Hadestown - Australian premiere
Photograph: OA/Lisa Tomasetti
Photograph: OA/Lisa Tomasetti

Our latest Sydney theatre reviews

Time Out's critics offer their opinions on the city's newest musicals, plays and every other kind of show

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There is a lot happening on Sydney's stages each and every month. But how do you even know where to start? Thankfully, our critics are out road-testing musicals, plays, operas, dance, cabaret and more all year round. Here are their recommendations.

Want more culture? Check out the best art exhibitions in Sydney.

5 stars: top notch, unmissable

  • Drama
  • Millers Point
  • price 2 of 4
  • 5 out of 5 stars
  • Recommended
Sticks and stones may break your bones, but words can spit out venom so lethal that there is no antidote. There are not many works which can produce such poisonous sparring and emotional violence with the same acclaim and excellence as Edward Albee’s Who’s Afraid of Virginia Woolf? The Pulitzer Prize and Tony Award-winner’s work is a gruelling feat of art, which director Sarah Goodes tackles with a fresh ferocity and with all the classical nuance and complexity that comes with Albee’s work. What is the premise of Who’s Afraid of Virginia Woolf? Martha (Kat Stewart) and George (David Whiteley) are a middle-aged couple who have spent their married life at New Carthage University where George works as an associate professor in the history department. The couple arrive home at two o’clock in the morning after attending a faculty party hosted by Martha’s father, who is also the University’s president. During what seems like a slight marital dispute after the party, Martha informs George that she has invited a younger couple who have recently joined the university to their house. As the argument begins to heat up, Nick (Harvey Zielinski) and Honey (Emily Goddard) arrive at the couple’s place just as Martha is cursing at George, foreshadowing the tumultuous night ahead.  The story uses the two couples’ relationships to explore ideas of truth and illusion. By using the privacy of a vicious domestic argument, the audience, like Nick and Honey, become a witness to a generally...

4 stars: excellent and recommended

  • Musicals
  • Haymarket
  • 4 out of 5 stars
  • Recommended
As I’m on my way to Sydney's Capitol Theatre for the new Australian production of The Book of Mormon, my friend tells me it’s the very first musical a lot of people see. Created by South Park duo Trey Parker and Matt Stone (with Robert Lopez), the show’s reputation for extremely irreverent jabs at religion draws a non-traditional theatre crowd. What I now realise my friend didn’t mean was, “it’s often the first musical kids see”. When I say the musical is extremely irreverent, I mean it. The humour is crass, verging on grotesque (some things I wouldn’t dare repeat). So it’s probably questionable that I’ve brought along my 13-year-old son with me. That said, he loves it.  Some of the humour is classic teen boy (i.e. a regular exclamation from one of the Ugandan characters that he has “maggots in my scrotum”). Very South Park. My son laughs loudly with the rest of the audience – and when the jokes go too far, he cringes, glancing around with a “should I be laughing at this?” look. Although the shock value is high, it’s nice seeing a Gen Alpha-ite who’s been raised on Youtube and other screen-based entertainment bopping along in his seat to the song and dance of a stage show.    What’s the premise of The Book of Mormon? The Book of Mormon tells the story of two young Mormon missionaries sent to a small village in Uganda. Although the story centres on Mormonism, Parker and Stone have been known to refer to the show as an “atheist’s love letter to religion” – a wink and a jab...
  • Darling Harbour
  • 4 out of 5 stars
  • Recommended
Great Scott! All the way from 1985 to 1955 and now 2025, Sydney has landed the opening of mega-movie musical Back to the Future: The Musical, complete with a superb ensemble, captivating visual effects and enough nostalgia to power a time-travelling DeLorean.  For full transparency, Back to the Future is one of my favourite films of all time. Growing up watching Michael J. Fox’s Marty McFly and Christopher Lloyd’s Dr. Emmett Brown travel through time across three films was a large part of my movie-watching childhood. So when it was announced that it would be getting a high-octane staging, I was both ecstatic and sceptical. However, like the show’s original writer (and now the musical’s) Bob Gale said, “we’re not going to do this unless we can do it right”.   Thankfully, of the musical version I can safely say – to borrow from the Doc – “IT WORKS!” What’s the premise of Back to the Future: The Musical? After uncovering an old folder of photos in his parents’ basement, Gale wondered, after seeing a high school version of his father, whether he would have been friends with him back then. “The answer is no,” he joked at the opening night bows. The result of this is classic ’80s nostalgia – in both setting and plot.  BTTF follows teenager Marty McFly in Hill Valley, 1985, whose life is less than spectacular. He dreams of being a rock 'n’ roll star but he’s told he’s too loud and a “slacker” like his father. His family are just as hopeless. None more so than his father George...
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  • Circuses
  • Sydney
  • 4 out of 5 stars
  • Recommended
This review is based on the 2023 season of Gatsby at the Green LightThis raucous show could be the closest you’ll get to spending a whirlwind evening inside an extravagant Baz Luhrmann flick. Taking over The Studio in the belly of the Sydney Opera House, Gatsby at the Green Light is a sauced-up variety show that transports audiences into a pop-up, vintage-inspired night club (complete with a functional bar). Think of this production as a sort of live concept album – featuring a smorgasboard of circus acts, top-shelf burlesque, evocative live singing, and impressive aerial artistry – with the rare art of hair-hanging to boot.  Gatsby cherry-picks from the glitz and glamour of one of Jay Gatsby’s famous parties, remixes it, and serves it up as an escapist fantasy where the roaring ’20s meets the 2020s. In doing so, this show masters the timeless allure of a particular niche of spectacle: watching profusely talented and beautiful people performing seriously difficult tricks and dangling precariously in the air (before elegantly dismounting with a brazen wink). ARIA-nominated singer Odette is a stand out member of the ensemble, the earthy and mystical vocal quality of the siren of the Inner West providing a soulful connective thread to the mixed bag of acts. Odette collaborated with musical director Kim Moyes (best known as one-half of iconic Australian electronic duo The Presets) on an original song for the production – although, it’s her covers of hit songs that will...
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