Our latest Sydney theatre reviews

As I’m on my way to Sydney's Capitol Theatre for the new Australian production of The Book of Mormon, my friend tells me it’s the very first musical a lot of people see. Created by South Park duo Trey Parker and Matt Stone (with Robert Lopez), the show’s reputation for extremely irreverent jabs at religion draws a non-traditional theatre crowd. What I now realise my friend didn’t mean was, “it’s often the first musical kids see”. When I say the musical is extremely irreverent, I mean it. The humour is crass, verging on grotesque (some things I wouldn’t dare repeat). So it’s probably questionable that I’ve brought along my 13-year-old son with me. That said, he loves it.  Some of the humour is classic teen boy (i.e. a regular exclamation from one of the Ugandan characters that he has “maggots in my scrotum”). Very South Park. My son laughs loudly with the rest of the audience – and when the jokes go too far, he cringes, glancing around with a “should I be laughing at this?” look. Although the shock value is high, it’s nice seeing a Gen Alpha-ite who’s been raised on Youtube and other screen-based entertainment bopping along in his seat to the song and dance of a stage show.    What’s the premise of The Book of Mormon? The Book of Mormon tells the story of two young Mormon missionaries sent to a small village in Uganda. Although the story centres on Mormonism, Parker and Stone have been known to refer to the show as an “atheist’s love letter to religion” – a wink and a jab...

Great Scott! All the way from 1985 to 1955 and now 2025, Sydney has landed the opening of mega-movie musical Back to the Future: The Musical, complete with a superb ensemble, captivating visual effects and enough nostalgia to power a time-travelling DeLorean.  For full transparency, Back to the Future is one of my favourite films of all time. Growing up watching Michael J. Fox’s Marty McFly and Christopher Lloyd’s Dr. Emmett Brown travel through time across three films was a large part of my movie-watching childhood. So when it was announced that it would be getting a high-octane staging, I was both ecstatic and sceptical. However, like the show’s original writer (and now the musical’s) Bob Gale said, “we’re not going to do this unless we can do it right”.   Thankfully, of the musical version I can safely say – to borrow from the Doc – “IT WORKS!” What’s the premise of Back to the Future: The Musical? After uncovering an old folder of photos in his parents’ basement, Gale wondered, after seeing a high school version of his father, whether he would have been friends with him back then. “The answer is no,” he joked at the opening night bows. The result of this is classic ’80s nostalgia – in both setting and plot.  BTTF follows teenager Marty McFly in Hill Valley, 1985, whose life is less than spectacular. He dreams of being a rock 'n’ roll star but he’s told he’s too loud and a “slacker” like his father. His family are just as hopeless. None more so than his father George...

This review is based on the 2023 season of Gatsby at the Green LightThis raucous show could be the closest you’ll get to spending a whirlwind evening inside an extravagant Baz Luhrmann flick. Taking over The Studio in the belly of the Sydney Opera House, Gatsby at the Green Light is a sauced-up variety show that transports audiences into a pop-up, vintage-inspired night club (complete with a functional bar). Think of this production as a sort of live concept album – featuring a smorgasboard of circus acts, top-shelf burlesque, evocative live singing, and impressive aerial artistry – with the rare art of hair-hanging to boot.  Gatsby cherry-picks from the glitz and glamour of one of Jay Gatsby’s famous parties, remixes it, and serves it up as an escapist fantasy where the roaring ’20s meets the 2020s. In doing so, this show masters the timeless allure of a particular niche of spectacle: watching profusely talented and beautiful people performing seriously difficult tricks and dangling precariously in the air (before elegantly dismounting with a brazen wink). ARIA-nominated singer Odette is a stand out member of the ensemble, the earthy and mystical vocal quality of the siren of the Inner West providing a soulful connective thread to the mixed bag of acts. Odette collaborated with musical director Kim Moyes (best known as one-half of iconic Australian electronic duo The Presets) on an original song for the production – although, it’s her covers of hit songs that will...

Every year, I wait with bated breath to see what original Australian musical the Hayes Theatre Company will put forward. In recent seasons, I’ve seen rock-singing country wrestlers, breakdancing zombies, and now – tap-dancing horses? Yes, Phar Lap: The Electro-Swing Musical gallops onto the Hayes stage with all the energy, heart and irreverent Aussie spirit you’d expect from this beloved company. Even for those unfamiliar with Australia’s horse-racing history, the name “Phar Lap” carries mythic weight – the underdog chestnut who became a national hero during the Great Depression, and whose story is forever tied to “the race that stops the nation.” This new musical takes that legend and runs with it, blending history and humour with plenty of high kicks to create a crowd-pleasing spectacle that’s equal parts hoofbeats and hope. What's the premise of Phar Lap: The Electro-Swing Musical? At the centre of the story is Harry Telford (Justin Smith, Into the Woods, The Dismissal, Dubbo Championship Wrestling), a down-on-his-luck trainer who’s never managed to produce a winner. His fortunes change when he stumbles upon Phar Lap (Joel Granger, Guys & Dolls, The Book of Mormon), a New Zealand–born thoroughbred with the makings of a champion. Sensing an opportunity, Telford strikes a precarious deal with the ever-money-hungry David Davis (Nate Jobe, Shrek the Musical). To get Phar Lap into winning form, the unlikely pair must navigate the horse’s relationship with his jockey Jim Pike...