Free art in London

You won’t find any grandeur or pomp in this concise exhibition of 15 muted and unflashy works, but you’ll experience an intensity rarely achieved in the portraits of nobility portraits in the adjacent rooms. Millet’s images of peasants at work are rhythmic and visceral, unsentimental but deeply sensitive in their depictions of the beauty and harshness of a life working the land. 

Since the 1990s, the London-born photographer Eileen Perrier has used her camera to capture individuals in their local communities – from Peckham to Paris and beyond – and this show highlights some of her finest work. Expect to see striking portraits interrogating cultural belonging, beauty standards and the family home, from the nineties until the present day. 

Turner Prize-winning artist Tai Shani’s new commission for Somerset House takes the ongoing sleep of reason as its starting point. In the grand Edmond J. Safra Fountain Court, she has installed a ten-metre-tall blue figure, who lays supine, gently breathing with closed eyes. We’re told that this ethereal, childlike giant has slept through ‘warnings of present and imminent catastrophes, political and social disaster and environmental collapse.’ Watching its stomach peacefully rising and falling, it’s easy to believe that ignorance is bliss.

Chaotic explosions of wood, scrap metal and cotton cascade through the gallery in the work of Brooklyn-based artist Leonardo Drew. Known for using found natural materials that are oxidised, burned, and left to decay, Drew creates visceral, large-scale installations that reflect on the cyclical nature of existence. His sculptures evoke the scars of America’s industrial past, while also suggesting forces beyond human control. At the South London Gallery in London, Drew will unveil a new site-specific work that engulfs the walls and floor of the main space, with fragmented wood appearing as if battered by extreme weather, natural disasters, or what he calls ‘acts of God.’

It’s hard to know if Italian Renaissance master Andrea Mantegna was issuing a doom-laden warning or just a doe-eyed love letter to history. Because written into the nine sprawling canvases of his ‘Triumphs of Caesar’ (six of which are on show here while their gallery in Hampton Court Palace is being renovated) is all the glory and power of Ancient Rome, but its eventual collapse too.

Sculptor Giuseppe Penone – famously part of the Italian movement Arte Povera, a group Inspired by the politics of 1960s and who used everyday materials in their work – has been fascinated with the relationship between man and nature since the late 60s, when he began his interventions with the natural world. This Serpentine exhibition is the most comprehensive presentation of Penone’s work in the UK and will extend beyond the gallery with his famous tree sculptures extending into the Royal Parks.