire day of Saturday, December 6, you can enter all of the City of Sydney's amazing pools for free. That's right. $0. Also, they're slinging free gelato too. This is not a drill.  The Summer Open Day will pop off at six pools and world-class aquatic centres across the City of Sydney, from 6am to 8pm. With free gelato scoops getting slung at select pools from 11am to 2pm, and free icy poles at others all day (while stocks last), you can bet your bottom dollar that this is one Saturday where you're in for a treat.  Plus, to add to the fun, all the pools on the roster have some kind of fun activation, activities, games and special deals that will be running all day. From lawn games and a hammer challenge, to an ultimate Zumba party, there's no end to the summery surprises and all-round good times to be had on December 6, 2025.  The Summer Open Day is also an exciting opportunity for Sydneysiders to have a peek into the newly renovated Andrew (Boy) Charlton Pool, which is finally ready for swimming business. A gelato cart, games and one-day only specials on memberships and swim lessons will all be available at what is arguably Sydney's snazziest swimming pool.  Participating pools are: Andrew (Boy) Charlton Pool, The Domain Prince Alfred Park Pool, Surry Hills Ian Thorpe Aquatic Centre, Ultimo Victoria...

You know it's December when streets and suburbs across Sydney turn sparkly. But sometimes, it’s worth heading out of the city. For instance, just over two hours' north of Sydney you’ll find the Hunter Valley Gardens with its Christmas Lights Spectacular – the biggest Christmas lights display in the Southern hemisphere. Now in its 18th iteration, the Christmas Lights Spectacular is on from now to January 26, 2026 (note: it's closed on Christmas Day) – and is brighter than ever. It's got more than 4.5 million lights sparkling across eight acres, transforming the Gardens into a Christmas wonderland. There are illuminated pathways, immersive installations, festive food stalls and endless photo opportunities – including a towering 3-metre mistletoe (perfect for romantic moments, we say).  What's new in 2025? How about HO HO Harvest where you can wander through the Italian Grotto Garden for the first time; a playful Aussie Christmas cricket display with Santa and the elves playing a match; a Christmas tree farm with a new 6-metre Christmas tree centrepiece; and Santaville, where you can meet Santa and his helpers. Long-time favourites like Candyland, 12 Days of Christmas and family rides like the Spinning Teacups and Ferris Wheel are back. As for food, they'll have wood-fired pizza, tasty burgers and dumplings as well as sweet treats like donuts, churros and gelato on offer.  Christmas Lights Spectacular is on from 5.30pm till 10.30pm every day, except Christmas (with last...

Cue the jingle bells for your office commute: the beloved annual Martin Place Christmas Markets are back for 2025, kicking off on Thursday, November 27 and ending on Saturday, December 20. The merry CBD markets will then be held every Thursday, Friday and Saturday (and on one Sunday, November 30) leading up to Christmas (AKA the biggest day in Mariah Carey’s calendar). It's your chance to get gifts for your loved ones and support small businesses at the same time. How’s that for Christmas cheer? From ripe and juicy cherries to festive wreaths, deliciously scented candles, boutique wines, Christmas puddings, handcrafted jewellery and chic homewares, these markets are stacked with excellent stalls and passionate stallholders, set to bring festival cheer to even the most Grinch-identifying CBD worker. This year, they will also introduce a washable service system in partnership with Betizen, aiming to significantly reduce single-use waste.  You’ll find the Christmas markets in the pedestrian boulevard of Martin Place in the heart of the city – just above the huge Martin Place metro station.Stay in the loop: sign up for our free Time Out Sydney newsletter for more news, straight to your inbox. Get in the festive spirit with these Christmas markets running all throughout the November and December.

