Installation view of 65,000 Years: A Short History of Australian Art.
Photograph: Christian Capurro

Potter Museum of Art

The Potter is one of Australia's leading university art collections
  • Art | Galleries
  • Carlton
Maya Skidmore
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Time Out says

The Potter has been at the forefront of the Australian art scene for over fifty years. Opened in 1972, and undergoing an extensive renovation between 2018 and 2024, The Potter has just freshly reopened to the public in 2025, and it's looking pretty good.

One of the imprtant homes of the University of Melbourne's vast art collection, The Potter is located in a building on Swanston Street in Carlton, and is home to an impressive, 18,000 strong collection of First Nations, modern Australian and international art and historical artefacts.

This new-and-improved iteration of the gallery continues to hold onto its established status as one of Australia's leading art collections. In 2025, it is home to a continuing roladex of exhibitions, public programs and arts fellowships that are aimed at elevating the work of artists, curators and students at the University of Melbourne, and far beyond. 

Admission is free.  

Details

Address
800 Swanston St
Carlton
Melbourne
3010
Price:
Free
Opening hours:
Tuesday-Saturday: 11am-5pm

What’s on

Ngarn Wa’ngal: Art of the gum tree

From the bush to our own backyards, the eucalypt has long shaped the Australian landscape and imagination. A new exhibition at the Potter Museum of Art delves into the significance of this iconic tree with more than 163 works and five significant new artist commissions. Opening on July 10, Ngarn Wa’ngal: Art of the gum tree draws on Australian art history and contemporary works from the University of Melbourne's collection, alongside major loans from across the country to explore the tree as a source of creative inspiration. Colonial paintings by John Glover, Eugene von Guérard and Frederick McCubbin will sit alongside 20th century works by Arthur Boyd, Hans Heysen, Albert Namatjira, Grace Cossington Smith and Jessie Traill, as well as contemporary artists like Nici Cumpston, Vincent Namatjira, Joan Ross and Christian Thompson. Translating to “breathing for us” in the Woi Wurrung language, Ngarn Wa’ngal considers the gum tree as both subject and symbol, prompting conversations around Indigenous sovereignty, Australian identity, ecology, climate and the global legacy of the eucalyptus.  A major feature of the exhibition is five new commissions created specifically for the showcase, including a photographic work by Jane E. Brown using early carbon-printing techniques; an installation of seed-filled papier-mâché forms by artist Dean Cross of Worimi descent; a large-scale piece by interdisciplinary artist Megan Evans featuring eucalyptus leaves collected over decades; a...
  • Paintings
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