• News
  • Theatre & Performance
0 Love It
Save it

The Australian Ballet’s 2018 lineup is a Greatest Hits list

The Australian Ballet’s 2018 lineup is a Greatest Hits list
Photograph: Daniel Boud
Australian Ballet dancers Brett Chynoweth and Alice Topp

In their 55th year, the Australian Ballet are keeping things in-house, with a season that draws exclusively on new and existing works created specifically for the company – by major choreographers and fresh talent.

Melbourne’s season will open with a tribute to an Australian star: choreographer (and former Australian Ballet dancer) Graeme Murphy. Titled Murphy, the bill will feature Murphy’s acclaimed 2009 take on ‘Firebird’ (created for the Australian Ballet, as part of a triple bill paying homage to major 20th century works by the Ballet Russes), alongside a series of shorter works created during his tenure as artistic director of Sydney Dance Company.

The Australian Ballet are also bringing back two classics of their repertoire: The Merry Widow, which was the first feature-length ballet commissioned by the company, in 1975, and featured the twin talents of dancer and theatre director Robert Helpmann and choreographer Ronald Hynd; and Maina Gielgud’s 1986 production of 19th century romantic ballet Giselle, created during her tenure as artistic director of the Australian Ballet.

Giselle 2015 The Australian Ballet production still feat company photographer credit Daniel Boud


The Australian Ballet – Giselle (2015)
Photograph: Daniel Boud



And it’s not just about big names: the Australian Ballet is championing young talent in 2018, via the return of its popular ‘contemporary’ triple-bill (presenting works by young choreographers, created in residence with the company), and the world premiere of a major new production of Spartacus.

This year’s contemporary triple bill, showing exclusively in Melbourne, is titled Verve and features two existing works created for the company – Tim Harbour’s ‘Filigree and Shadow’ (the highlight of 2015’s contemporary triple bill 20:21), and Stephen Baynes’ neoclassical 1997 piece ‘Constant Variants’ (set to Tchaikovsky’s ‘Variations on a Rococo Theme’) – and the world premiere of a new work by Corps de Ballet member Alice Topp, whose ‘Little Atlas’ was the highlight of the 2016 portmanteau work Symphony in C (in our review, we described it as “thrilling” and “achingly beautiful”).

The Australian Ballet 2018 season launch image feat Alice Topp (c) Time Out Australia photographer credit Daniel Boud


The Australian Ballet's Alice Topp
Photograph: Daniel Boud



The new production of Spartacus, meanwhile, will be choreographed by young dancer and theatre-maker Lucas Jervies (a guest artist with Melbourne Ballet Company in 2017). Set to Aram Khachaturian’s well-known score, Jervies’ take on the famous tale of rebellion will showcase the talents of the company’s male dancers.

The Australian Ballet 2018 Melbourne season:

Mar 16-26
State Theatre, Arts Centre Melbourne

The Merry Widow
Jun 7-16
State Theatre, Arts Centre Melbourne

Jun 21-20
State Theatre, Arts Centre Melbourne

Aug 30-Sep 8
State Theatre, Arts Centre Melbourne

Nov 9-24
Joan Sutherland Theatre, Sydney Opera House

2018 season packages for the Australian Ballet’s Melbourne performances go on sale from Wed September 27, 9am.

See what’s upcoming on Melbourne's stages in 2018.