M+

A new exhibition at M+ showcases 12 immersive installations by pioneering women artists from Asia, Europe, and the Americas, including three new works by Asian artists. Dream Rooms: Environments by Women Artists 1950s–Now emphasises the multisensory experience of art and highlights women’s contributions to installation art, a field often overshadowed by male artists. Visitors can actively engage with the environments, which include nine historic pieces that have been painstakingly reconstructed, such as Aleksandra Kasuba’s Spectral Passage (1975), which invites individuals to journey through interconnected nylon structures as a metaphor of the life cycle; Judy Chicago’s Feather Room (1966), an all-white space filled with 300 pounds of feathers; and more. M+ will also host talks with co-curators Andrea Lissoni and Marina Pugliese to discuss the concept behind the exhibition, and a panel discussion with the three Asian artists whose new, commissioned work is part of Dream Rooms. Additionally, M+ Cinema will screen three documentaries about some of the exhibited artists to supplement the show.

This latest exhibition in the M+ Open Gallery examines the process of making things as a creative expression, and how this has a lasting impact on individuals, communities, and our ecosystems. Drawing from the works of the M+ Collections, visitors are invited into the inspirations and techniques behind the processing of conceptualising, research, design, and fabrication that go into the objects and architecture we see around us. Split into four sections, it covers the broad themes of ceramics with its layered history; innovative uses of materials like neon, resin, and bamboo, including a restored Hong Kong neon sign; how computing, machine learning, and AI have impacted the making process; and the effects of consumerism and mass production on contemporary society. Tickets for ‘Making It Matters’ cost $120, and allow same-day entry to the other paid exhibitions in M+.

M+ Museum’s new thematic exhibition aims to explore the connection between landscape and humanity in our post-industrial and increasingly virtual world. Literally translating to ‘mountain and water’, shanshui is a Chinese cultural concept that has inspired Asian ink paintings across millennia. Almost 130 works split into nine thematic sections will reimagine landscape through art, moving images, sound, design, architecture, and other large-scale mediums from a range of international artists, architects, and creators.

M+ Cinema is sending audiences on a black to the past with its Autumn Edition 2025, taking place from October to December, and the programme is filled to the brim with special exhibitions, showcases, and tributes to Hong Kong’s rich cinematic legacy. Kicking things off is M+ Restored, an initiative dedicated to preserving Hong Kong cinema history through the restoration of nine feature films. ‘Rediscoveries—Chinese Diaspora in Hollywood’ celebrates the significant cinematic contributions of the Chinese diaspora and the considerable challenges they had to overcome within the American film industry.  With spooky season coming up, M+ Cinema has prepared two special screenings to celebrate the occasion. ‘Every Bruce Was Kung Fu Fighting’ centres on ‘Bruceploitation’ – the low-budget, imitation genre that sprung up as the immediate aftermath of Bruce Lee’s untimely passing – featuring two grindhouse classics and one documentary. M+ Cinema is also bringing the 4K restored versions of Ju-On and Ju-On 2 (2000) to the big screen for anyone keen to revisit the horror classic in time for Halloween. ‘Fresh Eyes’ will showcase two animated films: Bambi (1942), which was brought to life through concept art created by the late Chinese-American artist Tyrus Wong – who served as the lead production illustrator on the film – and Shrek (2001), the animation of which was supervised by Hong Kong-born animator Raman Hui. See the full programme and how to purchase tickets on the M+ website.