It’s hard to name a more iconic Australian live music venue than the Sydney Opera House. In fact, I dare you. And while the Concert Hall, Utzon Room and other architecturally stunning indoor spaces have their merits, a show on the Opera House forecourt – out in the air, with views across the harbour – is beyond special.Last year, the Sydney Opera House On The Steps series brought some of Australia’s most beloved musicians to the Opera House forecourt, with Crowded House, Troye Sivan, Missy Higgins and Tina Arena performing outside of the country’s most famous building, as well as global acts including Two Door Cinema Club, Declan McKenna and Glass Animals. For anyone lucky enough to attend, the On The Steps shows were a highlight of Sydney summer 2024 – gorgeous amber sunsets and joyful crowds gathered on the Mayan-temple-inspired steps to see their favourite artist perform in front of one of the world’s most beautiful city skylines. Now, the organisers have confirmed that On The Steps is coming back for 2025, with this year’s line-up looking better than ever.The first act confirmed to light up the steps for the 2025 summer season will be the iconic Scottish rock band Franz Ferdinand, who will be performing a one-off show on Wednesday, December 3. Franz Ferdinand’s forecourt show will be the first time they’ve performed in Australia since 2018, when they brought their distinct breed of post-punk indie rock on a tour around the country. Next up, the hugely talented British...

It’s part history, part drama – Belvoir St Theatre is taking Shakespeare’s The Tragedy of King Lear back to its roots. Named after one of the play’s original titles, The True History of the Life and Death of King Lear and his Three Daughters, reflects director Eamon Flack’s vision to portray more than the story of a king in power – rather, his succession (and the unravelling of it).  King Lear is on the edge of retirement. His plan is simple: pass the throne on to his three daughters who will each rule an equal portion of the kingdom. That is, until power and ego muddies the waters.  The highly anticipated Colin Friels (Into the Shimmering World) stars as King Lear, Alison Whyte (Death of a Salesman) as the Countess of Gloucester, Peter Carroll (Coriolanus) as Fool and they’re joined by an all-star 14-person ensemble. Watch The True History of the Life and Death of King Lear and his Three Daughters at Belvoir St Theatre from November 15 to January 4. Tickets start from $43 – you can book yours here.

In 2025, we're all rolling around in the screen-fuelled dystopia of the AI-verse, and things are feeling pretty weird. Strangely convincing videos and eerily-real (yet not quite) photos have taken over the internet, and with it, our collective perception of reality. Whether it's the current US President or your mum, there are few folks on the planet today who aren't grappling with the inane and mysterious powers of artificial intelligence. It is this truth that has launched the MCA's newest exhibition, aptly titled Data Dreams: Art and AI, an immersive and first-of-its-kind art show that will sweep through a series of interconnected gallery spaces in the MCA from November 21, 2025 through to April 27, 2026. Featuring the groundbreaking works of ten otherwordly artists from all around the world, Data Dreams is setting itself up to be a guide for all of us confused, bumbling humans who have suddenly found ourselves thrust into the AI age. Through immersive installations, AI-films and hallucinatory imagery, the exhibition aims to make you really and truly question what it means to exist in the AI era, and what we can expect from the years to come.  You'll be pointed through Big Questions, like how technology influences power, how our algorithims are shaping each of our individual world views, and how to navigate an illusory "reality".  The artists asking you to expand your mind come from all over, and each of them have something very fascinating to say. From palawa artist...

If you've ever wondered what would happen if a kid's drawing of their wildest dream utopia suddenly came off the page and into real life, you're in luck, because that's pretty much what's happening right now beneath the Art Gallery of NSW.  Artist and professional disruptor Mike Hewson has taken over the weird subterranean world of The Tank with his one-of-a-kind new exhibition, Mike Hewson: The Key's Under the Mat, where for the first time ever, all the main lights in the normally pitch-dark Tank will be switched on, revealing a weird wonderland of interactive art pieces and play equipment that have to be seen to be believed. We're talking: A steam room with stained glass windows that you can actually sit in, a functioning sauna with bespoke church pews, five actual operating public barbeques that you can cook on, rushing water to play in (seriously, bring your swimmers), a working laundry,  and a free-to-use recording studio, plus a whole plethora of bright and delightful surprises that are all about getting community together, to do cool stuff, for free. Basically, break your imagination and delete all adult expectations. This is unlike anything we've ever seen.  Kids who aren't afraid of some risk are also one of Hewson's big targets with this show (although parents, rest easy, the floor is specially made out of recycled soft rubber that's rated for use in public playgrounds), with the space also home to a wild children's playground. Intrepid kidlets can test their...

