Art exhibitions to see in Sydney this week

Ever wondered what Sydney would have looked like without all the clustered skyscrapers, scenic foreshores and sprawling suburbs? Seeing Sydney, Knowing Country strips the Harbour City right back to reveal the land as it once was. Running until November, the exhibition at the Museum of Sydney shows how the British colony took shape — and how knowledge of Country has continued to shape Sydney across generations. Travel back to the late 18th century when Governor Arthur Philip drew Sydney’s first boundary line in the sand of what we call Manly Cove. This marked the beginning of dispossession from the First Nations peoples after 60,000-plus years of custodianship of the land. The first land grant issued in the colony is one of many artefacts, sketches, plans and objects in this fascinating collection.  This free exhibition was created in collaboration with artist and designer Alison Page, a proud descendant of the Dharawal and Yuin peoples. Through her Aboriginal design agency and roles on numerous cultural boards, Page is a leading voice in contemporary Indigenous art and storytelling. Her innovative artistic intervention runs throughout the exhibition, layering First Nations understandings of Country over the colonial view of Sydney’s past. The exhibition was also developed in collaboration with the Sydney Coastal Aboriginal Women's Group.  Seeing Sydney, Knowing Country is open seven days a week at the Museum of Sydney until November. Find out more about this free...

Australia’s most popular arts event is back in action for 2025, with the Archibald, Wynne and Sulman Prizes bringing a fresh batch of painterly expressions to the walls of the Art Gallery of NSW from May 10 to August 17.  They call it “the face that stops the nation”, and the Archibald Prize has indeed been courting controversy and conversation for more than a century now. This popular portrait prize is always filled with famous faces, with artists from all over Australia (and also New Zealand) capturing the spirit of the times through paintings that capture the likeness of the personalities that define their communities. Julie Fragar is the winner of the 2025 Archibald Prize – she won over the judges with a stunning portrait of fellow artist Justene Williams (read more). RECOMMENDED: A beginner's guide to the Archibald Prize. The winner of the 2025 Packing Room Prize was announced a week earlier, with the Packing Room Pickers (a.k.a. the Art Gallery staff who receive, unpack and hang the entries) selecting Abdul Abdullah's striking painting of fellow finalist Jason Phu as their favourite Archibald portrait this year (read more here). Meanwhile, the Wynne Prize awards the best landscape painting of Australian scenery or figurative sculpture, and the Sulman is awarded to the best genre painting, subject painting or mural project. (Find out more about the 2025 winners over here.) The annual finalists exhibition is a real must-see, with each prize attracting diverse entries...

If you can’t quite hack the requisite international airfare and/or annual leave to explore the Amazon, meet polar bears, or go deep sea diving right now, there is another method for getting up close and personal with some of the world’s most incredible animals.  For the 60th year in a row, the Wildlife Photographer of the Year exhibition will arrive in Sydney on loan from London’s Natural History Museum. Taking root at the National Maritime Museum, this stunning collection of photographs will be on show in Sydney from Thursday, May 15 until Sunday, October 19.  This incredibly prestigious photography event is centred on drawing attention to the wild beauty and fragility of the natural world. This year, judges had to look at a baffling 59,228 entries from photographers of all ages and experience levels from 117 countries and territories, and were faced with the near-impossible task of whittling these down to just over 100 photo finalists. The images that made this year’s exhibition captures mesmerising snapshots of fascinating animal behaviour and stunning secret moments in the hearts of the world’s most unreachable places.The prestigious Grand Title this year went to Canadian Marine Conservation Photojournalist, Shane Gross, for his incredible underwater image of a community of western toad tadpoles. The award for Young Wildlife Photographer of the Year went to German photographer Alexis Tinker-Tsavalas for his up-close image Life Under Dead Wood. Of the talented Aussie...

You know you’re adulting when you find joy in browsing through homewares and furniture stores. Supa Centa Moore Park is like a massive playground for adults and it’s just been made even more of a great day out thanks to an immersive sculpture trail throughout the centre's public spaces.  This autumn, more than 25 contemporary sculptures crafted by renowned Australian artists will be arranged throughout the space in the Supa Sculpted Moments exhibition. The free, public collection includes work from artists Stephen Glassborow, Sonia Payes, Michael Vaynman, Margaret Sheridan, Mela Cooke and Hugh McLachlan, whose works have been displayed in some of Australia’s best galleries and prestigious exhibitions like Sculpture by the Sea.  There’s even an opportunity to get the scoop from the artists themselves, with a Meet the Makers series. For $10 (which includes a coupon for The Depot Cafe – so it’s basically free, right?) you can snag a limited spot for insight on the creative process (hello, home decor inspo).  Like what you see? Tell Supa Centa Moore Park which work is your favourite and you’ll go in the running to win a $2,500 art curation package including a discovery session, site inspection with an art curator and digital mock-up of suggested artworks for your home, bringing the spirit of Supa Sculpted Moments into your everyday living spaces. Supa Sculpted Moments is showing at the Supa Centa Moore Park from May 3 to July 20. It’s free to check out. You can find out more...

