New Year’s Eve comedy in London

London has the biggest and best comedy scene in the world, so if you love a good laugh (or a good heckle) you're in the right place. From tiny basements and rooms above pubs to boats to huge venues, there’s comedy in the capital for comedians (and audiences) of all shapes and sizes. But not all spaces are created equal. Avoid getting sucked into a rip-off joint with a vibe that's deader than Monty Python's notorious parrot with our list of London’s liveliest and best comedy nights and clubs. Whether you're up for try-out nights at pocket money prices or massive gigs from names off the telly, here's where to look for your next comedy night out. RECOMMENDED: Here are the very best cinemas in London.

December means Christmas and Christmas means a host of bizarre and delightful one off, high concept comedy shows, ranging from comedians singing carols for a good cause, to Adam Riches pretending to be Sean Bean for inscrutable reasons of his own. We’ve gathered some of our favouite whimsical season one-offs as this month’s picks. There are far, far too many one-off, multi-performer comedy nights in London for us to compile a single coherent page with our favouites on, which is entirely to London’s credit. So do check individual bills of comedy clubs online for that sort of thing. But if you’re looking for an individual comedian with a full headline show then this page is here to compile the Time Out editorial team’s top choices, often with our reviews from the Edinburgh Festival Fringe. The best comedy clubs in London.The best new theatre shows to book for in London.

Concept comedy lunatic Adam Riches has deployed a Sharpe-era Sean Bean impression throughout his career, and now he brings it back for what is here described as a ‘(k)night of chaotic buffoonery, to give you bastards a Christmas present you’ll never forget’. We wouldn't want to speculate on what it literally consists of, although we’re led to believe games may be involved. 

It’s my first visit to London’s newest theatre, and the press officer says she wants to hang about for a bit: ‘just until I see the look on your face when you see the auditorium for the first time’.  I immediately start worrying that I’ll offend everyone by not looking impressed enough, but it’s all good: my jaw duly thuds to the floor when I step into the main house of Soho Theatre Walthamstow.  The ‘original’ Soho Theatre on Dean Street in central London is a truly wonderful comedy, cabaret and theatre venue, but the building is not what you’d call architecturally noteworthy. Soho Theatre Walthamstow is a different matter entirely.  Photo: David Levene It has a long and complicated history, but the short version is that it opened in 1930 as The Granada, a 2,700-seat cinema on busy Hoe Street. It eventually fell into disrepair. Now it’s been born again as a 1,000-seat comedy and theatre venue. And it looks incredible. While the exterior has been given a clean, white, unobtrusive paint job that brings it somewhat in line with the Dean Street venue, the inside is like stepping back in time – a ravishing art deco masterpiece so instantly iconic that I feel a twinge of frustration that it’s just been sitting here unused for decades.  The slide into dereliction The original Granada cinema was a special place: built by prolific London theatre architect Cecil Masey and with interiors by the great stage designer Theodore Komisarjevsky, it was beloved by noted Leytonstone...

A group of comedians – including Amy Annette, Jack Rooke, Lolly Adefope, Nish Kumar, James Acaster, Charlie Craggs, Himesh Patel – sing carols, in aid of FiveforFive, a mutual aid charity that supports trans people directly. The idea, obviously, is that this is amusing rather than simply a series of solemn versions of ‘Silent Night’ et al. 

Brilliantly high concept sketch absurdists Sheeps appeared to disband with last year’s fine Fringe show The Giggle Bunch, and it is certainly possible that they’ll never do another full-length show again. Since then, however, they’ve made an extremely improbable Christmas album – A Very Sheeps Christmas – and this Christmas they’ll be reuniting to perform it for one nights only. Seasonaly appropriate or not, it’ll be a laugh, and will feature copious special guests: Lolly Adefope, Emma Sidi, Phil Ellis, Ania Magliano, Ben Ashenden, John Tothill, Amy Annette, Johnny White Really-Really and Jenny Bede.

Adding to London’s annual calvalcade of adaptations of A Christmas Carol, here’s deluded thespian Count Arthur Strong – aka character comedian Steve Delaney – with the final dates on an extensive UK tour that has seen him present his ill-advised one-man version of the Dickens classic across the length and breadth of the nation.

Fancy yourself a bit of a comedian? Ever wanted to go on a game show? Now is your chance. The Audience Vs is a brand-new live comedy gaming show, where audience members go head to head with real-life celebs. Hosted by Glenn Moore, created by journalist Simon Parkin and produced by Taskmaster honchos Avalon, the game will see punters battle comedians in retro video games, including Mario Kart, Street Fighter and Grand Theft Auto. Previous guests include Phil Wang, Sarah Keyworth, Ellie Gibson, and Sooz Kempner, with upcoming guests including Frankie Ward, Iain Stirling, Jamali Maddix and John Robertson. 

Slapstick comedy sensation Starr attempts to perform every single Penguin Classic novel – from Frankenstein to The Grapes of Wrath – over the course of one joyously bonkers 70-minute show. Do not expect to learn that much about English literature.

‘My main goal of the show, and my life, is to clear the name of Yoko Ono,’ says James Acaster, matter-of-factly, at the top of his show. Quite how we get there via examining his love of mariachi music, or the identities of Percy Pig’s mates, we’re not sure. But it all seems to make sense, at the time. Honest. Three solo shows in, and Acaster’s quickly becoming a reliable Fringe favourite. The Kettering-born comic is quiet, pedantic and refreshingly low-key. He's in no rush to get laughs, his shows are slow-burners, but every carefully chosen word or pause builds up to a sturdy, satisfying punchline. From Twister-etiquette to French rhyme structures, the Marks and Spencer-donning comic has a knack for flipping observational comedy on its head, studiously examining things most of us have dismissed as inconsequential. His confident, yet gawky, persona is wonderfully aloof, too. But what Acaster has mastered, which most comics fail at, is structuring an hour-long show. Seemingly throwaway jokes cleverly re-emerge, and no callbacks are crowbarred in. By the end of the hour you’re totally sucked into his minute, quizzical world, where Yoko Ono is addicted to biscuits, and Joe Bloggs is a prat. And it’s a wonderful world to visit. See 'James Acaster – Lawnmower' at the Edinburgh Fringe