The Art Gallery of New South Wales’ newest exhibition – Dangerously Modern: Australian Women Artists in Europe 1890-1940 – spotlights 50 trailblazing females who were among some of the first to draw attention to the fact that women can make some pretty bloody great art too.  The speedy rate of industrialisation in the 19th century meant a major shift in European society. Artists used it as a chance to reject traditional themes like religion, and instead focused on fresh ways to portray individuals (in a time where it felt like machines were going to rule the world). Meanwhile, women used it as their ticket to pull a seat up at the table. The focus of the exhibition is specifically on our very own Australian and New Zealander artists who made the journey to Europe to immerse themselves in the modernist movement. Gallery-goers can peruse works from historic names like Nora Heysen, Margaret Preston and Grace Cossington Smith, and also witness the work of some lesser-known but equally important creatives like CL Allport, Justine Kong Sing and Stella Marks. Featuring celebrated and rediscovered paintings, prints, drawings, sculpture and ceramics, the exhibition includes work by celebrated artists such as Nora Heysen, Margaret Preston and Grace Cossington Smith, alongside lesser-known but equally compelling figures such as CL Allport, Justine Kong Sing and Stella Marks. Dangerously Modern’s run in Sydney spans all the way to mid-February so a hot (art) girl summer awaits. You...

For generations, the dynamics between women have been sidelined in theatre. Few classic plays explore the complexities of womanhood, the fraught relationships between mother and daughter, or, more specifically, the intricate bonds between Asian grandmothers, their daughters and their granddaughters. In cultures shaped by large joint families, where matriarchal relationships (often behind closed doors) deeply influence a woman’s identity, these stories are particularly rich – and yet rarely represented on stage. As a South Asian Australian woman who coincidentally named her daughter after her grandmother, I feel a connection to Merlynn Tong’s experimental exploration of her matriarchal ancestors in her new play, Congratulations, Get Rich!, an international collaboration between La Boite Theatre, Singapore Repertory Theatre and Sydney Theatre Company. What's the premise of Congratulations, Get Rich! Congratulations, Get Rich! kicks off inside Mandy’s (Merlynn Tong) ailing karaoke joint, Money Money Karaoke, where she and her relentlessly upbeat, pun-loving boyfriend Xavier (Zac Boulton) are staring down a make-or-break night. It also happens to be the seventh day of Chinese New Year – Human Day – and Mandy’s 38th birthday. As an ominous storm rolls in and the pipes begin to groan, the couple is plunged into sudden darkness. Out of that blackout emerge two very unexpected visitors: Mandy’s long-dead mother (Seong Hui Xuan) and grandmother (Kimie Tsukakoshi), returning as...

As I’m on my way to Sydney's Capitol Theatre for the new Australian production of The Book of Mormon, my friend tells me it’s the very first musical a lot of people see. Created by South Park duo Trey Parker and Matt Stone (with Robert Lopez), the show’s reputation for extremely irreverent jabs at religion draws a non-traditional theatre crowd. What I now realise my friend didn’t mean was, “it’s often the first musical kids see”. When I say the musical is extremely irreverent, I mean it. The humour is crass, verging on grotesque (some things I wouldn’t dare repeat). So it’s probably questionable that I’ve brought along my 13-year-old son with me. That said, he loves it.  Some of the humour is classic teen boy (i.e. a regular exclamation from one of the Ugandan characters that he has “maggots in my scrotum”). Very South Park. My son laughs loudly with the rest of the audience – and when the jokes go too far, he cringes, glancing around with a “should I be laughing at this?” look. Although the shock value is high, it’s nice seeing a Gen Alpha-ite who’s been raised on Youtube and other screen-based entertainment bopping along in his seat to the song and dance of a stage show.    What’s the premise of The Book of Mormon? The Book of Mormon tells the story of two young Mormon missionaries sent to a small village in Uganda. Although the story centres on Mormonism, Parker and Stone have been known to refer to the show as an “atheist’s love letter to religion” – a wink and a jab...