Max your summer in Sydney

Think art galleries are all hushed whispers and serious faces? Think again. On Friday, June 26, the Art Gallery of NSW is swapping its "quiet, please" signs for pumping beats as the Archie Party 2026 takes over for one huge night of art, music, food and dancing. So book your tickets and get into the groove in one of Sydney's most beautiful cultural spaces.  Now in its fifth year, this after-hours extravaganza is co-produced by Sitara Tanglaw – a new artist collective founded by Parramatta-based visual artist Marikit Santiago and Western Sydney hip-hop star L-Fresh The Lion. From 7pm, the Naala Nura building will come alive with a line-up of live music by L-Fresh The Lion (featuring The Browns) and R&B favourite Jess Jade, plus DJ sets by Nicole Tania and aywy to keep everyone on the dancefloor. Another plus: your ticket also includes access to the Archibald, Wynne and Sulman Prizes 2026, so you can have a look at some of Australia's most talked-about artworks between dance breaks. Outside in the forecourt, things get competitive from 6.30pm onwards. Meet players from the Sydney Kings and Sydney Flames and shoot some hoops in a three-point challenge. Or watch a basketball showcase from Warriors Basketball from Western Sydney, all set to beats by DJ ULTMT. And you won’t go hungry – there are pop-up bars with tasty treats from Messina, Plate It Forward, Crafted by Matt Moran and more, plus artist talks, workshops and behind-the-scenes insights from Archibald finalists...

I had high expectations – I won’t lie. As a literary and theatre purist, I am always a little wary of adaptations, but the mix of Y2K child star culture with Shakespeare’s Macbeth had me curious. I mean, what could explore power and unchecked ambition more than the kingdom of Hollywood? Virginia Gay’s modern adaptation, Mackenzie, not only raised the bar but crushed it into rhinestones and scattered it across the stage. This fabulous Bell Shakespeare production, now on at The Neilson Nutshell in Walsh Bay, plays with power without ever wavering from its camp and comedic register. Gay has reminded us that camp, done right, is that serious.  What is the premise of Mackenzie? As a story adapted from Macbeth, Mackenzie (Kimberley Hodgson) is a highly talented background actress and performer on the tween program ‘The Dahlia Show’. However, blood, sweat and tears are literal here, as the weight of such a role comes at the cost of brutality, abuse and meeting network expectations at the tender age of thirteen. While in hair and make-up, both Mackenzie and her co-star Beau (Ryan González) are told of a prophecy by their make-up artist of a future where Mackenzie is promoted on ‘The Dahlia Show’ and becomes the biggest pop sensation in the world. After the promotion occurs, Mackenzie’s mother, Ruth (Nikki Britton), works with Mackenzie to take down Dahlia and help ensure her rise as the biggest pop star. However, after five years, work, guilt, youth and the misogyny of the...

It’s easy to think that tales of raucous Vikings are the stuff of fiction: horned helmets, fierce warriors and wooden boats that were as intricately carved as they were fearsome on a misty horizon. This year, the Australian National Maritime Museum is displaying an awe-inspiring exhibition with some very real artefacts that show just how pivotal the Viking Age was in forming what we know as modern-day Scotland, England and Ireland.  The Treasures of the Viking Age: The Galloway Hoard exhibition uncovers items that were buried around AD 900. Due to all the looting synonymous with the Viking Age, it was really common for treasure troves of goods to be buried and forgotten about, only to be discovered centuries later.  In 2014, metal detectorists uncovered The Galloway Hoard with five kilograms of precious metals, rare organic materials like silk, heirlooms and more. Sydney's own Australian National Maritime Museum is displaying the collection, on loan from National Museums Scotland, until October. Tickets start from $15 for children, $25 for adults and free for members. You can catch the exhibition open daily from 10am-4pm now, until October 11. Book your tickets here.

