Theatre and musicals in Melbourne this week

If you’re looking for a magical night out in the city, the neon-lit Maho Magic Bar is back after sold-out shows and rave reviews from their 2023 season in Chinatown, and this time it’s found a new home at Melbourne’s new entertainment hub, Spiegel Haus. Inspired by Japan’s rich history with magic, this immersive 60-minute experience comes from Broad Encounters (the team behind A Midnight Visit) and brings a line-up of magician superstars direct from Japan, performing a mix of brand-new tricks and audience favourites.  From November 25, step into the whimsical cocktail bar and be whisked away to Tokyo where expert magicians perform up-close magic alongside delicious cocktails. There's no stage for the performers here as the intimate show will take place right at your table, where you'll assist the magicians in their bamboozling sleight-of-hand magic. Japan’s best magicians will surprise and delight visitors, incorporating debonair storytelling, mind-blowing illusions and kawaii charm. While you enjoy the show, you can order from a menu of bespoke cocktails mixed by a Japanese master mixologist. Or if you're after a more traditional libation, try authentic Japanese sake, whisky, shochu and rare spirits like umeshu.  If you're prepared to be dazzled, this experience will surely do the trick. Maho Magic Bar is performing multiple shows a day between Tuesdays and Sundays with adult shows (recommended for ages 12+) in the evening and family-friendly matinees. Book a ticket, a...

Midsumma Festival, one of Melbourne’s most loved LGBTQIA+ celebrations, returns in 2026 with an electric three-week-long party from January 18 to February 8. Expect more than 250 events spanning art, theatre, music, comedy, film and fun, showcasing dazzling local and international queer talent. With vibrant festival hubs across Melbourne and greater Victoria, it’s an inclusive celebration of creativity and community. Some of the highlights of the 2026 program include the international hit play Afterglow at Chapel Off Chapel; Australian Open at Theatre Works; the smash-hit cabaret He's Every Woman; Drag Storytime for Adults with Narelda Jacobs and Karina Natt at the State Library Victoria; and plenty heaps more. But it all kicks off when the free Midsumma Carnival opens the festival on Sunday, January 18, at Alexandra Gardens. This free celebration showcases LGBTQIA+ talent across multiple stages, alongside community and business stalls, pop-up bars and food zones. Expect a packed day of performances, plus the much-loved Dog Show and Lip Sync Limelight. As the sun sets, the carnival transforms into a high-energy dance party with DJs and drag queens. The signature Midsumma Pride March will take place on Sunday, February 1, and will see thousands of marchers and onlookers gather in St Kilda in support of LGBTIQA+ communities. The parade will kick off at 10.30am and run through Fitzroy Street and Catani Gardens, with some cool after-parties, of course.  For the last night of...

Due to popular demand, Melbourne Theatre Company's rip-roaring musical adaptation of My Brilliant Career is returning for a limited five-week run in 2026.  This incredible production takes one of the best-known early Australian novels, the 1901 book of the same name by Miles Franklin, and twists it into a musical for a new generation. Six star Kala Gare is reprising her role as Sybylla Melvyn, with much of the original ensemble of actor-musicians also coming back. Set in 1890s drought-stricken rural Australia, the novel follows Sybylla Melvyn’s dreams of an illustrious life as a writer, as she’s stifled by Edwardian mores. At the time Franklin published the book (under a male pseudonym that was quickly seen through), she was just 21 years old. My Brilliant Career will kick off Melbourne Theatre Company's 2026 season. My Brilliant Career is showing at Southbank Theatre from January 23 to February 28, 2026. For more information and to book tickets, head to the website. *** Time Out Melbourne reviewed My Brilliant Career when it played at Southbank Theatre in November 2024. Read on for that five-star review:   Pardon a moment’s naval-gazing here, but beyond the sparkly Instagram pics from glittering opening nights, the freelance writing gig can be tough. Despite powering through with optimism and encouraging others to follow their passions, I almost gave it all up this week. Or at least I thought about it. But I won’t. I can’t.  This life chose me. Writing’s inextricably...

