Max your summer in Sydney

Few things in life manage to bridge generational divides, and one of them is Animal Crossing. Whether you’re looking for activities these school holidays or feeling nostalgic for the hours spent catching fish on your Nintendo Switch, head to Darling Harbour from July 1 to August 23 to experience a dreamlike underwater world where your favourite virtual characters and the real marine world collide. Back by popular demand, the Animal Crossing: New Horizons experience returns with a fresh and even more immersive take, giving returning fans the perfect excuse to come back. Snap a pic with Isabelle, everyone's favourite secretary, or check out panels from Blathers about the aquarium’s real-world marine life. In between lessons, see if you can spot a washed-up Gulliver alongside giant cutouts of other island residents hiding around. You can also take part in a stamp rally inspired by the game. If you collect all the character stamps, you'll take home a postcard as a reward that’s worthy of a spot on the fridge.  Tickets start from $99 per family, with 30 per cent off until July 19. Plus, students save more than 50 per cent, with $24 tickets available weekdays anytime (outside school holidays) or every day after 3pm. The Animal Crossing: New Horizons experience at Sea Life runs for a limited time from July 1 to August 23, 2026. To learn more and get tickets, visit the Sea Life Sydney Aquarium website. To celebrate the return of The Animal Crossing: New Horizons experience, we're...

’Tis (almost) the season: Christmas may still be six months away, but you won’t have to wait that long for a festive-style fix. A new winter festival is landing at Hay St, bringing an ice-skating rink, winter cocktails and immersive events, from July 1 to August 2. The month-long celebration will see Hay St embrace the season with a special Winterfest menu as the market is decked out with twinkling lights, falling snow in a dedicated laneway, and a pop-up photo booth, where you can snap a souvenir pic to take home. Whether you’re a newbie or a pro, lace up for a 45-minute skate sesh on the synthetic ice rink. Tickets are $10 and include skates as well as a 25 per cent off voucher for food from any stall of your choice.  If you’re less of a skater and more of a spectator – especially when it comes to the hockey-player romance craze currently taking over our screens – Hay St is hosting a one-off American-themed Off Campus Party on Thursday, July 9. Take a study break and step into a real-life campus movie, with cheerleaders, hockey players and campus officers roaming the halls. Entry is $5, with a DJ spinning party tracks all night for anyone keen to hit the dance floor. As if you needed another reason to visit, the market is also hosting the most wholesome date-night activity, with two cosy nights of candlelit jazz performances on July 25 and August 1 from 6-9pm. Winterfest at Hay St runs every Wednesday to Sunday from July 1 to August 2, with free entry. Find out more here.

Isobel McArthur’s Pride & Prejudice* (*sort of) strips away the intellectual exclusivity of Jane Austen’s classic, not only making it accessible to a wide variety of audiences, but also making clear the sort of tools that Austen herself was using in her original novel: gender, satire, romance, and – most of all – comedy. There’s no Colin Firth here – but there are plenty of karaoke songs to hum along to. What is the premise of Pride & Prejudice* (*sort of)? Told by the servants who work tirelessly behind the main characters within Austen’s work, we’re given a slapstick comedy version of Pride and Prejudice. Dressed in white gowns with Doc Martens poking out underneath, the five-strong cast clean their way through the audience with yellow rubber gloves and individualised accents from across Great Britain. The fourth wall is destroyed immediately – they want you to be a part of the story. After a rather disturbing entrance involving a plunger and a rather messy toilet, Elvis Costello’s ‘Everyday I Write the Book’ launches us into literary territory and the premise is set up. Though you may only know the main characters of Pride and Prejudice, there were unsung heroes helping to push the Bennet sisters along their journey towards love and stability. Now, it’s their turn to tell a version of the events, with a song or two along the way – it’s best not to reason about the artistic merits or reasoning behind this addition, just go with it. Perhaps the jumbled selection of songs...

