The best art exhibitions in Melbourne this week

The Immigration Museum on Flinders Street is all about leaning into what makes us happy. Enter Joy, a vibrant, playful exhibition that will run through until December 7, 2025. Joy features seven brand new commissioned installations from leading Victorian-based creatives, each expressing the artists’ own personal joy. You can expect an emotive adventure where colour and storytelling combine, and big happy moments that sit alongside more reflective ones. Experience the vibrant power of joy as you walk amongst room-sized interactive artworks, or contribute your own joy with the collaborative ‘share your joy’ wall. Venezuelan-born Australian artist Nadia Hernández has filled the Immigration Museum’s hallway with bold collage works, ‘future positive’ fashion designer Nixi Killick has created a ‘joy generator’ and queer artist Spencer Harrison has created a runway where you can strut your stuff. Jazz Money, a Wiradjuri poet and artist, has fused sculpture, audio and mural for a work reflecting the history of the museum site, while local artist Beci Orpin has taken over a room with a giant toy rabbit made to be hugged. Afghanistan-Australian visual artist and poet Elyas Alavi and Sher Ali have also created a large-scale mural illustrating a Persian myth.  Lastly, much-loved pop artist and designer Callum Preston has constructed a full-scale replica of a nineties video store, a joy he never thought he would miss until he realised it was gone. Entry to Joy is included in the...

Traversing time and space, Wurrdha Marra is an ongoing exhibition celebrating the diversity of First Nations art and design. Since late 2023, the ground floor and foyer of the Ian Potter Centre: NGV Australia has become home to a dynamic and ever-changing exhibition space that displays masterpieces and never-before-shown works from the NGV’s First Nations collection. Translating to ‘many mobs’ in the Wurundjeri Woi Wurrung language, Wurrdha Marra showcases pieces from emerging and established artists from across Australia, including Tony Abert, Treahna Hamn, Kent Morris, Marlene Gilson, Rover Thomas, Christian Thompson, Gary Lee, Nicole Monks, Gali Yalkarriwuy, Dhambit Mungunggurr, Nonggirrnga Marawili and more.  Highlights of the free exhibition include a large-scale installation of fish traps produced by Burrara women from Maningrida – the objects have been crafted over weeks using vines from the bush. Also on display is a new collection of contemporary resin boomerangs by Keemon Williams, a First Nations queer artist hailing from Meanjin/Brisbane. Another unseen work is titled History Repeats by Girramay/Yidinji/Kuku Yalanji contemporary artist Tony Albert, who has used mass-produced objects – from tea towels to ashtrays – to reframe Indigenous histories.  More recently, the exhibition has been updated to include the largest-ever display of the NGV's expansive collection of bark paintings. Bark Salon subverts the traditional European salons of the 18th and 19th...

We are exceedingly privileged to live on the unceded lands of the Kulin Nation, a place dotted with marshlands and waterfalls for countless millennia before the Hoddle Grid was a thing. Perched just north of the CBD, on the spine of Swanston Street as it leads into Carlton, sits the University of Melbourne’s incredible Potter Museum of Art.  Designed by revered architect Nona Katsilidis and wearing Christine O’Loughlin’s explosive mural ‘Cultural Rubble’ on its façade, it opened in 1998 but has been closed for major renovations since 2018, leaving a big gap in Melbourne’s artistic footprint. No longer, with a revitalisation led by Wood Marsh Architects, the Potter Museum of Art reopened to the public with a spectacular new exhibition recognising the great wealth of culture in this place: 65,000 Years: A Short History of Australian Art. Celebrating the remarkable diversity of Aboriginal and Torres Strait Islander creativity, the exhibition showcases more than 400 artworks from the likes of Destiny Deacon, Yhonnie Scarce, Albert Namatjira and Emily Kam Kngwarray, including rare cultural works. Curated by Professor Marcia Langton AO, senior curator Judith Ryan and associate curator Shanysa McConville in consultation with Elders, 65,000 Years: A Short History of Australian Art directly addresses the scars of colonial invasion.  Six brand new commissions include Kooma artist Brett Leavy’s photo-realistic animation Virtual Narrm 1834. As part of his ongoing immersive Virtual...