Our latest Sydney theatre reviews

Jay Gatsby invites you into the decadent world of The Green Light, nestled inside The Studio theatre of the Sydney Opera House, where the roaring '20s is reborn for an evening of decadence, debauchery and delight. Gatsby at the Green Light is back by popular demand and, with an extended run until March 2026, there’s clearly a demand for cabaret with a touch of elegance and plenty of grandeur.  What type of show is Gatsby at the Green Light? Based on F. Scott Fitzgerald’s classic text, The Great Gatsby, director Craig Ilott once more takes audiences into an exploration of the liquor-fuelled parties, yearning and lust of the illusive figure, Jay Gatsby, in an evening of professional cabaret. Ilott doesn’t so much play out the story of The Great Gatsby, but instead takes the crux of it – one of greed, love, decadence and the unreachable American Dream – to showcase some of the best talents in cabaret, aerial acrobatics, tap and circus. Set inside the fictionalised bar, The Green Light, designer Stuart Couzens creates a world that feels like you’ve stepped back into a speakeasy bar of Fitzgerald’s America. The three-tiered seating elements of Green Light mean that audiences have the choice of sitting back in the rafters and overseeing the party (much like the host himself) or the middle of the space set far enough back to see all but not be so close as to feel the intimacy of the stage.  Those who want to hear the heartbeat of the waiter-come-dancers around you, feel the heat...

Great Scott! All the way from 1985 to 1955 and now 2025, Sydney has landed the opening of mega-movie musical Back to the Future: The Musical, complete with a superb ensemble, captivating visual effects and enough nostalgia to power a time-travelling DeLorean.  For full transparency, Back to the Future is one of my favourite films of all time. Growing up watching Michael J. Fox’s Marty McFly and Christopher Lloyd’s Dr. Emmett Brown travel through time across three films was a large part of my movie-watching childhood. So when it was announced that it would be getting a high-octane staging, I was both ecstatic and sceptical. However, like the show’s original writer (and now the musical’s) Bob Gale said, “we’re not going to do this unless we can do it right”.   Thankfully, of the musical version I can safely say – to borrow from the Doc – “IT WORKS!” What’s the premise of Back to the Future: The Musical? After uncovering an old folder of photos in his parents’ basement, Gale wondered, after seeing a high school version of his father, whether he would have been friends with him back then. “The answer is no,” he joked at the opening night bows. The result of this is classic ’80s nostalgia – in both setting and plot.  BTTF follows teenager Marty McFly in Hill Valley, 1985, whose life is less than spectacular. He dreams of being a rock 'n’ roll star but he’s told he’s too loud and a “slacker” like his father. His family are just as hopeless. None more so than his father George...