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Photograph: Jessica Bal
Photograph: Jessica Bal

Things to do in New York this Friday

It’s time to punch out, wind down and start your weekend off right with the best things to do in New York this Friday

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There are too many incredible things to do in New York this Friday to spend it on the couch. Whether you want to rage at one of the best parties in NYC or if you’re interested in checking out free comedy shows, you have unlimited options. That’s why we decided to make the planning process easier for you by selecting the very best events that are guaranteed to show you a good time. Forget road trips, the best way to spend your Friday night is right here in NYC.

RECOMMENDED: Full guide to things to do in NYC this weekend

Popular things to do this Friday

  • Interactive
  • Midtown West
  • price 3 of 4
Punchdrunk’s Sleep No More gave up the ghost last fall after 14 years, but fans of that immersive theatrical experience have a new show to tide them over: a smaller-scale work by Punchdrunk founder Felix Barrett that invites audience members to move barefoot through a labyrinthine installation inspired by Barry Pain’s 1901 gothic short story “The Moon-Slave," as adapted by the acclaimed British writer Daisy Johnson. Participants wear headphones and are guided through the 50-minute experience at the Shed via narration in the voice of Helena Bonham Carter. 
  • Musicals
  • Midtown West
  • Open run
  • price 4 of 4
  • 4 out of 5 stars
  • Recommended
Director-designer Julie Taymor’s visionary reimagining of Disney’s animated movie is an expedition through gorgeous new terrain. The parts of the show involving comic relief remain tethered to a theme-park aesthetic, but the production is otherwise remarkably beautiful. Through elegant puppetry and stagecraft, Taymor populates the stage with a menagerie of beasts, and surrounds the movie’s mythic plot and Elton John–Tim Rice score with African rhythm and music. Decades after its 1998 premiere, the show is still delighting kids and adults alike; Taymor's staging has expanded a simple cub into the pride of Broadway. RECOMMENDED: Guide to The Lion King on Broadway  Minskoff Theatre (Broadway). Music by Elton John. Lyrics by Tim Rice. Book by Roger Allers and Irene Mecchi. Directed by Julie Taymor. With ensemble cast. Running time: 2hrs 40mins. One intermission.
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  • Comedy
  • Midtown West
  • Open run
  • price 3 of 4
  • 5 out of 5 stars
  • Recommended
Broadway review by Adam Feldman  [Note: Tituss Burgess takes over the role of Mary Todd Lincoln starting June 23, followed by Jinkx Monsoon starting August 4.] Cole Escola’s Oh, Mary! is not just funny: It is dizzyingly, breathtakingly funny, the kind of funny that ambushes your body into uncontained laughter. Stage comedies have become an endangered species in recent decades, and when they do pop up they tend to be the kind of funny that evokes smirks, chuckles or wry smiles of recognition. Not so here: I can’t remember the last time I saw a play that made me laugh, helplessly and loudly, as much as Oh, Mary! did—and my reaction was shared by the rest of the audience, which burst into applause at the end of every scene. Fasten your seatbelts: This 80-minute show is a fast and wild joy ride. Escola has earned a cult reputation as a sly comedic genius in their dazzling solo performances (Help! I’m Stuck!) and on TV shows like At Home with Amy Sedaris, Difficult People and Search Party. But Oh, Mary!, their first full-length play, may surprise even longtime fans. In this hilariously anachronistic historical burlesque, Escola plays—who else?—Mary Todd Lincoln, in the weeks leading up to her husband’s assassination. Boozy, vicious and miserable, the unstable and outrageously contrary Mary is oblivious to the Civil War and hell-bent on achieving stardom as—what else?—a cabaret singer.      Oh, Mary! | Photograph: Courtesy Emilio Madrid  Described by the long-suffering...
  • Shakespeare
  • Central Park
After taking last summer off for renovations to the open-air Delacorte Theater in Central Park, the Public Theater's cherished annual series Shakespeare in the Park returns with one of the Bard's most popular plays: an ever-popular comedy of cross-purposes, cross-dressing and cross-gartered socks. Resident director Saheem Ali (Buena Vista Social Club) directs a starry cast: Lupita Nyong’o and her brother Junior Nyong'o as Viola and Sebastian, nearly-identical siblings separated by a shipwreck; Sandra Oh as the mourning noblewoman who takes a shine to Viola when she is dressed as a boy; and Peter Dinklage, Jesse Tyler Ferguson, Khris Davis, Bill Camp, Daphne Rubin-Vega and Moses Sumney as various figures in the lovely Olivia's orbit. Tickets are, as always, free; see our complete guide to Shakespeare in the Park tickets for details.
