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Room filled with paintings hung 'salon' style at the NGV
Photograph: Visit Victoria

Five artworks at the NGV every Melburnian should see

While the NGV is best known for its roster of blockbuster exhibitions, it’s also home to one of the world’s most impressive collections

Written by
Ben Neutze
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Since it was founded in 1861, the National Gallery of Victoria has been busy amassing the best art from Australia and all across the world. Now, after a century and a half of collecting, the gallery has arguably the country's most significant collection of art, ranging from milestone European works from every major artistic movement to contemporary masterpieces by Australia's finest.

We asked the NGV's curatorial team to pick five works that Melburnians should familiarise themselves with, from across the collection's whole spectrum. You can see them at both of the gallery's major spaces: NGV International on St Kilda Road and NGV Australia at Federation Square.

RECOMMENDED: The best art galleries in Melbourne.

The best works to see at the NGV in Melbourne

Françoise Gilot, ‘Blue Eyes (Les Yeux Bleus)’ (1956)
Françoise Gilot, ‘Blue Eyes (Les Yeux Bleus)’ (1956). © Françoise Gilot, courtesy of Vincent Mann Gallery.

1. Françoise Gilot, ‘Blue Eyes (Les Yeux Bleus)’ (1956)

Where you can see it: Lvl 2, NGV International.

Why it matters: Françoise Gilot was a leading figure in the mid-20th century Parisian art scene. This was the first work from the significant 'School of Paris' to enter the NGV collection.

Camille Pissarro, ‘Boulevard Montmartre, Morning, Cloudy Weather (Boulevard Montmartre, Matin, Temps Gris)’ (1897)
Camille Pissarro, ‘Boulevard Montmartre, Morning, Cloudy Weather (Boulevard Montmartre, Matin, Temps Gris)’ (1897). National Gallery of Victoria.

2. Camille Pissarro, ‘Boulevard Montmartre, Morning, Cloudy Weather (Boulevard Montmartre, Matin, Temps Gris)’ (1897)

Where you can see it: Lvl 2, NGV International.

Why it matters: This was the first impressionist work purchased by the NGV (in 1907). At this time, it was one of the first impressionist works purchased by a museum anywhere in the world.

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Giambattista Tiepolo, ‘The Banquet of Cleopatra’ (1743-44)
Giambattista Tiepolo, ‘The Banquet of Cleopatra’ (1743-44). National Gallery of Victoria

3. Giambattista Tiepolo, ‘The Banquet of Cleopatra’ (1743-44)

Where you can see it: Lvl 2, NGV International.

Why it matters: Giambattista Tiepolo is regarded as one of the leading 18th-century painters and ‘The Banquet of Cleopatra’ is considered to be his masterpiece. The painting is physically impressive in terms of both its scale and its vivid colour, and has long been a favourite among the millions of people who visit the NGV. 

Hannah Brontë, ‘Umma’s Tongue – Molten at 6000°’ (2017)
Hannah Brontë, 'Umma’s Tongue – molten at 6000°' (2017). National Gallery of Victoria.

4. Hannah Brontë, ‘Umma’s Tongue – Molten at 6000°’ (2017)

Where you can see it: Level 3 foyer

Why it matters: The work exemplifies Brontë’s art, which deals with women's empowerment and Indigenous stories. This emerging contemporary artist works across photography, textiles and video.

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Mary Beale, ‘Portrait of a Lady’ (c 1680)
Mary Beale, ‘Portrait of a Lady’ (c 1680). National Gallery of Victoria.

5. Mary Beale, ‘Portrait of a Lady’ (c 1680)

Where you can see it: Lvl 2, NGV International.

Why it matters: Among the first professional female painters and businesswomen of her time, Mary Beale was highly successful among nobility and was able to support her family through her work. 

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