The $30,000 Dobell Drawing Prize has a rich history of celebrating some of Australia’s most renowned artists, and you don’t have to hand over a cent to head down to the gorgeous gallery inside the sandstone walls of the National Art School to check out all of this year’s finalists. Curated by Lucy Latella, the exhibition features 56 artworks from an exciting cross-section of established, mid-career and early-career artists, selected from 965 nationwide entries. Now in its 24th year, this biennial art prize celebrates the enduring importance of drawing in contemporary art practice, with a focus on technique, innovation and expanded approaches. The selected works span various media – from coloured pencil, charcoal, chalk and watercolour to clay, human hair, aluminium, LED, and video – and consider a range of themes including domesticity and social dynamics, environmental care, and impacts of climate change and colonisation. NAS alumna Rosemary Lee took out the prize this year – her winning work ‘24-1’ depicts an urban landscape in Sydney’s Inner West, and the judging panel praised her work for the way it “observes tonal and compositional profundity in everyday life”. The judges also said: “We were most impressed by the level of visual intensity the artist has achieved in this complex work, both through its vibrant colour and in the extraordinary detail of the composition. The artwork’s exploration of the urban landscape and gentrification of the Sydney suburbs of Ashfield...

As the distinctions between the digital and the material worlds become increasingly blurred, the way we think about art, society and technology is radically shifting. In the latest exhibition at Artspace, Amongst the clouds (digital materialities in the 21st century), we see a group of six artists exploring new ways that art and technology can work together to shape our physical and digital worlds.  The result is an intriguing collection of work that proves that, while new technologies are worth exploring as part of creative practice, human intervention is essential for creating inspired and interesting art.  Bombay-based artist Archana Hande’s immersive installation ‘Weaving Light’ transforms an entire room – a warm source of light permeates from a central column of Jacquard loom punch cards, casting intricate patterns in the shadows and onto viewers themselves (referencing Ada Lovelace, the artist explores the changing nature of industrialisation in a postcolonial world). On the other end of the spectrum, London-based artist Lawrence Lek’s ‘Guanyin (Confessions of a Former Carebot)’ invites us to play a videogame featuring a cyborg therapist; and local Sydney artist Sophie Penkethman-Young’s ‘Robot // Dog’ is a kaleidoscopic video essay on human relationships with programmable beings – from service robots, to pedigree dogs – that might affect the way you look at your four-legged friend.  As you enter the busiest space of the exhibition, the soundscape grows more noisy,...

Sydney’s Museum of Contemporary Art (MCA) presents the first solo museum exhibition by Kamilaroi artist Warraba Weatherall, whose work has been exhibited widely nationally and internationally over the past decade. Through a dynamic combination of installation, sculpture and video works, Shadow and Substance turns a critical eye to the colonial record – reframing existing narratives about Aboriginal and Torres Strait Islander peoples and culture found within archival and museum collections.  Drawing on his own family’s experiences, Weatherall’s work draws attention to the ethics of how Indigenous property, cultural information and materials have been historically acquired and displayed. A refined display that invites contemplation, this exhibition curated by MCA Australia Curator Megan Robson premieres several brand new artworks, including ‘Trace’ (2025) a major new co-commission between the MCA and the Hawaiʻi Triennial 2025, which resembles a giant spinning toy. ‘Dirge’ (2023) is a particularly fascinating piece, which draws attention to the ways in which information is “translated and transmitted”. Weatherall has created a large-scale, custom-built polyphon – a disc-operated mechanical music box – and the score it plays is a Braille translation of a colonial document relating to Aboriginal land rights found in an Australian museum.  Running until September 21, Shadow and Substance is part of the MCA’s autumn 2025 exhibition program. You can spend up to an hour inspecting...

When it comes to art destinations, Bundanon is top tier. But it’s difficult to convey the magic of this place if you haven’t experienced it for yourself. Hidden within a wildlife sanctuary and perched between a snaking bend of the mighty Shoalhaven River and the foot of a mountain, it's a special place to unplug and connect with art and nature. Hence, the latest exhibition to take up residence in the Art Museum, which encourages new ways of thinking through collaborations between humans and non-human worlds, is a natural fit.  From large-scale paintings in traditional Indigenous art styles to experimental technologies, Thinking together: Exchanges with the natural world features new major commissions from contemporary artists and collectives that take a range of unexpected forms and unusual perspectives. For example, Greek-Australian artist and performer Tina Stefanou has been “collaborating” with retired horses for almost a decade, and these equine beauties are now the stars of ‘Horse Power’ (2019) – a video work in which we see them dressed in costumes festooned with jangling keys, creating freestyle percussion as they graze nonchalantly.  Meanwhile, music-making mushrooms are the heroes of ‘Growth in the shadows’, a living artwork from Sydney-based interdisciplinary artist Keg de Souza – and that’s not a euphemism. Working with ecologists and Bundanon’s natural resources team, de Souza has “borrowed” live mycelium and fungi samples from the landscape and housed them in...

Ngununggula, for the uninitiated, is a gorgeous little gem of a gallery residing in a repurposed dairy shed near Bowral, a chilled 90-minute drive from Sydney. The latest exhibition to take over the walls is Tender (April 12 – June 15), an all-women showcase of seven leading Australian painters exploring the sensitive yet provocative concept of “tenderness”. Through new and existing work, artists Sally Anderson, Sarah Drinan, Laura Jones, India Mark, Dionisia Salas, Julia Trybala and Amber Wallis urge audiences to explore tenderness as a multifaceted human experience; and challenge the gendered associations of this term, which is often associated with notions of care and femininity. Tender follows the popular 2024 exhibition Once More With Feeling, and is part of the gallery’s annual program committed to showcasing the work of Australian women artists. This colourful, defiant and emotionally charged exhibition is the only excuse you need to gather up your coven for a drive to the Southern Highlands. But if you need any more encouragement – aside from free entry – Ngununggula also features Hearth by Moonacres, a flavour driven farm-to-table café, and the whole lot is surrounded by landscaped gardens and green fields. A perfect place to catch your breath, if you ask us. Stay in the loop: sign up for our free Time Out Sydney newsletter for more news and things to do, straight to your inbox. RECOMMENDED: The best exhibitions to see in Sydney Here’s the best theatre to see in...