"They're creepy and they're kooky / Mysterious and spooky / They're altogether ooky / The Addams Family."  If you love that jingle and the famously freaky family associated with it, you'll be thrilled to know that The Addams Family is haunting Hayes Theatre, Potts Point until August 9. Cue dark humour and death stares in this in this Gothic musical comedy where love, family and chaos collide.  Brought to life by the acclaimed team behind The Producers, this new production is directed by Julia Robertson (The Producers, Metropolis) and choreographed by Shannon Burns (Gutenberg! The Musical, The Producers). Based on the beloved characters created by cartoonist Charles Addams, the musical follows Wednesday Addams as she falls for a “normal” boy – forcing the wonderfully weird Addams clan to confront love, acceptance and the awkward business of meeting the in-laws. Leading the cast is Erika Heynatz as Morticia Addams (Legally Blonde, Menopause the Musical), bringing plenty of gothic glamour to the iconic matriarch. Marcus Rivera steps into the role of devoted husband Gomez Addams (Miss Saigon, City of Angels), while Jenny Guigayoma plays Wednesday Addams (Nine, Peter Pan) and Georgia Oom takes on the mischievous Pugsley (Werkaholics, Footloose). Evan Lever brings his peculiar charm to Uncle Fester (The Normal Heart, Muriel’s Wedding), Deborah Galanos embraces the chaos as Grandmama and Elliot Aitken makes his professional debut as the deadpan Lurch. The Addams Family delivers...

Institution versus intuition. Power versus prejudice. Bias versus belief. It’s all laid bare in the stage production of Doubt: A Parable, now at the Sydney Theatre Company. Sam Reid (The Newsreader, Interview with the Vampire) stars opposite Pamela Rabe (Wentworth) in John Patrick Shanley’s Pulitzer Prize and Tony Award-winning play that’s directed by Australian theatre great, Marion Potts. The production also features Zindzi Okenyo (director of Purpose) and Shannen Alyce Quan (The Dictionary of Lost Words), bringing together a stellar cast for this engrossing 90-minute drama. Set in a Catholic school in the Bronx, New York in 1964, Doubt centres on a shocking accusation that blurs the lines between suspicion and truth. Sister Aloysius (Rabe), the rigid headmistress of St. Nicholas Church School suspects the charismatic Father Flynn (Reid) of inappropriate sexual behaviour towards the school’s sole black student, Donald Muller. If the plot sounds familiar, it’s perhaps because you’ve watched the 2008 film adaptation, starring Meryl Streep and the late Philip Seymour Hoffman.  Provocative and deeply unsettling, the play asks audiences to question everything – and is as relevant now as when it made its Broadway debut about 20 years ago. As the evidence remains frustratingly inconclusive, audiences are left to wrestle with their own assumptions long after the final curtain falls. Doubt: A Parable is at the Sydney Theatre Company’s Roslyn Packer Theatre until August 2, 2026....

When owner-sommelier Amelia Birch opened Famelia on Newtown's Enmore Road in 2023, her focus was simple yet special: to champion wines made by female winemakers and women-led wineries. Famelia is all about making wine approachable, inclusive and fun.  Now, this Inner West wine bar and bottle shop is taking things one step further with the launch of Famelia Wine School. Held every second Tuesday from July to October 2026, the new series of guided tastings is designed to help anyone build confidence and gain knowledge through conversation, hands-on tasting and regional deep-dives – without any pressure or pretense. Rather than telling you what you should like, each session encourages you to trust your own palate while exploring how grape varieties, climate, soil and winemaking techniques shape what's in your glass. Staying true to Famelia's ethos, every wine poured throughout the program comes from women winemakers or female-led partnerships. All we've got to say is, gather your friends and send this out on the group chat.  Get all the details and make a booking via the Famelia website. Upcoming Famelia Wine School events Region Spotlight: Jura, FranceTuesday, July 28 | 6.30–8.30pmExplore one of France's most fascinating wine regions through a guided tasting of Jura's distinctive whites, elegant reds and iconic Vin Jaune. Chenin. Chardy. Chablis.Tuesday, August 11 | 6.30–8.30pmCompare six Old World and New World wines to discover what sets Chenin Blanc, Chardonnay and...

The opening note of ‘The Circle of Life’ may just be one of the most recognisable in a Disney musical. If you don’t agree, then you may have to convince the entire theatre-going audience who were at Disney’s The Lion King on opening night. The full house’s roars could be heard all the way out of the Capitol Theatre’s front doors as the king of musicals triumphantly returns to Sydney – the first time in more than a decade. What type of show is The Lion King? It’s called The King of Musicals for a reason. If it’s not Elton John’s iconically recognisable music, or Tim Rice’s lyrics you’ve sung over a late-night karaoke session, then its Roger Allers and Irene Mecchi’s book featuring the characters you love, the characters you hate, and the ones you undoubtedly cry over – tears were definitely still shed during that scene. What’s so beautiful about The Lion King is the blurring of worlds and culture that merges in between all of these. Julie Taymor’s directorial conception blends African culture, language, movement and costume underneath masks and puppetry of the animal characters. Mufasa’s “crown” is a stoic, strong and towering headdress. The elegant lionesses soar and leap through the sky through Garth Fagan’s choreography as wing-like gowns flow behind them. The animals of Pride Rock are adorned with larger-than-life puppets of intricate designs and architecture: a re-engineered bicycle becomes leaping antelope, birds fly above the crowd on poles manipulated by performers,...

