New Year’s Eve comedy in London

It’s my first visit to London’s newest theatre, and the press officer says she wants to hang about for a bit: ‘just until I see the look on your face when you see the auditorium for the first time’.  I immediately start worrying that I’ll offend everyone by not looking impressed enough, but it’s all good: my jaw duly thuds to the floor when I step into the main house of Soho Theatre Walthamstow.  The ‘original’ Soho Theatre on Dean Street in central London is a truly wonderful comedy, cabaret and theatre venue, but the building is not what you’d call architecturally noteworthy. Soho Theatre Walthamstow is a different matter entirely.  Photo: David Levene It has a long and complicated history, but the short version is that it opened in 1930 as The Granada, a 2,700-seat cinema on busy Hoe Street. It eventually fell into disrepair. Now it’s been born again as a 1,000-seat comedy and theatre venue. And it looks incredible. While the exterior has been given a clean, white, unobtrusive paint job that brings it somewhat in line with the Dean Street venue, the inside is like stepping back in time – a ravishing art deco masterpiece so instantly iconic that I feel a twinge of frustration that it’s just been sitting here unused for decades.  The slide into dereliction The original Granada cinema was a special place: built by prolific London theatre architect Cecil Masey and with interiors by the great stage designer Theodore Komisarjevsky, it was beloved by noted Leytonstone...

London has the biggest and best comedy scene in the world, so if you love a good laugh (or a good heckle) you're in the right place. From tiny basements and rooms above pubs to boats to huge venues, there’s comedy in the capital for comedians (and audiences) of all shapes and sizes. But not all spaces are created equal. Avoid getting sucked into a rip-off joint with a vibe that's deader than Monty Python's notorious parrot with our list of London’s liveliest and best comedy nights and clubs. Whether you're up for try-out nights at pocket money prices or massive gigs from names off the telly, here's where to look for your next comedy night out. RECOMMENDED: Here are the very best cinemas in London.

With May 2025 comes an event in the London comedy calendar that has been years coming: the opening of the new Soho Theatre Walthamstow. Much more than a franchise extension, it’s a stunning art deco building with a gigantic main house that will completely alter the comedy map of London. It opens this month with a big run for Natalie Palimides’s brilliant Weer – see you down there. There are far, far too many one-off, multi-performer comedy nights in London for us to compile a single coherent page with our favouites on, which is entirely to London’s credit. So do check individual bills of comedy clubs online for that sort of thing. But if you’re looking for an individual comedian with a full headline show then this page is here to compile the Time Out editorial team’s top choices, often with our reviews from the Edinburgh Festival Fringe. The best comedy clubs in London.The best new theatre shows to book for in London.

Jordan Gray’s last show Is It a Bird? – an ebulliant set that featured highly original musings on both superheroes and being transgender – propelled the comic’s star to new hights. Inevitably it also aroused the ire of the not inconsiderable number of people in this country who dislike trans people. We don’t yet know a huge amount about the follow up, but the general inference is it’s about the backlash to Is It a Bird? and also cowboys. Whatever the case, it’ll probably a) include songs b) be very funny.

As the unofficial comedy capital of the world, London's comedy circuit doesn't take a break. There are stand-up shows seven days a week, from early evening through to the small hours. To help you plan your week of witticisms, here's a nifty calendar of regular comedy shows in London.

After a lengthy run last year at the Hammersmith Apollo, the superstar stand-up calls in at The O2 for a night as the climax of his In the Moment world tour. It’s a new set, but the same old Mo, mixing his big-hearted, ultra-relatable yarns with tales from the world of showbiz he now finds himself embroiled in. If you want to see him in a more intimate setting, he’d recording his podcast Beginning, Middle and End at Up the Creek in Greenwich earlier in the month.

A great pub in Angel that has a charming beer garden out front and an events space upstairs, which Angel Comedy calls home (as well as The Bill Murray down the road). There are excellent comedy line-ups here every night and they're always free, whether they're seasoned acts testing out new material or emerging comics giving it their all. 

As far as feelgood events go, it doesn’t get much more pure than top-tier stand-up comedy that raises money for those in need. This comedy night at Islington’s beautiful Union Chapel is presented by No Direction Home – a stand-up comedy programme by Counterpoints Arts which mentors comics from refugee and migrant backgrounds. The line-up is still to be announced, but you can expect big laughs, fresh voices and fascinating stories. All proceeds will go to communities in Congo, Ethiopia and Sudan, and you can add a pre-show dinner to your booking at Margins Café, based at the Chapel, which works with people who face homelessness and crisis. 

Maybe it’s his law school training, but relative newcomer Ronny Chieng is already a consummate professional. The 27-year-old comic is blunt, full of bravado and not aiming to be liked; he’s got a job to do, and he’s putting forward a strong case. Born in Malaysia, based in Australia and raised in Singapore via the US, Chieng has a blurred sense of national identity. ‘I belong nowhere,’ he says, explaining that Westerners just see his Chinese roots, and back home he’s considered ‘the whitest guy in Malaysia’. But Chieng feels passionately about his heritage and aims to change the opinion that Chinese people aren’t cool. ‘Cool’ isn’t exactly how you’d describe Chieng; he’s a permanently pissed-off germaphobe. But he smartly attacks Chinese stereotypes while mockingly reinforcing them, and just when you think he’s slipping into cliché, he’ll flip the joke on its head and find a fresh, sharp punchline. Not that race is the only subject Chieng’s an expert on. He’s a master BitTorrent user, a penis-hygiene specialist and regular IT support for his mum. We’ve all heard young comics mock their parents’ inability to grasp technology, but Chieng’s extended routine about providing tech help over the phone wins through his outward frustration. It’s this honest indifference to being liked that makes Chieng stand out. Refreshingly, he’s neither charmless nor charming. All that matters is there’s sharp comedic mind at work here – why should we need anything more? See 'Ronny Chieng – The...

‘My main goal of the show, and my life, is to clear the name of Yoko Ono,’ says James Acaster, matter-of-factly, at the top of his show. Quite how we get there via examining his love of mariachi music, or the identities of Percy Pig’s mates, we’re not sure. But it all seems to make sense, at the time. Honest. Three solo shows in, and Acaster’s quickly becoming a reliable Fringe favourite. The Kettering-born comic is quiet, pedantic and refreshingly low-key. He's in no rush to get laughs, his shows are slow-burners, but every carefully chosen word or pause builds up to a sturdy, satisfying punchline. From Twister-etiquette to French rhyme structures, the Marks and Spencer-donning comic has a knack for flipping observational comedy on its head, studiously examining things most of us have dismissed as inconsequential. His confident, yet gawky, persona is wonderfully aloof, too. But what Acaster has mastered, which most comics fail at, is structuring an hour-long show. Seemingly throwaway jokes cleverly re-emerge, and no callbacks are crowbarred in. By the end of the hour you’re totally sucked into his minute, quizzical world, where Yoko Ono is addicted to biscuits, and Joe Bloggs is a prat. And it’s a wonderful world to visit. See 'James Acaster – Lawnmower' at the Edinburgh Fringe