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  • Musicals
  • Midtown West
  • Open run
  • price 4 of 4
  • 5 out of 5 stars
  • Recommended
Hamilton
Hamilton
Hamilton: Theater review by David Cote What is left to say? After Founding Father Alexander Hamilton’s prodigious quill scratched out 12 volumes of nation-building fiscal and military policy; after Lin-Manuel Miranda turned that titanic achievement (via Ron Chernow’s 2004 biography) into the greatest American musical in decades; after every critic in town (including me) praised the Public Theater world premiere to high heaven; and after seeing this language-drunk, rhyme-crazy dynamo a second time, I can only marvel: We've used up all the damn words. Wait, here are three stragglers, straight from the heart: I love Hamilton. I love it like I love New York, or Broadway when it gets it right. And this is so right. A sublime conjunction of radio-ready hip-hop (as well as R&B, Britpop and trad showstoppers), under-dramatized American history and Miranda’s uniquely personal focus as a first-generation Puerto Rican and inexhaustible wordsmith, Hamilton hits multilevel culture buttons, hard. No wonder the show was anointed a sensation before even opening. Assuming you don’t know the basics, ­Hamilton is a (mostly) rapped-through biomusical about an orphan immigrant from the Caribbean who came to New York, served as secretary to General Washington, fought against the redcoats, authored most of the Federalist Papers defending the Constitution, founded the Treasury and the New York Post and even made time for an extramarital affair that he damage-controlled in a scandal-stanching...
  • Musicals
  • Midtown West
  • Open run
  • price 3 of 4
  • 3 out of 5 stars
  • Recommended
Aladdin
Aladdin
Aladdin: In brief Disney unveils its latest cartoon-to-musical project: the tale of a boy, an uncorked spirit and an aerodynamic rug. Composer Alan Menken adds new tunes to the 1992 original soundtrack, and Chad Beguelin provides a fresh book. Reputed highlights include James Monroe Iglehart's bouncy Genie and the flying-carpet F/X. Aladdin: Theater review by Adam Feldman What do we wish for in a Disney musical? It is unrealistic to expect aesthetic triumph on par with The Lion King, but neither need we settle for blobs of empty action like Tarzan or The Little Mermaid. The latest in the toon-tuner line, Aladdin, falls between those poles; nearer in style (though inferior in stakes) to Disney’s first effort, Beauty and the Beast, the show is a tricked-out, tourist-family-friendly theme-park attraction, decorated this time in the billowing fabrics of orientalist Arabian fantasy. “It’s barbaric, but hey, it’s home,” sings the genial Genie (a game, charismatic Iglehart) in the opening song, and that’s the tone of Aladdin as a whole: kid-Oriented. As in the 1992 film, the Genie steals the show from its eponymous “street rat” hero (Jacobs, white teeth and tan chest agleam). The musical’s high point is the hard-sell “Friend Like Me,” in which the fourth-wall-breaking spirit summons wave upon wave of razzle-dazzle to demonstrate the scope of his power. (The number matches the rococo cornucopia of the New Amsterdam Theatre.) Granted three wishes for freeing the Genie from a lamp,...
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  • Circuses & magic
  • Flatiron
  • Open run
  • price 4 of 4
  • 4 out of 5 stars
  • Recommended
Review by Adam Feldman  The low-key dazzling Speakeasy Magick has been nestled in the atmospheric McKittrick Hotel for more than a year, and now it has moved up to the Lodge: a small wood-framed room at Gallow Green, which functions as a rooftop bar in the summer. The show’s dark and noisy new digs suit it well. Hosted by Todd Robbins (Play Dead), who specializes in mild carnival-sideshow shocks, Speakeasy Magick is a moveable feast of legerdemain; audience members, seated at seven tables, are visited by a series of performers in turn. Robbins describes this as “magic speed dating.” One might also think of it as tricking: an illusion of intimacy, a satisfying climax, and off they go into the night. The evening is punctuated with brief performances on a makeshift