Ian Potter Museum of Art

We are exceedingly privileged to live on the unceded lands of the Kulin Nation, a place dotted with marshlands and waterfalls for countless millennia before the Hoddle Grid was a thing. Perched just north of the CBD, on the spine of Swanston Street as it leads into Carlton, sits the University of Melbourne’s incredible Potter Museum of Art.  Designed by revered architect Nona Katsilidis and wearing Christine O’Loughlin’s explosive mural ‘Cultural Rubble’ on its façade, it opened in 1998 but has been closed for major renovations since 2018, leaving a big gap in Melbourne’s artistic footprint. No longer, with a revitalisation led by Wood Marsh Architects, the Potter Museum of Art reopened to the public with a spectacular new exhibition recognising the great wealth of culture in this place: 65,000 Years: A Short History of Australian Art. Celebrating the remarkable diversity of Aboriginal and Torres Strait Islander creativity, the exhibition showcases more than 400 artworks from the likes of Destiny Deacon, Yhonnie Scarce, Albert Namatjira and Emily Kam Kngwarray, including rare cultural works. Curated by Professor Marcia Langton AO, senior curator Judith Ryan and associate curator Shanysa McConville in consultation with Elders, 65,000 Years: A Short History of Australian Art directly addresses the scars of colonial invasion.  Six brand new commissions include Kooma artist Brett Leavy’s photo-realistic animation Virtual Narrm 1834. As part of his ongoing immersive Virtual...