Art exhibitions to see in Sydney today

Australia’s most popular arts event is back in action for 2025, with the Archibald, Wynne and Sulman Prizes bringing a fresh batch of painterly expressions to the walls of the Art Gallery of NSW from May 10 to August 17.  They call it “the face that stops the nation”, and the Archibald Prize has indeed been courting controversy and conversation for more than a century now. This popular portrait prize is always filled with famous faces, with artists from all over Australia (and also New Zealand) capturing the spirit of the times through paintings that capture the likeness of the personalities that define their communities. Julie Fragar is the winner of the 2025 Archibald Prize – she won over the judges with a stunning portrait of fellow artist Justene Williams (read more). RECOMMENDED: A beginner's guide to the Archibald Prize. The winner of the 2025 Packing Room Prize was announced a week earlier, with the Packing Room Pickers (a.k.a. the Art Gallery staff who receive, unpack and hang the entries) selecting Abdul Abdullah's striking painting of fellow finalist Jason Phu as their favourite Archibald portrait this year (read more here). Meanwhile, the Wynne Prize awards the best landscape painting of Australian scenery or figurative sculpture, and the Sulman is awarded to the best genre painting, subject painting or mural project. (Find out more about the 2025 winners over here.) The annual finalists exhibition is a real must-see, with each prize attracting diverse entries...

If you can’t quite hack the requisite international airfare and/or annual leave to explore the Amazon, meet polar bears, or go deep sea diving right now, there is another method for getting up close and personal with some of the world’s most incredible animals.  For the 60th year in a row, the Wildlife Photographer of the Year exhibition will arrive in Sydney on loan from London’s Natural History Museum. Taking root at the National Maritime Museum, this stunning collection of photographs will be on show in Sydney from Thursday, May 15 until Sunday, October 19.  This incredibly prestigious photography event is centred on drawing attention to the wild beauty and fragility of the natural world. This year, judges had to look at a baffling 59,228 entries from photographers of all ages and experience levels from 117 countries and territories, and were faced with the near-impossible task of whittling these down to just over 100 photo finalists. The images that made this year’s exhibition captures mesmerising snapshots of fascinating animal behaviour and stunning secret moments in the hearts of the world’s most unreachable places.The prestigious Grand Title this year went to Canadian Marine Conservation Photojournalist, Shane Gross, for his incredible underwater image of a community of western toad tadpoles. The award for Young Wildlife Photographer of the Year went to German photographer Alexis Tinker-Tsavalas for his up-close image Life Under Dead Wood. Of the talented Aussie...

As the distinctions between the digital and the material worlds become increasingly blurred, the way we think about art, society and technology is radically shifting. In the latest exhibition at Artspace, Amongst the clouds (digital materialities in the 21st century), we see a group of six artists exploring new ways that art and technology can work together to shape our physical and digital worlds.  The result is an intriguing collection of work that proves that, while new technologies are worth exploring as part of creative practice, human intervention is essential for creating inspired and interesting art.  Bombay-based artist Archana Hande’s immersive installation ‘Weaving Light’ transforms an entire room – a warm source of light permeates from a central column of Jacquard loom punch cards, casting intricate patterns in the shadows and onto viewers themselves (referencing Ada Lovelace, the artist explores the changing nature of industrialisation in a postcolonial world). On the other end of the spectrum, London-based artist Lawrence Lek’s ‘Guanyin (Confessions of a Former Carebot)’ invites us to play a videogame featuring a cyborg therapist; and local Sydney artist Sophie Penkethman-Young’s ‘Robot // Dog’ is a kaleidoscopic video essay on human relationships with programmable beings – from service robots, to pedigree dogs – that might affect the way you look at your four-legged friend.  As you enter the busiest space of the exhibition, the soundscape grows more noisy,...

Sydney’s Museum of Contemporary Art (MCA) presents the first solo museum exhibition by Kamilaroi artist Warraba Weatherall, whose work has been exhibited widely nationally and internationally over the past decade. Through a dynamic combination of installation, sculpture and video works, Shadow and Substance turns a critical eye to the colonial record – reframing existing narratives about Aboriginal and Torres Strait Islander peoples and culture found within archival and museum collections.  Drawing on his own family’s experiences, Weatherall’s work draws attention to the ethics of how Indigenous property, cultural information and materials have been historically acquired and displayed. A refined display that invites contemplation, this exhibition curated by MCA Australia Curator Megan Robson premieres several brand new artworks, including ‘Trace’ (2025) a major new co-commission between the MCA and the Hawaiʻi Triennial 2025, which resembles a giant spinning toy. ‘Dirge’ (2023) is a particularly fascinating piece, which draws attention to the ways in which information is “translated and transmitted”. Weatherall has created a large-scale, custom-built polyphon – a disc-operated mechanical music box – and the score it plays is a Braille translation of a colonial document relating to Aboriginal land rights found in an Australian museum.  Running until September 21, Shadow and Substance is part of the MCA’s autumn 2025 exhibition program. You can spend up to an hour inspecting...

