Art exhibitions to see in Sydney this week

Jaws were on the floor earlier this year when the Art Gallery of New South Wales announced that it had secured Australia’s biggest and first-ever retrospective exhibition dedicated to the one and only René Magritte. Opening at the end of October, and sticking around until February 2025, consider Sydney art fiends' summer plans settled.  The exhibition titled ‘Magritte’ is part of Sydney’s International Art Series spanning 2024 and 2025. Getting in on the action are the state gallery’s Cao Fei: My City is Yours, and the MCA's Julie Mehretu exhibitions.  You could consider Magritte the master of symbols, and you’ve likely seen his plastered all over the place: clouds, bowler hats, pipes… well, *not* pipes, to be precise. The exhibition takes art lovers and history fanatics through 20 years worth of Magritte’s paintings, starting from the 1920s in the height of the surrealist movement. More than 100 works make up the showing, and they’ve been flown in from all over the world including from the MoMA in New York, the Musée Magritte in Brussels, Washington DC’s National Gallery of Art, plus other museums and even some private collections too.  Magritte opens at the Art Gallery of NSW in the South Building’s Lower Level 2 on October 26 and will be there until February 9, 2025. The exhibition is a ticketed event, and prices start from, $30 for members and $35 for adults, or you can save some pennies by purchasing two for one tickets on Wednesday nights or this ultra pass to all three

In its 33rd year, the MCA’s Primavera is back in Circular Quay to showcase the brilliance of young artists under 35. This year’s exhibition, curated by Lucy Latella, revolves around the generational struggle Australians face to maintain their diverse cultures.  Two of the selected artists hail from Victoria, one from each of NSW, the ACT and SA, but their backgrounds, and the cultural stories they have to share, extend well beyond (colonial) Australian borderlines. Here’s a rundown of the art on offer... Chun Yin Rainbow Chan is a Hong Kongese-Australian artist from. Her background in music bleeds into her art, where she explores the mistranslation of women’s folk songs from the Weitou people.  Walgalu and Wiradjuri man Aiden Hartshorn hails from Wagga Wagga and Canberra. He works with modern materials like aluminium to reference the man-made industries that play havoc with his peoples’ ancestral connections to the river systems.  Teresa Busuttil splits her time between Adelaide and Malta, where she salvages materials like seashells to pay homage to her father’s migration from Malta to Australia. Her other works traverse the experience of young people under various colonial and contemporary powers in Malta. Sarah Ujmaia draws on her family’s experience of migrating to Melbourne from northern Iraq. Her interactive piece And thank you to my baba for laying the timber floor is an array of pavers that represent both the marketplace back home, and the evolution of oral languages. 

If you’ve ever heard the words “feminist” and “Australian contemporary artist” in the same sentence, then you’ve probably also heard the name Julie Rrap. With a career spanning more than 40 years, she’s a major figure in the art world who is known for stripping down and incorporating her own body into her multidisciplinary art practice – in which she examines representations of the female nude in art and popular culture over time. You have the chance to have an intimate encounter with Rrap’s work at the the Museum of Contemporary Art (MCA) with Past Continuous, a new exhibition featuring both new and past work.  “When I looked in art history books, particularly, there were lots of pictures of women – nude women mostly – and not a lot of women artists,” said Rrap, when speaking with Time Out Sydney’s Alannah Le Cross.  “At the same time I was reading people like Simone de Beauvoir, and I was just beginning that little journey of my own about what it is to be a woman in the world,” she said, also adding that at the time she was studying literature and was quite active in the anti-Vietnam War protest movement. “So I guess this show, for me, represents that back history for me… there was always this way in which the female body was always the subject, but they were never themselves a subject.” Rrap’s landmark 1982 installation work – ‘Disclosures: A Photographic Construct’ – has been drawn from the MCA Collection for the exhibition, and this is where your journey begins. The firs