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White Rabbit

  • Art
  • Chippendale
  • price 0 of 4
  1. Photograph: Cassandra Hannagan
    Photograph: Cassandra Hannagan
  2. Photograph: Cassandra Hannagan
    Photograph: Cassandra Hannagan
  3. Photograph: Cassandra Hannagan
    Photograph: Cassandra Hannagan
  4. Photograph: Cassandra Hannagan
    Photograph: Cassandra Hannagan
  5. Photograph: Cassandra Hannagan
    Photograph: Cassandra Hannagan
  6. Photograph: Cassandra Hannagan
    Photograph: Cassandra Hannagan
  7. Photograph: Cassandra Hannagan
    Photograph: Cassandra Hannagan
  8. Photograph: Cassandra Hannagan
    Photograph: Cassandra Hannagan
  9. Photograph: Cassandra Hannagan
    Photograph: Cassandra Hannagan
  10. Photograph: Cassandra Hannagan
    Photograph: Cassandra Hannagan
  11. Photograph: Cassandra Hannagan
    Photograph: Cassandra Hannagan
  12. Photograph: Cassandra Hannagan
    Photograph: Cassandra Hannagan
  13. Photograph: Cassandra Hannagan
    Photograph: Cassandra Hannagan
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Time Out says

Head to Chippendale for Judith Neilson's extraordinary four-floor temple to 21st century Chinese art

White Rabbit is a a state-of-the-art, four-floor temple to 21st century Chinese art hidden on a backstreet in Chippendale. Founder Judith Neilson created the self-funded non-profit gallery to house her epic collection of post-millennial Chinese art, and it opened to the public in 2009.

The gallery also houses a gift-shop full of cheap, cheerful and colourful gifts, and a ground-floor tea house that also serves dumplings.

Contemporary Chinese art is a hot commodity right now, and among the most fascinating in the world, says Paris Neilson, Judith's daughter and the collection's manager. "When you go to China and visit the artists' studios, they're the size of airplane hangers. They have access to materials like bronze and fibreglass and they can get workers to help. They have so much freedom to create whatever comes to mind."

White Rabbit opened in August 2009, the culmination of an idea sparked ten years ago. Judith Neilson discovered the work of Wang Zhiyuan at a 1999 exhibition at Ray Hughes Gallery in Surry Hills and began a friendship with the Beijing-based artist. "Mum went and visited him in Beijing and was just amazed by the work she saw," Paris explains. "She bought a couple of works and came back raving."

Judith's husband, Platinum Asset Management founder Kerr Neilson, urged her to buy more, and the issue of where to keep and display a collection arose. The Neilsons found an old knitting factory in Chippendale and set about a three-year, $10 million refurb. White Rabbit is now one of the largest collections of contemporary Chinese art in the world.

"What we'd like to be is an additional cultural space in Sydney, in addition to the Art Gallery of New South Wales and the MCA," says Paris. "It's another activity that people can do in Sydney, and it's free."

Written by Nick Dent and Dee Jefferson

Details

Address:
30 Balfour St
Chippendale
Sydney
2008
Opening hours:
Wed-Sun 10am-5pm

What’s on

A Blueprint for Ruins

  • Galleries

A state-of-the-art temple to contemporary Chinese art hidden on a Chippendale backstreet, we always look forward to what White Rabbit Gallery has in store for us. And it looks like the gallery is heading into 2024 with a bang, with A Blueprint for Ruins set to explore the fallout of rapid urbanisation across the gallery’s four floors from December through to May. Summoning apocalyptic images of cities tearing themselves apart to make way for towering skyscrapers and gleaming high-rises, this exhibition reverberates with the shadows of the dispossessed within China’s urban metamorphosis. As the nation’s cities race to embrace modernity in a never-ending dance of renewal, buildings are designed to be demolished even before their completion. The casualties of development are left to drift through the ruins of their ruptured world. Displaced individuals and their stories echo through abandoned spaces, once home to ancestral sites and legacies of long family lineages. The artworks in A Blueprint for Ruins guide us toward the remnants of memories woven into the very fabric of each structure, even as the walls crumble. As the artist Hu Weiyi poignantly writes: “It’s as if every abandoned building, about to disappear, is attempting to sing its last note, and eventually they will come together to form a requiem for an era.” As always, a trip to White Rabbit isn’t complete without pots of freshly brewed tea and plates of steaming dumplings under the canopy of empty birdcages in the caf

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