Apparently, books are dying. Fortunately, Garry Starr is here to save them. Fresh from a sold-out run in London’s West End and winner of the Melbourne International Comedy Festival’s Most Outstanding Show in 2025, comic mastermind Damien Warren-Smith once again transforms into his chaotic alter ego in Garry Starr: Classic Penguins. The show lands at Carriageworks this winter with a literary adventure that’s as absurd as it is laugh-out-loud funny. Armed with little more than a tailcoat, a pair of penguin flippers – and an alarming lack of clothing – Starr sets himself an impossible mission: to perform a whole heap of Penguin Classic novels in under an hour. From Moby Dick and Dracula to Little Women, Frankenstein and The Jungle Book, no literary masterpiece is safe from Starr’s relentless visual gags and perfectly timed physical comedy as a near-naked penguin. And – wait for it – audience members are frequently recruited to help bring the classics to life. You’ve been warned. Time Out Sydney Editor Avril Treasure saw Classic Penguins last year at Redfern’s Grand Electric and says: “I don’t really like using the term ‘must-watch’, but this absurd, ridiculous, laugh-until-you-cry show is exactly that. Starr goes all-in, bush and all, in this not suitable for children homage to Penguin Classics – the funniest, silliest show I’ve seen.” Garry Starr: Classic Penguins is on from June 16 to July 5 at Carriageworks. The show contains full nudity and is strictly 18+. Tickets are...

It’s time to paint the precinct purple! Yes, Qtopia Sydney is dialing up the glam and glitz for Pride Fest 2026, Sydney’s queer arts and culture festival that celebrates International Pride Month this June. Bigger, bolder and more unapologetic than ever, the 2026 program serves up more than 300 events celebrating queer creativity, community and connection for the entire month of June. From theatre that shocks to drag that dazzles, plus film, dance, fitness, workshops, book launches, panels, parties and pop-up restaurant takeovers – if it’s queer, it’s here. For the first time ever, Pride Fest spills out of the walls of Qtopia Sydney and takes over the entire Oxford Street precinct, transforming fab venues including The Loading Dock Theatre, Eternity Playhouse, Ginger’s at the Oxford, Universal and more into a month-long celebration of LGBTQIA+ pride. The festival kicks off with a bang at the inaugural Pride Fest Gala on June 2 – a high-energy, glitter-soaked night showcasing the best of what’s to come. This year’s headliners include award-winning cabaret icon Skank Sinatra with The Name on Everybody’s Lips (10-14 June), Nails: The Musical (June 25-27) and Juicy Riot (29 June), a high-femme variety extravaganza by Kala Gare and Victoria Falconer. Elsewhere, the program is stacked with must-sees including Homo Grown (June 1), comedian Jess Fuchs’ Feral (June 12-13), Dykes on Bikes (June 14), Saddle Club Line Dancing (June 17), and Still Proud: Honouring the 78ers (June 24),...

Anastasia (1997) was among the first musical films I knew in its entirety. While many children frolicked to Timon and Pumbaa’s playful anthem in The Lion King, I was instead reenacting “Once Upon a December” in my living room, captivated by a heroine whose quiet determination carried her through danger and uncertainty. At the time, I could not have anticipated how deeply this film would shape my relationship with musical theatre. “Journey to the Past” soon became a staple audition piece, and Anya’s unwavering belief in her own worth quietly informed my own developing sense of confidence.  What I did not yet understand, however, was the historical context behind the story: the execution of the Russian imperial family in 1918 and the long-standing myth that Grand Duchess Anastasia Romanov survived. The 1997 animated film leans fully into fantasy, using magic and spectacle to distance itself from historical reality. The stage musical, which premiered on Broadway in 2017 with a book by Terrence McNally and music and lyrics by Stephen Flaherty and Lynn Ahrens, takes a different approach, removing the supernatural elements in favour of a more realistic political setting. This creative decision has lingered uneasily over the production since its premiere, inviting criticism for its revisionist narrative – a species of theatrical “fake news,” further undermined by the musical’s questionable commitment to American accents. In performance, now at Sydney Lyric Theatre, this shift...

The opening note of ‘The Circle of Life’ may just be one of the most recognisable in a Disney musical. If you don’t agree, then you may have to convince the entire theatre-going audience who were at Disney’s The Lion King on opening night. The full house’s roars could be heard all the way out of the Capitol Theatre’s front doors as the king of musicals triumphantly returns to Sydney – the first time in more than a decade. What type of show is The Lion King? It’s called The King of Musicals for a reason. If it’s not Elton John’s iconically recognisable music, or Tim Rice’s lyrics you’ve sung over a late-night karaoke session, then its Roger Allers and Irene Mecchi’s book featuring the characters you love, the characters you hate, and the ones you undoubtedly cry over – tears were definitely still shed during that scene. What’s so beautiful about The Lion King is the blurring of worlds and culture that merges in between all of these. Julie Taymor’s directorial conception blends African culture, language, movement and costume underneath masks and puppetry of the animal characters. Mufasa’s “crown” is a stoic, strong and towering headdress. The elegant lionesses soar and leap through the sky through Garth Fagan’s choreography as wing-like gowns flow behind them. The animals of Pride Rock are adorned with larger-than-life puppets of intricate designs and architecture: a re-engineered bicycle becomes leaping antelope, birds fly above the crowd on poles manipulated by performers,...