stage. When I attended, the hearty Matthew Holtzclaw kicked things off with sleight of hand involving cigarettes and booze; later, the delicate-featured Alex Boyce pulled doves from thin air. But it’s the highly skilled close-up magic that really leaves you gasping with wonder. Holtzclaw’s table act comes to fruition with a highly effective variation on the classic cups-and-balls routine; the elegant, Singapore-born Prakash and the dauntingly tattooed Mark Calabrese—a razor of a card sharp—both find clever ways to integrate cell phones into their acts. Each performer has a tight 10-minute act, and most of them are excellent, but that’s the nice thing about the way the show is structured: If one of them happens to...
  • Musicals
  • Hell's Kitchen
  • price 3 of 4
  • 4 out of 5 stars
  • Recommended
Theater review by Raven Snook Lick it up, baby: The high-school-is-hell musical Heathers is back to take another shot at being popular. In case you are unfamiliar with either the 1989 movie or its 2014 musical adaptation, the story centers on not-so-mean girl Veronica Sawyer (played here by & Juliet's Lorna Courtney), who's doing her best to survive the indignities of 1980s adolescence in Ohio. In a bid for social stature, she falls into the orbit of three beautiful bullies, all of whom are named Heather. But when Veronica meets J.D. (Casey Likes)—a mysterious rebel in a trench coat and mullet—she starts dreaming of freeing Westerburg High School from the Heathers’ well-manicured talons. What she doesn’t know, at least at first, is that J.D. is not just a bad boy, but a truly bad seed. Like the film, which developed a fervid Gen X cult following, Heathers The Musical needed time to catch on. Although its initial Off Broadway run at New World Stages lasted only a few months, it has since become a hit in the U.K., where it has had multiple West End productions; and thanks to a decade of cast recordings and TikToks, it has spawned legions of Gen Z fans, dubbed Corn Nuts after one character's dying words. The musical has even managed to win over some cynical fans of the darker-hued film, including me, who didn’t like it at first pass; I've come to appreciate its lighter, pop earworm–driven take. (Veronica and J.D.'s teenage angst still has a body count, but when the victims...
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  • Things to do
  • DUMBO
Start your weekend off right at Time Out Market New York’s stunning rooftop! Starting September 6, Friday Night Vibes gets the party going on the fifth floor at 7pm with tunes from DJ Stretch (on the first and third Friday of every month) and DJ Price Is Right (on the second and fourth Friday). Dance the night away with specialty cocktails from the Market’s awesome bar and grab bites from one of two dozen kitchens including, Jacob’s Pickles, Bark Barbecue and Wayla. Enjoy it all to the incredible views of the East River, the NYC skyline and the Brooklyn and Manhattan Bridges.  We’ll see you there!
  • Drama
  • Midtown West
  • Open run
  • price 4 of 4
  • 5 out of 5 stars
  • Recommended
Broadway review by Adam Feldman  Reducio! After 18 months, Harry Potter and the Cursed Child has returned to Broadway in a dramatically new form. As though it had cast a Shrinking Charm on itself, the formerly two-part epic is now a single show, albeit a long one: Almost three and a half hours of stage wizardry, set 20 years after the end of J.K. Rowling’s seven-part book series and tied to a complicated time-travel plot about the sons of Harry Potter and his childhood foe Draco Malfoy. (See below for a full review of the 2018 production.) Audiences who were put off by the previous version’s tricky schedule and double price should catch the magic now.  Despite its shrinking, Harry Potter and the Cursed Child has kept most of its charm. The spectacular set pieces of John Tiffany’s production remain—the staircase ballet, the underwater swimming scene, the gorgeous flying wraiths—but about a third of the former text has been excised. Some of the changes are surgical trims, and others are more substantial. The older characters take the brunt of the cuts (Harry’s flashback nightmares, for example, are completely gone); there is less texture to the conflicts between the fathers and sons, and the plotting sometimes feels more rushed than before. But the changes have the salutary effect of focusing the story on its most interesting new creations: the resentful Albus Potter (James Romney) and the unpopular Scorpius Malfoy (Brady Dalton Richards), whose bond has been reconceived in...