It’s pretty rich, after millennia of being denied the privilege by folks who would rather persecute us or pretend we didn’t exist, for us queers to be told we’re not doing marriage properly. Especially when so many of our gatekeepers seem thoroughly miserable, trapped in their rigid interpretation or racing towards the 40 per cent divorce club. Australian Open, by For Love Nor Money playwright Angus Cameron, smashes this hypocrisy right in the double fault. Sounds deuce-y. Who’s involved? Playing at Theatre Works as part of the queer arts cornucopia that is the Midsumma Festival, Australian Open stars a beautifully matched Sebastian Li and Eddie Orton as Felix and Lucas, a loved-up couple who certainly push each other’s buttons. The former is a teeny bit high drama/maintenance and is smarting at turning 31. Felix kinda wanted a quiet night in all to themselves, especially as Lucas just lost to Roger Federer in Melbourne’s grand slam and is suddenly way more available. Alas, Lucas’ parents, Belinda and Pete, have crashed the party.  As played by the magnificently arch Jane Montgomery Griffiths and an adorably chipper Alec Gilbert, the ‘rentals consider themselves proud allies, even if they do have a habit of air-quoting the gay away. But when the lads let slip that they’ve no intention of closing off their open relationship if and when they marry, mum and dad can’t quite cope with this new information. While we’re on curveballs, this heated rivalry is keenly observed from...

Silly season is upon us – if you’re ready to pop the Champers, laugh ’til your belly hurts and revel in tricks you didn’t know were humanly possible, strap in for a glittering night at Blanc de Blanc Encore.  The cabaret spectacle lands at Melbourne’s brand-new Spiegel Haus in late October as the headline affair. The pop-up entertainment precinct has set up camp on the rooftop of the Golden Square Car Park on Lonsdale Street ready to dazzle Melburnians.  Blanc de Blanc Encore fuses a delectable mix of circus, cabaret, jazz and comedy (with a couple of bottles of bubbles for good measure) for an effervescent night out – leave the kids at home for this one. Blanc de Blanc Encore is the second instalment of, you guessed it, Blanc de Blanc, when it visited Melbourne in 2017. Don’t fret if you didn’t see the first one – you’ll enjoy the encore every bit as much as a standalone. It’s been a hit internationally, and arrives off the back of extended Brisbane and Sydney seasons. Watch Blanc de Blanc Encore at the Spiegel Haus Melbourne from October 31. Group and special events packages are available just in time for Chrissy party planning. Book your tickets here.

Once upon a December night in Melbourne, the polished production of Anastasia finally made its long-awaited Australian premiere at the Regent Theatre. As a fan of the 20th Century Fox Animation film of the same name, I was excited to see this seminal work from my childhood come to life on the grandest of stages. A sweeping tale of adventure, romance and finding your way back home, Anastasia feels destined to deliver theatrical magic. And in many ways it does – the costuming, particularly the opulent ball gowns and Russian court-style ‘fits, are gorgeous. The songs, catchy in the film, are given real oomph with the backing of a ten-strong orchestra. And the charming cast is undeniably talented. But – spoiler alert! – this is not a wholly faithful adaptation, with the most notable change being the erasure of the deliciously wicked Rasputin (justice for the criminally underrated banger ‘In the Dark of the Night’). Here, he’s been replaced by Gleb (Joshua Robson) a Bolshevik general who develops conflicted feelings for our titular heroine, but doesn’t quite incite the same fear as the original, supernaturally-gifted animated villain. What’s the premise of Anastasia? Offering a romanticised take on Russia’s last imperial dynasty, the Romanovs (heavy on the romanticised part – this is by no means a historically accurate take on the infamously unpopular family), Anastasia follows the story of Anya, a young street sweeper with a convenient case of amnesia. With rumours swirling...

It's been seen by more than a million people on Broadway and many more on the West End, and now the Tony Award-winning MJ the Musical is heading to Her Majesty's Theatre in Melbourne. Centred around the making of his 1992 Dangerous World Tour, MJ the Musical features more than 25 of Michael Jackon’s biggest pop hits set to show-stopping dance numbers, including ‘Beat It’, ‘Smooth Criminal’, ‘Man In The Mirror’ and ‘Thriller’. MJ the Musical is showing at Her Majesty's Theatre until March 1, 2026. For more information and to book tickets, head to the website. *** Time Out Sydney reviewed MJ the Musical when it played at Sydney's Lyric Theatre in March. Read on for that three-star review:   If you’re of a certain age, you have history (HIStory, perhaps?) with Michael Jackson. I remember getting ‘Thriller’ on cassette as a kid. Dangerous was one of the first CDs I ever owned. I remember seeing the extended music video for ‘Thriller’ on VHS, which came packaged with a behind-the-scenes documentary. One woman, cornered for a quick vox pop at one of the filming locations, asserted that she loved Jackson because he was “down to earth”, which is darkly hilarious in hindsight.  Down to earth? The press called him “wacko Jacko” – we all did. He slept in a hyperbaric chamber. He owned the Elephant Man’s skeleton. His skin kept getting paler, his nose thinner. What a weird guy! Was any of it true? Hard to say. Even today, when a careless tweet is like a drop of blood in a shark tank...