Hong Kong art exhibitions to catch this week

M+ in West Kowloon Cultural District is honouring the late Ryuichi Sakamoto with a museum-wide programme from now until July. Comprising a site-specific installation, moving image works, a listening experience, and film, ‘Seeing Sound, Hearing Time’ celebrates the enduring legacy of the Japanese composer, producer, and artist. ‘Async–Immersion’ presents a three-dimensional, audio-visual representation of Sakamoto’s personal album, combining sonic experience with optical immersion. Nam June Paik’s ‘All Star Video’ explores Sakamoto’s influences and creative encounters, while ‘Vinyl Sessions with Music by Ryuichi Sakamoto’ allows visitors to engage with his compositions, alongside reflections on his work from three Hong Kong-based sound artists. Additionally, ‘Ryuichi Sakamoto: Music in Film’ will screen two films to allow for an intimate look into Sakamoto’s life, profound artistry, and innovative creative process.

This spring, the Hong Kong Heritage Museum is hosting a two-part exhibition that combines interactive multimedia with a collection of rare historical treasures. The first section, Meet Mona Lisa, uses an immersive multimedia installation to follow the five-hundred-year journey of Leonardo da Vinci’s masterpiece, featuring a personal narration from the lady herself. The second half, Portraying the Renaissance, showcases over 100 precious works from leading European institutions, including four of da Vinci’s original manuscripts on the human body and faces exhibited in Hong Kong for the first time. The exhibition runs from May 1 to July 27, 2026, and is completely free to enter from 10am to 6pm on weekdays (except Tuesdays) and until 7pm on weekends and public holidays.

Step into a world where imperial grandeur meets Impressionist beauty at ‘Blooming: The Art of Gardens in East and West, a massive new showcase at the Hong Kong Museum of Art. Bringing together more than 100 sets of rare artefacts and paintings from the Palace Museum in Beijing, the Art Institute of Chicago, and the Palace of Versailles, the exhibition explores how nature has been shaped and celebrated by kings, scholars, and artists alike. The real highlight is the arrival of Claude Monet’s iconic Water Lilies (1906) and Water Lily Pond (1900), which are on loan from Chicago for a limited time. Alongside works by masters like Zhang Daqian and Wen Zhengming, visitors can wander through an immersive display and interact with virtual wine cups in a digital recreation of the famous Orchid Pavilion Gathering. Running until July 29 at HKMoA’s Special Gallery, the exhibition is completely free to enter – so there’s really no excuse not to visit.

To mark 85 years since Bruce Lee’s return to Hong Kong, this special exhibition brings the martial arts icon back to the very site of his childhood home in Jordan. The centrepiece of the showcase is ‘Be Like Water’, a new 1:1 scale permanent sculpture that captures Lee in a moment of philosophical stillness. Visitors can explore a dedicated gallery space, featuring a curated treasure trove of rare posters and previously unreleased private photographs that offer an intimate glimpse into his early life in Kowloon. Located at the Prudential Centre – the former site where Lee lived as a boy – this exhibition is free to enter and will remain open to the public daily until May 31.

For the first time, HKU’s University Museum and Art Gallery is pairing Swiss and Chinese paper cuttings together, setting up side by side to highlight what makes each tradition so special. The Swiss works, drawn from the collection of Interlaken collectors Elsbeth and Niklaus Wyss, mostly use black paper to capture slices of Alpine life with fine, eye-catching details. On the Chinese side, red paper is often used to depict different themes and subjects like tigers, peacocks, opera masks, or pagodas – each carrying deep symbolic meanings. Both approaches are all about storytelling, pulling from Swiss village scenes or Chinese folklore to offer the audience a chance to appreciate how two cultures turn the same craft into something uniquely their own.

Curated by architectural historian Charles Lai and product designer Kay Chan Wan Ki, this exhibition brings together architects, carpenters, filmmakers, and chefs to examine Hong Kong’s favourite diners from every angle. Highlights include the preserved neon sign of Wan Chai’s Sun Fung Kee, the original door of Sheung Wan’s demolished Hoi On Cafe, and a full-scale beverage station where you can suit up and try assembling orders at cha chaan teng speed. The exhibition is now on view at Airside’s Gate33 Gallery and runs until July 31. Admission is free until March 31, after which tickets cost $20 (except for kids aged three and under).

Tucked inside Oi! Glassie, Hong Kong artist Chan Wai‑lap presents Jeremy’s Bathhouse – a dreamy, ceramic bathhouse as an extension of his ongoing ‘Swimming’ series. Inspired by love, connection, different bathing cultures, and the 2016 viral story of Jeremy, the left-spiral snail, the exhibition features a heart-shaped pool installation made with more than 1,200 handcrafted ceramic tiles designed by Chan. Visitors will also find a set of shower cubicles lined with casts of real soap bars that Chan has collected from bathhouses around the world, and every so often, timed release of mist drifts through, softening the edges and shifting the whole atmosphere from crisp clarity to a dreamy haze.

Focusing on non-solid media, multi-disciplinary artist Zheng Jing’s first solo show in Hong Kong uses water, sound, air, and light to transform several warehouses into a surreal world that invites viewers to wander through. In Warehouse 1, visitors will feel as though they are submerged beneath Victoria Harbour, with mirrored installations that let you look up at wave movements through the manipulation of light. There’s also a giant vessel featuring a video projection of a human figure endlessly diving, plus a suspended cube from which light beams are projected outward in multiple directions. Stepping out onto the lawn, visitors will also discover five golden sculptures modelled after Taihu stones, placed in an elemental cycle of ‘breathing’ to allow energy and spirits to flow through continuously.

M+ and Leeum Museum of Art are teaming up to present a comprehensive exhibition featuring the groundbreaking works of influential South Korean contemporary artist Lee Bul. More than 200 pieces will be shown, spanning the artist’s career from the late 1990s to the present to trace the evolution of Lee’s artistic approach. Split into three sections, ‘Lee Bul: From 1998 to Now’ interrogates ideas of utopian and dystopian existence, the relationship between body and technology, and Lee’s creative process. M+ Cinema will also screen a number of Lee’s performance works during the exhibition period. ‘Lee Bul: From 1998 to Now’ opens on March 14 and will be commemorated with a talk at the Grand Stair; Lee herself will be present to speak about her artistic vision.

‘The Hong Kong Jockey Club Series: The Art Plaza Project at the Hong Kong Palace Museum’ is a multimedia initiative that takes traditional Chinese garden aesthetics as the main inspiration. The project features large installations by five local artists and an architect, each creative bringing a unique contemporary interpretation of traditional zen garden elements to the showcase, where iconic pavilions, flowing water, and aesthetic rock formations are reimagined with materials found in our bustling city, such as bamboo, metal, and fabric.  This exhibition will be open to the public until November 2, 2026 at the Museum Plaza at the Hong Kong Palace Museum. Entry is free of charge during the museum’s opening hours.