Australia’s most popular arts event is back in action for 2026, with the Archibald, Wynne and Sulman Prizes bringing a fresh batch of painterly expressions to the walls of the Art Gallery of NSW from May 9 to August 16.  They call it “the face that stops the nation”, and the Archibald Prize has indeed been courting controversy and conversation for more than a century now. This popular portrait prize is always filled with famous faces, with artists from all over Australia (and also New Zealand) capturing the spirit of the times through paintings that capture the likeness of the personalities that define their communities. Melbourne-based artist Richard Lewer is the winner of the Archibald Prize 2026 – he won over the judges with a stunning portrait of Pitjantjatjara Elder, senior artist and ngangkari (traditional healer) Iluwanti Ken. RECOMMENDED: A beginner's guide to the Archibald Prize. The winner of the 2026 Packing Room Prize was announced a week earlier, with the Packing Room Pickers (a.k.a. the Art Gallery staff who receive, unpack and hang the entries) selecting Sean Layh's striking painting of actor Jacob Collins as their favourite Archibald portrait this year.  Meanwhile, the Wynne Prize awarded the best landscape painting of Australian scenery or figurative sculpture to Yolŋu artist Gaypalani Waṉambi, and the Sulman was awarded to Lucy Culliton for the best genre painting, subject painting or mural project.  The annual finalists exhibition is a real must-see,...

If you've ever wondered what would happen if a kid's drawing of their wildest dream utopia suddenly came off the page and into real life, you're in luck, because that's pretty much what's happening right now beneath the Art Gallery of NSW.  Artist and professional disruptor Mike Hewson has taken over the weird subterranean world of The Tank with his one-of-a-kind new exhibition, Mike Hewson: The Key's Under the Mat, where for the first time ever, all the main lights in the normally pitch-dark Tank will be switched on, revealing a weird wonderland of interactive art pieces and play equipment that have to be seen to be believed. We're talking: A steam room with stained glass windows that you can actually sit in, a functioning sauna with bespoke church pews, five actual operating public barbeques that you can cook on, rushing water to play in (seriously, bring your swimmers), a working laundry,  and a free-to-use recording studio, plus a whole plethora of bright and delightful surprises that are all about getting community together, to do cool stuff, for free. Basically, break your imagination and delete all adult expectations. This is unlike anything we've ever seen.  Kids who aren't afraid of some risk are also one of Hewson's big targets with this show (although parents, rest easy, the floor is specially made out of recycled soft rubber that's rated for use in public playgrounds), with the space also home to a wild children's playground. Intrepid kidlets can test their...

Vishnu, one of the principal deities of Hinduism, is the preserver and protector of the universe. He is believed to restore balance whenever chaos or evil threatens the world, appearing in different forms – or “avatars” – to protect humanity. Some well-known avatars include Krishna, the playful cowherd and spiritual teacher; Prince Rama, hero of the Ramayana; and Narasimha, the fierce half-man, half-lion figure. Over thousands of years, stories of Vishnu have inspired artists across South and Southeast Asia – and now those stories are coming to Sydney in a major new exhibition at the Art Gallery of New South Wales (AGNSW). Opening on June 20, Avatar: Forms of Vishnu is the first Australian exhibition dedicated to Vishnu and will feature more than 200 artworks spanning ancient sculpture, textiles, paintings, photography and large-scale contemporary installations. The exhibition brings together remarkable works from museums in India, Cambodia, London and beyond, many of which are being shown in Australia for the first time. Alongside centuries-old treasures are striking new works by contemporary artists including Gitanjali Das, Jumaadi, Nalini Malani and Sumakshi Singh. Says Art Gallery of New South Wales senior curator of Asian art, Melanie Eastburn, "Across South and Southeast Asia, tales of Vishnu's avatars have inspired contemplation and devotion, as well as entertainment. Vishnu’s avatars are responsive, dynamic and shaped by the cultures and communities that embrace...