If you like art inspired by the beauty and wonder of the natural world and our connection with it, Sydney artist Leah Fraser should be on your radar. Though don’t expect to see any subdued, realist landscapes. Instead, her paintings, sculptures and ceramics transport you into magical, otherworldly, jungle-like and celestial spaces inhabited by mystical and spiritually-charged figures. They're pieces of art Sydneysiders have become desperate to make centrepieces in their homes. Fraser's latest show, Persephone’s Descent, is showing at Arthouse Gallery from June 26 to July 19, with opening drinks on June 26 from 6-8pm. In this new exhibition, Fraser depicts the story of Persephone, Hades and Demeter, a Greek myth that has evolved into various meanings and etiological interpretations. Fraser explores how the story has impacted female autonomy, female identity and the complexities of human nature.  We’ve followed this Bronte-based artist since her first shows as a graduate of the College of Fine Arts, UNSW. Since then, she’s exhibited throughout Australia in many solo and group shows, worked in Mexico, been a finalist for countless awards, been commissioned by private collectors, and collaborated with brands including interiors company Jardan, and clothing designers Sass and Bide and All That Remains. It's far from easy to make a living as an artist in Sydney, but Fraser has done just that – by making a name for herself and developing a dedicated following. And...

You know you’re adulting when you find joy in browsing through homewares and furniture stores. Supa Centa Moore Park is like a massive playground for adults and it’s just been made even more of a great day out thanks to an immersive sculpture trail throughout the centre's public spaces.  This autumn, more than 25 contemporary sculptures crafted by renowned Australian artists will be arranged throughout the space in the Supa Sculpted Moments exhibition. The free, public collection includes work from artists Stephen Glassborow, Sonia Payes, Michael Vaynman, Margaret Sheridan, Mela Cooke and Hugh McLachlan, whose works have been displayed in some of Australia’s best galleries and prestigious exhibitions like Sculpture by the Sea.  There’s even an opportunity to get the scoop from the artists themselves, with a Meet the Makers series. For $10 (which includes a coupon for The Depot Cafe – so it’s basically free, right?) you can snag a limited spot for insight on the creative process (hello, home decor inspo).  Like what you see? Tell Supa Centa Moore Park which work is your favourite and you’ll go in the running to win a $2,500 art curation package including a discovery session, site inspection with an art curator and digital mock-up of suggested artworks for your home, bringing the spirit of Supa Sculpted Moments into your everyday living spaces. Supa Sculpted Moments is showing at the Supa Centa Moore Park from May 3 to July 20. It’s free to check out. You can find out more...

Ever wondered what Sydney would have looked like without all the clustered skyscrapers, scenic foreshores and sprawling suburbs? Seeing Sydney, Knowing Country strips the Harbour City right back to reveal the land as it once was. Running until November, the exhibition at the Museum of Sydney shows how the British colony took shape — and how knowledge of Country has continued to shape Sydney across generations. Travel back to the late 18th century when Governor Arthur Philip drew Sydney’s first boundary line in the sand of what we call Manly Cove. This marked the beginning of dispossession from the First Nations peoples after 60,000-plus years of custodianship of the land. The first land grant issued in the colony is one of many artefacts, sketches, plans and objects in this fascinating collection.  This free exhibition was created in collaboration with artist and designer Alison Page, a proud descendant of the Dharawal and Yuin peoples. Through her Aboriginal design agency and roles on numerous cultural boards, Page is a leading voice in contemporary Indigenous art and storytelling. Her innovative artistic intervention runs throughout the exhibition, layering First Nations understandings of Country over the colonial view of Sydney’s past. The exhibition was also developed in collaboration with the Sydney Coastal Aboriginal Women's Group.  Seeing Sydney, Knowing Country is open seven days a week at the Museum of Sydney until November. Find out more about this free...