Things to do in New York this Friday

Punchdrunk’s Sleep No More gave up the ghost last fall after 14 years, but fans of that immersive theatrical experience have a new show to tide them over: a smaller-scale work by Punchdrunk founder Felix Barrett that invites audience members to move barefoot through a labyrinthine installation inspired by Barry Pain’s 1901 gothic short story “The Moon-Slave," as adapted by the acclaimed British writer Daisy Johnson. Participants wear headphones and are guided through the 50-minute experience at the Shed via narration in the voice of Helena Bonham Carter. 

The fledgling Ensemble Shakespeare Company presents its first full production: a colorful, unabridged production of Shakespeare's madcap forest farce, in which humans and fairies commingle to comically disastrous effect. Director Dylan Diehl also presides over the 15-person cast as the fairy king Oberon. 

Classical Theatre of Harlem's annual series of free outdoor performances in Marcus Garvey Park—also known as Uptown Shakespeare in the Park—presents an original neoclassical work by playwright Will Power and director Carl Cofield, who also collaborated on CTH's 2021 summer offering, the Richard III riff Seize the King. The play focuses on a figure who is often overlooked in tales of the Trojan War: the Ethiopian king and demigod Memnon—not to be confused with the Greek king Agamemnon—who led a large contingent in Troy's defense before falling to that notorious heel Achilles. Eric Berryman essays the title role, flanked by a cast that includes Andrea Patterson, Jesse J. Perez as Priam, David Darrow and Jesse Corbin. Tickets are free but reservations are strongly suggested.

Broadway review by Adam Feldman  [Note: Tituss Burgess takes over the role of Mary Todd Lincoln starting June 23, followed by Jinkx Monsoon starting August 4.] Cole Escola’s Oh, Mary! is not just funny: It is dizzyingly, breathtakingly funny, the kind of funny that ambushes your body into uncontained laughter. Stage comedies have become an endangered species in recent decades, and when they do pop up they tend to be the kind of funny that evokes smirks, chuckles or wry smiles of recognition. Not so here: I can’t remember the last time I saw a play that made me laugh, helplessly and loudly, as much as Oh, Mary! did—and my reaction was shared by the rest of the audience, which burst into applause at the end of every scene. Fasten your seatbelts: This 80-minute show is a fast and wild joy ride. Escola has earned a cult reputation as a sly comedic genius in their dazzling solo performances (Help! I’m Stuck!) and on TV shows like At Home with Amy Sedaris, Difficult People and Search Party. But Oh, Mary!, their first full-length play, may surprise even longtime fans. In this hilariously anachronistic historical burlesque, Escola plays—who else?—Mary Todd Lincoln, in the weeks leading up to her husband’s assassination. Boozy, vicious and miserable, the unstable and outrageously contrary Mary is oblivious to the Civil War and hell-bent on achieving stardom as—what else?—a cabaret singer.      Oh, Mary! | Photograph: Courtesy Emilio Madrid  Described by the long-suffering...

Arjun Biju and Raquel Chavez play young adults chasing their techno music–crazy runaway mom across the world in an off-kilter aqdventure by rising talent Daniel Holzman, whose Middle School Play was at the Brick earlier this year. Noah Latty directs the world premiere at the Tank; the cast also features downtown stars Pete Simpson, Mike Iveson, Rita Wolf and Susannah Millonzi. 

The very busy Shayok Misha Chowdhury (Public Obscenities) directs the first major New York restaging of this 1985 Pulitzer Prize finalist: a Pentecostal gospel retelling of Sophocles's Oedipus story by librettist Lee Breuer (of the venerable avant-garde troupe Mabou Mines) and composer Bob Telson. "Duke of Gospel" James Hall is the music director and choir leader; the cast includes Stephanie Berry (in the preacher role originated by Morgan Freeman), Davóne Tines and Frank Senior as Oedipus, gospel singer Kim Burrell as Theseus, Samantha Howard as Antigone, Ayana George Jackson as Ismene, Jon-Michael Reese as Polyneices, Dr. Kevin Bond as Creon, Brandon Michael Nase as Balladeer and R&B artist Serpentwithfeet as Friend. 

For the middle show of its summer schedule, Hudson Classical Theater Company presents an outdoor production of Jane Austen's 1811 debut novel, in which sisters of meager fortune and markedly different temperaments seek husbands of suitable station. The adaptation is by the company's executive artistic director, Susane Lee, who has a penchant for 19th-century books. (She also adapted the company's suite of plays based on the adventure tales of Alexandre Dumas, père.) Attendance is free and reservations are not required.

Review by Adam Feldman  The low-key dazzling Speakeasy Magick has been nestled in the atmospheric McKittrick Hotel for more than a year, and now it has moved up to the Lodge: a small wood-framed room at Gallow Green, which functions as a rooftop bar in the summer. The show’s dark and noisy new digs suit it well. Hosted by Todd Robbins (Play Dead), who specializes in mild carnival-sideshow shocks, Speakeasy Magick is a moveable feast of legerdemain; audience members, seated at seven tables, are visited by a series of performers in turn. Robbins describes this as “magic speed dating.” One might also think of it as tricking: an illusion of intimacy, a satisfying climax, and off they go into the night. The evening is punctuated with brief performances on a makeshift stage. When I attended, the hearty Matthew Holtzclaw kicked things off with sleight of hand involving cigarettes and booze; later, the delicate-featured Alex Boyce pulled doves from thin air. But it’s the highly skilled close-up magic that really leaves you gasping with wonder. Holtzclaw’s table act comes to fruition with a highly effective variation on the classic cups-and-balls routine; the elegant, Singapore-born Prakash and the dauntingly tattooed Mark Calabrese—a razor of a card sharp—both find clever ways to integrate cell phones into their acts. Each performer has a tight 10-minute act, and most of them are excellent, but that’s the nice thing about the way the show is structured: If one of them happens to...

The Drilling Company's beloved Shakespeare in the Parking Lot returns for its 30th season of free classical theater on the Lower East Side. This year's offering, directed by Hamilton Clancy, is the Bard's perennially popular forest farce, in which a bossy Bottom falls into a wild world of drugged-up fairy sex; the company last mounted this show in 2016. (Seating is provided for the first audience members to claim it, but spectators can also bring their own chairs.) 

Start your weekend off right at Time Out Market New York’s stunning rooftop! Starting September 6, Friday Night Vibes gets the party going on the fifth floor at 7pm with tunes from DJ Stretch (on the first and third Friday of every month) and DJ Price Is Right (on the second and fourth Friday). Dance the night away with specialty cocktails from the Market’s awesome bar and grab bites from one of two dozen kitchens including, Jacob’s Pickles, Bark Barbecue and Wayla. Enjoy it all to the incredible views of the East River, the NYC skyline and the Brooklyn and Manhattan Bridges.  We’ll see you there!