Hong Kong art exhibitions to catch this week

A new exhibition at M+ showcases 12 immersive installations by pioneering women artists from Asia, Europe, and the Americas, including three new works by Asian artists. Dream Rooms: Environments by Women Artists 1950s–Now emphasises the multisensory experience of art and highlights women’s contributions to installation art, a field often overshadowed by male artists. Visitors can actively engage with the environments, which include nine historic pieces that have been painstakingly reconstructed, such as Aleksandra Kasuba’s Spectral Passage (1975), which invites individuals to journey through interconnected nylon structures as a metaphor of the life cycle; Judy Chicago’s Feather Room (1966), an all-white space filled with 300 pounds of feathers; and more. M+ will also host talks with co-curators Andrea Lissoni and Marina Pugliese to discuss the concept behind the exhibition, and a panel discussion with the three Asian artists whose new, commissioned work is part of Dream Rooms. Additionally, M+ Cinema will screen three documentaries about some of the exhibited artists to supplement the show.

White Cube Hong Kong is staging an exhibition showcasing the works of the seminal Japanese-American artist Isamu Noguchi. ‘A Feeling’ revolves around the pieces Noguchi created after meeting and studying under Chinese master ink painter Qi Baishi, exploring how the teachings influenced his later sculptural approach.  A selection of Noguchi’s abstract ‘Peking Brush Drawings’ and complex bronze sculptures are displayed alongside Qi’s scrolls in this exhibition, creating a narrative between the two artists. Noguchi’s work pushes the boundaries of sculptural positive and negative space, testing the boundaries of three dimensions, but his use of bronze as a medium reflects his desire to blend ancient and modern.

Witness Hong Kong through a quirky lens at Cordis, Hong Kong’s new ‘Art in Residence’ exhibition, featuring a series of surreal digital art pieces created by Tommy Fung where our city’s iconic landmarks and cultural touchpoints are juxtaposed against humorously impossible scenarios. Fung is known for his whimsical, Photoshop-manipulated images – from transforming the Hong Kong Space Museum into a giant Chiikawa head and inserting a snacking panda into a wet market stall narrative, to creating a Tesla Cybertruck version of the iconic Hong Kong red taxi, nothing’s off limits for the Hong Kong artist. ‘SurrealHK: The City Reimagined’ is part of Cordis, Hong Kong’s 10th anniversary celebrations, so mark the occasion with the hotel while taking in some fun art.

Head to the Hong Kong Palace Museum (HKPM) to find our city’s first comprehensive exhibition dedicated to Mughal art. The Mughal empire was one of the world’s most powerful kingdoms that encompassed much of modern-day Indian, Pakistan, and Afghanistan, ruling from the 16th to the 17th centuries. Though they ruled a mainly Hindu population, the Mughals were Muslim with Mongol origins, and were known for their rich culture and architecture – the Taj Mahal is one such legacy from this empire. Over 100 artefacts from the golden age of the Mughal dynasty, from paintings and jewellery to weaponry, architectural segments, and even some rare surviving textiles from this period are now on show – Hong Kong is this exhibition’s only Asia venue after its London premiere in the Victoria and Albert Museum. Under the rule of three emperors, the Mughal court greatly fostered artistic development and embraced cross-cultural influences, shown here in jade pieces that have incorporated motifs from the Chinese court. Highlights include a casket with mother-of-pearl inlays, a thumb ring from Emperor Akbar’s reign with western enamelling that shows the Mughal court’s hybrid aesthetic, and a beautiful dagger sheath and hilt lavishly decorated with gold and red gemstones. ‘Treasures of the Mughal Court’ runs until February 23, 2026, and tickets are priced from $150 which also grants access to HKPM’s thematic exhibitions in galleries one to seven.

Tai Kwun Contemporary is presenting a two-part exhibition under the theme ‘Stay Connected: Art and China Since 2008’. Centred around an expansive exploration of the transformations and social shifts within 21st-century China brought about by the prolific spread of the internet and digital technologies, the first chapter will take over all three floors of the JC Contemporary art spaces, running for a little over three months. ‘Stay Connected: Navigating the Cloud’ will present more than 50 pieces mapping the creative pursuits of over 35 artists and groups whose practices are influenced by social media, the internet, and digital technologies. Divided into themed segments such as artificial intelligence, information bubbles, online communities, and more, the showcase explores how to ‘stay connected’ in today’s world. Li Shuang, Li Yi-fan, Miao Ying, Wong Ping, Lu Yang, Shao Chun, Zhang Yibei, and the Xijing Men collective are among the many artists exhibiting. Collaborative duo Sun Yuan & Peng Yu – whose claim to fame is the Can’t Help Myself kinetic sculpture with a robotic arm – is also participating.

M+ is hosting this adaptation of Trevor Yeung’s solo show that represented our city at the 60th International Art Exhibition – La Biennale di Venezia. Drawing inspiration from his surroundings that include pet shops, seafood restaurants, public fountains, feng shui arrangements, and more, Yeung examines the relationship between humans and aquatic systems. See pet fish shops and filtration systems that are abandoned and devoid of aquatic life, and a defunct fountain in a European courtyard. The exhibition runs from June 14 to October 12, and entry is $120.

As part of the celebration surrounding its new gallery space in the Southside, De Sarthe is launching two exhibitions concurrently. ‘20th Century Narratives – In Conversation’, the gallery’s second show, presents a curated collection of post-war and modern paintings and sculptures, featuring the likes of Yayoi Kusuma, Marc Chagall, Giorgio de Chirico, Chu Teh-chun, Joan Miró, Henry Moore, Jack Tworkov, Bernar Venet, and Zao Wou-ki as they are brought together to represent a transcontinental artistic exchange.

De Sarthe is inaugurating its new gallery space in the Southside with a new solo exhibition featuring contemporary Hong Kong artist Lazarus Chan. ‘Poetics Policy’ is an immersive journey that investigates the influence of policy-making on art, reality, and machine intelligence through multimedia and interactive artworks. Adding a dystopian touch, the exhibition features an AI-built living system as an imagined simulation of the future, which is governed by the artist, but used to emphasise that the essence of art is found in the policies guiding its creation, rather than in the generated texts or imagery.

A good dose of laughter is a great remedy for the stressors of hectic urban life, which is why comedic comics have been so well-received since they appeared in Hong Kong in the early 20th century. By the 1950s, local comics truly began to take off, giving rise to iconic characters like Old Master Q, My Boy, and Sau Sing Chai. Visitors can see beloved comic works spanning from the 50s to modern-day characters used in our everyday group chat stickers.

Set amidst the greenery and historical landmarks of the Asia Society Hong Kong Center are Lee Kuang-Yu’s sculptures that are inspired by Eastern philosophy and natural aesthetics. Using his distinct ‘open void’ sculptures, Lee’s cubist- and surrealist-inspired pieces blend into the environment seamlessly. These nine sculptures make up his first large-scale solo show in Hong Kong, where his works are complemented by modern architecture and our city’s lush nature.