The best film events in Sydney

Every Wednesday evening, the Art Gallery of NSW welcomes you into its hallowed halls and throws the ultimate in absolutely free mid-week social and cultural events. Until 10pm, Art After Hours offers a regular program of live music, lectures and celebrity talks, drawing workshops, film screenings, gallery tours and other events – and, of course, nocturnal access to its latest exhibitions.  The program is usually themed around the exhibitions currently showing at the gallery, and you can join guided tours around the gallery at 5.30pm – it's free and no booking is required. Plus, a free courtesy bus runs every 20 minutes from 7pm until closing from the gallery to various city locations that are all close to public transport – so, no matter where you need to go, they have you covered.  Head to Art After Hours to jazz up your Wednesday night, and to inject a liberal splash of arty delight into your week, and your life.  Want more high culture? Check out our list of the best art exhibitions on across Sydney right now.

Wael Shawky’s sweeping operatic film exhibition Drama 1882 will make its Australian premiere at the Museum of Contemporary Art (MCA) Australia, bringing one of the most talked-about works from the 2024 Venice Biennale to Sydney audiences. Originally presented at the Egyptian Pavilion of the Venice Biennale, Drama 1882 drew international acclaim for its ambition, scale and emotional power. Now at the MCA from March 5 to June 29, this 45-minute film installation unfolds across eight meticulously crafted scenes, sung entirely in classical Arabic and brought to life by more than 150 Egyptian performers.  Directed, choreographed and composed by Shawky (b. 1971, Egypt), the work was filmed inside a historic theatre in Alexandria, adding further depth and authenticity to its cinematic grandeur. Ever heard about the Urabi Revolution? This populist uprising against British imperialism took place 1879-1882 in Egypt – and Drama 1882 revisits this historic period. It begins with a seemingly small altercation in a café between a donkey owner and a Maltese man; this incident spirals into a chain of events culminating in more than 70 years of British colonial rule.  Blending historical fact with speculation and fiction, Shawky reimagines this pivotal moment through music, choreography and lavish theatrical staging, inviting audiences to question how history is told – and by whom. Stay in the loop: sign up for our free Time Out Sydney newsletter for more news, food & drink inspo and...

Few songs embed themselves into the cultural DNA quite like Jeff Buckley’s cover of “Hallelujah”. While younger generations are discovering his talent through TikTok, Oscar-nominated filmmaker Amy Berg, who grew up on the grunge and punk of the ‘90s, revisits his life in a tender new documentary It’s Never Over, Jeff Buckley. Pieced together through curated footage of the late singer-songwriter both onstage and off, the documentary is told in large part by the women in his life. We hear from his single mother, Mary Guibert, his good friend Aimee Mann, his former girlfriend Rebecca Moore, and his longtime partner Joan Wasser, who each offer emotional memories and thoughtful insights.  What’s undeniable through their recounts is Buckley’s talent, as Time Out reviewer Elizabeth Weitzman writes: “The punk angel with the four-octave range also had a rare and remarkable mimetic gift – which made him an unusually skilled interpreter of other artists, from Nina Simone to MC5 to Nusrat Fateh Ali Khan.”  Whether you know him for the myth forged by his untimely death – echoing that of his musician father, Tim Buckley – or for his elegiac take on Leonard Cohen’s “Hallelujah,” a rendition that has moved millions, It’s Never Over, Jeff Buckley offers another side of the story. “Fans, of course, will fiercely argue that Buckley has so much more to offer. And in the strongest compliment to Berg’s affectionate portrait, she makes a similarly convincing case, with ample and tender grace.”...