Free things to do this Friday

  • Shakespeare
  • Central Park
After taking last summer off for renovations to the open-air Delacorte Theater in Central Park, the Public Theater's cherished annual series Shakespeare in the Park returns with one of the Bard's most popular plays: an ever-popular comedy of cross-purposes, cross-dressing and cross-gartered socks. Resident director Saheem Ali (Buena Vista Social Club) directs a starry cast: Lupita Nyong’o and her brother Junior Nyong'o as Viola and Sebastian, nearly-identical siblings separated by a shipwreck; Sandra Oh as the mourning noblewoman who takes a shine to Viola when she is dressed as a boy; and Peter Dinklage, Jesse Tyler Ferguson, Khris Davis, Bill Camp, Daphne Rubin-Vega and Moses Sumney as various figures in the lovely Olivia's orbit. Tickets are, as always, free; see our complete guide to Shakespeare in the Park tickets for details.
  • Dance
  • Contemporary and experimental
  • Battery Park City
  • Recommended
After a special program to celebrate the reopening of Robert F. Wagner Jr. Park, the free annual Battery Dance Festival moves to the North Esplanade of Rockefeller Park for a week of performances by a mix of local and international companies, performing outdoors near the sparkling water at sunset. The lineup for the 44th edition features multiple U.S. or world premieres, and the participating artists include visitors from the Netherlands, India, Bangladesh, Spain, South Korea and Germany, Taiwan, Romania and Indonesia. The slate includes an August 15 program that celebrates five dance traditions of the southwestern Indian state Kerala: Kalaripayattu, Kutiyattam, Kathakali, Mohiniyattam and Theyyam. All six shows are general admission, and there's a rain date on Sunday, August 17. Below is a full schedule of the artists and companies that will be performing. Visit the festival's website for additional details.  Pallavi Krishnan | Photograph: Courtesy of the artist Tuesday, August 12:John Manzari & Band, excerpts from RecenterPace University Dancing to Connect Battery Dance, Sense of BelongingFaizah Grootens, While You’re HereBulareyaung Dance Company, Colors  Wednesday, August 13:UNARTE, Verso Roto Theater Plauen - Zwickau Ballet Ensemble, EdenBulareyaung Dance Company, Colors Faizah Grootens, While You’re Here Platforma 13, Balkan Ballerinas   Platforma 13: Balkan Ballerinas | Photograph: Courtesy Marko Pejovic Thursday, August 14:Kar' mel Small, La Manta de...
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  • Classical
  • Morningside Heights
Henrik Ibsen's A Doll's House, An Enemy of the People and Hedda Gabler remain highly popular, and one gets occasional revivals of Ghosts, The Master Builder, The Wild Duck, Rosmersholm and John Gabriel Borkman. But the master Norwegian dramatist's 1888 play The Lady from the Sea, written in between those great works, almost never surfaces these days. Hudson Classical Theater Company wraps up its summer season with fresh look at this rarity —the story of a woman torn between her doctor husband and her sailor ex-flame—as adapted by the company's own Susane Lee. (A fun fact about the play: Ibsen later brought back one of its minor figures, Hilda Wangel, as a main character in The Master Builder.)
  • Shakespeare
  • Manhattan
Hip to Hip Theatre Company swivels from park to park in Queens, with outings to Jersey City and Southampton, to perform its annual diptych of Shakespeare plays in rep. This summer's offerings are the talky tragedy Hamlet, where a ghost and a prince meet and everyone ends in mincemeat, and the magical romance The Tempest, in which an enisled sorcerer storms at the Neapolitan nobles who betrayed him. Consult Hip to Hip's website to see which production plays when and where.
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  • Musicals
  • Manhattan
Theater for the New City takes its 49th annual Street Theater Company show on the road, bringing agitprop to outdoor locations throughout the five boroughs. Crystal Field and Peter Dizozza's family-friendly (but fascism-hostile!) satirical musical, directed by Field, celebrates diversity, immigration and the welcoming torch of Lady Liberty. Michael David Gordon stars as a Guyanan-American bogeda owner; the cast of 22 is buttressed by giant puppets, moving scenery and a five-piece band led by Dizozza. Visit TNC's website to find out where and when the show is playing.

Movies to see this Friday

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  • Movies
  • Action and adventure
  • 5 out of 5 stars
  • Recommended

Joaquin Phoenix is devastating as a monster-in-the-making in this incendiary tale of abuse

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