The best art exhibitions in Melbourne today

From Raphael’s 'Madonna and Child' to Louise Bourgeois’ 'Maman', the maternal bond has long been one of art’s most enduring subjects. And now, a new exhibition at the NGV, Mother: Stories from the NGV Collection, puts motherhood firmly in the frame, bringing together more than 200 historical and contemporary works to examine how the experience of being, becoming and relating to motherhood has been imagined across cultures, generations and media. Running from March 27 to July 12, 2026, at the NGV's Ian Potter Centre, Mother will span painting, sculpture, photography, weaving, decorative arts and moving image, moving beyond sentimental tropes to grapple with the realities and contradictions of motherhood – warts and all. Themes range from societal expectations and invisible labour to mythology, religion and the deep connections between motherhood, nature and Country for First Nations communities. A standout from the exhibit is Ruth O’Leary’s 'Flinders Street, 2017', created after the birth of her first child, in which a public photobooth becomes a makeshift studio: a poignant meditation on care and the blurred boundaries between public and private life. Other highlights include two new acquisitions by David Hockney, a moving image work by Hayley Millar Baker and a towering sculpture from 1893 by Betram Mackennal. The exhibition features works by an expansive roster of artists, including Louise Bourgeois, Tracey Emin, Camille Henrot, David Hockney, Tracey Moffatt, Iluwanti...

From Marilyn Monroe’s fringed black dress in Some Like It Hot to Elton John’s Louis XIV–inspired birthday suit (complete with the powdered wig and train), the diva has always known how to turn getting dressed into an art form. Enter Diva, the debut exhibition at the Australian Museum of Performing Arts (AMPA). This is a glittering celebration of the artists who’ve shaped pop culture, music and fashion through imagination, talent – and, of course, by being a total diva. Charting the 19th-century opera goddesses and silent film stars to today’s global megastars, the exhibition will showcase the rise of the diva by going behind the sequins to reveal the cultural power and artistry of some of the world’s most captivating performers.  Presented by Arts Centre Melbourne and London’s Victoria and Albert Museum (V&A), this Australian exclusive brings together more than 250 objects, including 60 spectacular costumes, jewellery, photography and handwritten lyrics spanning opera, pop, punk and Hollywood. Expect a red-carpet roll call of icons: Maria Callas, Grace Jones, Cher, Prince, Madonna, Elton John, Tina Turner, Rihanna, Lady Gaga, Whitney Houston, Billie Eilish and more. Australia’s own legends get their time on the red carpet, too — from Dame Nellie Melba and Peter Allen to Kylie Minogue, Olivia Newton-John, Jessica Mauboy and Amy Taylor of Amyl and the Sniffers. Discover exquisite garments by Bob Mackie, Vivienne Westwood, Maison Margiela, Valentino and Christian Dior,...

As Susan Sontag observed in On Photography, great images can act as memento mori, interrupting the flow of time by freezing moments that are otherwise fleeting. But the power to make – and be remembered for – such images has never been evenly distributed. For much of the twentieth century, women faced formidable barriers to working as photographers, their contributions often sidelined within the male-dominated field. Women Photographers 1900–1975: A Legacy of Light, a major new exhibition at the NGV, sets out to redress that imbalance – putting women back in the frame and revisiting the history of 20th-century photography. Running until May 3, 2026, the exhibit brings together more than 300 photographs, prints, photobooks and magazines by 80-plus artists, spanning portraiture, photojournalism, fashion, documentary and the avant-garde. From the suffrage movement through to the women’s liberation era, this period reveals how women used the camera to record, reflect on and challenge the world around them. Drawn entirely from the NGV Collection, the exhibition features more than 170 recently acquired works, with 130 on public view for the first time. Recognisable images sit alongside lesser-known ones, revealing the dense international networks that connected women photographers from Melbourne to Tokyo and Paris to Buenos Aires. Highlights include Dorothea Lange’s 'Migrant Mother' (1936), one of the defining images of the Great Depression; Lee Miller’s portrait of Man Ray in...

Traversing time and space, Wurrdha Marra is an ongoing exhibition celebrating the diversity of First Nations art and design. Since late 2023, the ground floor and foyer of the Ian Potter Centre: NGV Australia has become home to a dynamic and ever-changing exhibition space that displays masterpieces and never-before-shown works from the NGV’s First Nations collection. Translating to ‘many mobs’ in the Wurundjeri Woi Wurrung language, Wurrdha Marra showcases pieces from emerging and established artists from across Australia, including Tony Abert, Treahna Hamn, Kent Morris, Marlene Gilson, Rover Thomas, Christian Thompson, Gary Lee, Nicole Monks, Gali Yalkarriwuy, Dhambit Mungunggurr, Nonggirrnga Marawili and more.  Highlights of the free exhibition include a large-scale installation of fish traps produced by Burrara women from Maningrida – the objects have been crafted over weeks using vines from the bush. Also on display is a new collection of contemporary resin boomerangs by Keemon Williams, a First Nations queer artist hailing from Meanjin/Brisbane. Another unseen work is titled History Repeats by Girramay/Yidinji/Kuku Yalanji contemporary artist Tony Albert, who has used mass-produced objects – from tea towels to ashtrays – to reframe Indigenous histories.  More recently, the exhibition has been updated to include the largest-ever display of the NGV's expansive collection of bark paintings. Bark Salon subverts the traditional European salons of the 18th and 19th...