Mother
From Raphael’s 'Madonna and Child' to Louise Bourgeois’ 'Maman', the maternal bond has long been one of art’s most enduring subjects. And now, a new exhibition at the NGV, Mother: Stories from the NGV Collection, puts motherhood firmly in the frame, bringing together more than 200 historical and contemporary works to examine how the experience of being, becoming and relating to motherhood has been imagined across cultures, generations and media.
Running from March 27 to July 12, 2026, at the NGV's Ian Potter Centre, Mother will span painting, sculpture, photography, weaving, decorative arts and moving image, moving beyond sentimental tropes to grapple with the realities and contradictions of motherhood – warts and all. Themes range from societal expectations and invisible labour to mythology, religion and the deep connections between motherhood, nature and Country for First Nations communities.
A standout from the exhibit is Ruth O’Leary’s 'Flinders Street, 2017', created after the birth of her first child, in which a public photobooth becomes a makeshift studio: a poignant meditation on care and the blurred boundaries between public and private life. Other highlights include two new acquisitions by David Hockney, a moving image work by Hayley Millar Baker and a towering sculpture from 1893 by Betram Mackennal.
The exhibition features works by an expansive roster of artists, including Louise Bourgeois, Tracey Emin, Camille Henrot, David Hockney, Tracey Moffatt, Iluwanti...
