Hadestown - Australian premiere
Photograph: OA/Lisa Tomasetti
Photograph: OA/Lisa Tomasetti

Our latest Sydney theatre reviews

Time Out's critics offer their opinions on the city's newest musicals, plays and every other kind of show

Advertising

There is a lot happening on Sydney's stages each and every month. But how do you even know where to start? Thankfully, our critics are out road-testing musicals, plays, operas, dance, cabaret and more all year round. Here are their recommendations.

Want more culture? Check out the best art exhibitions in Sydney.

5 stars: top notch, unmissable

  • Musicals
  • Haymarket
  • 5 out of 5 stars
  • Recommended
The opening note of ‘The Circle of Life’ may just be one of the most recognisable in a Disney musical. If you don’t agree, then you may have to convince the entire theatre-going audience who were at Disney’s The Lion King on opening night. The full house’s roars could be heard all the way out of the Capitol Theatre’s front doors as the king of musicals triumphantly returns to Sydney – the first time in more than a decade. What type of show is The Lion King? It’s called The King of Musicals for a reason. If it’s not Elton John’s iconically recognisable music, or Tim Rice’s lyrics you’ve sung over a late-night karaoke session, then its Roger Allers and Irene Mecchi’s book featuring the characters you love, the characters you hate, and the ones you undoubtedly cry over – tears were definitely still shed during that scene. What’s so beautiful about The Lion King is the blurring of worlds and culture that merges in between all of these. Julie Taymor’s directorial conception blends African culture, language, movement and costume underneath masks and puppetry of the animal characters. Mufasa’s “crown” is a stoic, strong and towering headdress. The elegant lionesses soar and leap through the sky through Garth Fagan’s choreography as wing-like gowns flow behind them. The animals of Pride Rock are adorned with larger-than-life puppets of intricate designs and architecture: a re-engineered bicycle becomes leaping antelope, birds fly above the crowd on poles manipulated by performers,...

4 stars: excellent and recommended

  • Sydney
  • 4 out of 5 stars
  • Recommended
Regent's Park Open Air Theatre in London has become a home for staggering visuals and reimaginings of classic musicals. The most recent touring production of Jesus Christ Superstar arrived with rave reviews and award-winning performances from its electrifying revival of the rock musical. Now, Fiddler on the Roof gets its turn for a facelift at Theatre Royal Sydney, with a backing from a stellar team whose work covers Olivier and Tony Award-winning productions.  What is the premise of Fiddler on the Roof? It’s 1905 in the fictional shtetl of Anatevka set in Tsarist Russia, twelve years before the Russian Revolution of 1917. A ghostly rise of the curtain sees Ben Adler’s Fiddler on a flat-roofed stage, the name of the village faces backwards towards the band sitting behind a high row of wheat fields. Tevye, a Jewish milkman, leads his family by their proud traditions. This means a loyal wife, visits to the matchmaker, five obedient daughters, and daily conversations with God. But this is a time of change, his daughters wish to break away from the closed community’s traditions amidst the backdrop of a changing world.  Throughout, we see more than just Tevye’s family dynamics needing to grapple with forces far greater than Anatevka can withstand.  Who are the cast and crew of Fiddler on the Roof? Jordan Fein’s direction gives ample scope for spectacle, particularly when Julian Cheng’s choreography is placed front and centre – the high-energy traditional dances are the show’s...
  • Musicals
  • 4 out of 5 stars
  • Recommended
The movie-to-musical trend seems to be the only major money-making machine that Broadway can see as the answer to their economic troubles – but that doesn’t mean they’re all bad! I did hear word of Melbourne’s opening night of the popular ’80s-movie-turned-hit-cult-musical where audiences arrived with the fervour of an Olivia Rodrigo concert. But I thought it might have just been the hype of the show’s return after the West End’s semi-revival and the subsequent pro-shot of the production. Surely, Sydney audiences' more generally withheld approach to theatre etiquette wouldn’t have arrived with this level of electric energy…well f*** me gently with a chainsaw was I wrong! The fandom of Heathers arrived on opening night in full cosplay and with the level of enthusiasm suitable for an Olympic Park stadium. The cult-fangirl popularity of Heathers truly needs to be studied. What type of show is Heathers the Musical? Heathers the Musical adapts the 1988 cult-classic film, starring a young Winona Ryder, to the stage with an almost cartoonish glee. There aren’t many dark comedy musicals that still manage to have a bit of bite, but Heathers somehow survives in a world where taboo subjects are becoming more cleansed for our palates. Teenage suicide, date rape, dead parents, and murder are all on the stage, and yet somehow Heathers maneuvers through them all to the reception of a screaming crowd. It’s the classic high school as a battlefield scenario, as Veronica Sawyer must navigate...

3 stars: recommended, with reservations

  • Musicals
  • Elizabeth Bay
  • 3 out of 5 stars
  • Recommended
Society’s definition of success has long been measured in the currencies of wealth, status, power and prestige. The threads of capitalism are so deeply woven into the fabric of our lives that we can sometimes mistake power for responsibility, prestige for accountability and influence for merit. It is a particularly pertinent distinction at a moment when the world’s most powerful democracy is once again led by a businessman, and popularity, power and status are increasingly treated as interchangeable with competence, responsibility and merit. What is the premise of How to Succeed in Business Without Really Trying? It is within this uncomfortable landscape that How to Succeed in Business Without Really Trying, which premiered on Broadway in 1961, could find renewed relevance. The musical follows J. Pierrepont Finch (Jake Speer), an ambitious young window cleaner who uses a self-help book to manipulate his way into a job at the World Wide Wicket Company and climb the corporate ladder. As he becomes entangled with Rosemary Pilkington (Georgia Laga’aia), rival Bud Frump (Max Macdonald) and company president J. B. Biggley (Simon Burke), Finch’s increasingly audacious schemes satirise workplace politics, unchecked ambition and the uncomfortable reality of success in a world that rewards the shameless and self-interested. What are the highlights of How to Succeed in Business Without Really Trying? The production shows considerable promise from the outset. Director and...
Recommended
    Latest news
      Advertising