If you've ever wondered what would happen if a kid's drawing of their wildest dream utopia suddenly came off the page and into real life, you're in luck, because that's pretty much what's happening right now beneath the Art Gallery of NSW.  Artist and professional disruptor Mike Hewson has taken over the weird subterranean world of The Tank with his one-of-a-kind new exhibition, Mike Hewson: The Key's Under the Mat, where for the first time ever, all the main lights in the normally pitch-dark Tank will be switched on, revealing a weird wonderland of interactive art pieces and play equipment that have to be seen to be believed. We're talking: A steam room with stained glass windows that you can actually sit in, a functioning sauna with bespoke church pews, five actual operating public barbeques that you can cook on, rushing water to play in (seriously, bring your swimmers), a working laundry,  and a free-to-use recording studio, plus a whole plethora of bright and delightful surprises that are all about getting community together, to do cool stuff, for free. Basically, break your imagination and delete all adult expectations. This is unlike anything we've ever seen.  Kids who aren't afraid of some risk are also one of Hewson's big targets with this show (although parents, rest easy, the floor is specially made out of recycled soft rubber that's rated for use in public playgrounds), with the space also home to a wild children's playground. Intrepid kidlets can test their...

Movie nights are fun. Movie nights with front-row seats overlooking Sydney Harbour? Now we're talking. Pier One Sydney Harbour is giving movies a decadent glow-up with Harbourside Cinema by Pier One – a private open-air cinema set on its Sunset Balcony Suite. Available until September 30, the experience transforms the suite's waterfront terrace into your own luxe outdoor cinema, complete with a cosy love seat, blankets and a projector screen framed by our spectacular harbour. You pick the movie – whether it’s a rom-com or an action-packed adventure – then settle in as the Sydney Harbour Bridge and Luna Park provide a stunning backdrop. Getting to the all-important movie snacks: a dedicated Ultimate Movie Night trolley rolls up to your suite loaded with buttery popcorn and DIY Yo-Chi frozen yoghurt, complete with toppings. Feeling hungrier? Order everything from loaded fries and Wagyu cheeseburgers to baked brie and artisan cheeseboards from the Pier Bar food and drink menu which is sent straight to your room. Harbourside Cinema by Pier One costs $150 per experience on top of the nightly suite rate, so this is definitely a treat-yourself experience. Additional guests are $50 per person, with a maximum capacity of eight guests per booking. Once you book the Harbourside Cinema package, their team will be in touch to organise any additional guests, movie night trolley timings, plus food and drink pre-orders. All you need to do is pick the movie. Find out more here.  Stay in...

If you missed out on seeing the powerful and deeply moving play, The Jungle and the Sea in 2022, it returns to Belvoir St Theatre from July 11 to August 2. Created by S. Shakthidharan and Eamon Flack, the creative team behind Counting and Cracking, the production tells the story of one family caught in the devastating Sri Lankan civil war, which raged between the Sinhalese-majority government and the Liberation Tigers of Tamil Eelam (LTTE) from 1983 to 2009, leaving unimaginable death and destruction in its wake. At the heart of the story is Gowrie, a mother desperately trying to reunite her family as violence engulfs her homeland. After an act of destruction tears her loved ones apart, she takes a radical vow of defiance, blindfolding herself and refusing to see the world again until her family is reunited. While she sends her husband and one daughter to Australia for safety, she and her other two daughters search through the jungles of northern Sri Lanka for her estranged son.  Drawn from real-life testimonies and woven with elements of the Mahabharata and Antigone, the play is both grand in scale and deeply human. Featuring live Carnatic music with a stellar cast including Bharathanatyam dancer Anandavalli, plus Prakash Belawadi, Nadie Kammallaweera and Shiv Palekar, The Jungle and the Sea is a stirring tale of love and loss in the face of war. The Jungle and the Sea runs from July 11 to August 2 at Belvoir St Theatre's Upstairs Theatre with a run time of almost three...