Three actors portraying Hermione, Harry and Ron on stage for Harry Potter and the Cursed Child
Photograph: Evan Zimmerman for MurphyMade
Photograph: Evan Zimmerman for MurphyMade

Melbourne theatre, musical and dance reviews

Wondering which Melbourne shows to see? Check out the latest theatre, musical, opera and dance reviews from our critics

Adena Maier
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There's a lot happening across Melbourne's stages, so how do you know where to start? Thankfully our critics are always on hand to help with a recommendation. Be sure to also keep an eye on our round-up of the best of Melbourne theatre and musicals each month, and if funds are a bit tight lately, check out our explainer on how to nab cheap theatre tickets in Melbourne

Looking for something less dramatic? Check out the best art exhibitions in Melbourne this month.

4 stars: excellent and recommended

  • Musicals
  • Southbank
  • 4 out of 5 stars
  • Recommended
“What’s your damage?” One of the many endlessly quotable lines spouted by Winona Ryder’s Veronica and co in Michael Lehmann’s jet-back comedy, Heathers (1989), it’s also the least likely to get you fired from work. The one about the chainsaw? Not so much… Both explosive utterances make it to the delightfully diabolical stage adaptation, Heathers the Musical. With a book, music and lyrics from the Legally Blonde the Musical team-up of Laurence O’Keefe and Kevin Murphy, it follows an unending parade of non-musical films adapted into song-and-dance stage versions, including Back to the Future, 9 to 5, Groundhog Day, Cruel Intentions, Pretty Woman and Mrs Doubtfire. Are we going to prom or to hell with this take? Directed by Andy Fickman with musical direction from Martine Wengrow, Heathers the Musical may be cheesier than the goofy yet undeniably brutal movie, but the slushy-driven “teen-angst bullshit” spirit of the Westerberg High cohort is still present and incorrect. Far more so than, say, the recent jukebox tone-down of far bleaker film, Saturday Night Fever. It really works, though costume designer David Shields’ popping Veronica in blue over black, is a step too far, copied and pasted from a million teen films, notably Allison in The Breakfast Club. Shields’ school set design is also rather perfunctory, as is Ben Cracknell’s basic lighting, but thank goodness the ensemble ably distracts.  How are those teenagers who want to be treated like human beings? Leading the...

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