Things to do in London this weekend (24-25 January)

It is Burns Night this weekend. And thank god for it! As the long, bleak month of January rolls on, this kilt-raising, haggis-scoffing, whisky-fuelled celebration of Scotland’s national poet Rabbie Burns is a chance to banish the winter blues and have a rip-roaring time. An estimated 200,000 Scottish expats live in the capital, which technically makes it the third most populous Scottish city, so you can guarantee there’s plenty of feasting, boozing and partying to be done down here too. So, whether you want to get sweaty at a ceilidh, pipe in a haggis, or have a classy time at a whisky tasting or indulgent Burns supper, there's lots to enjoy in London for the celebrations in 2026.

Jade Franks was a hit at last year's Edinburgh Fringe (there's talks of a West End transfer, as well as a potential Netflix series in the pipeline). But for now, she's at Soho Theatre to perform her Legally Blonde-esque monologue about going to study at Cambridge. Based on her own experience of being working class at the univerisity, it is a hurricane of a performance and not one to miss; all things point to her reaching super stardom in no time. 

In 1824, the young King Liholiho and Queen Kamāmalu travelled across oceans from their kingdom, Hawaiʻi, to seek an alliance with the British Crown. This winter British Museum will shine a light on the lesser-known story about the historical relationship between Hawaiʻi’ and the United Kingdom, showing artefacts and treasures created by Hawaiian makers of the past and present. You’ll be able to see everything from feathered cloaks worn by chiefs, to finely carved deities, powerful shark-toothed weapons, and bold contemporary works by Kānaka ʻŌiwi (Native Hawaiian) artists.

You can't miss The Voice of Hind Rajab: the searing docudrama from Kaouther Ben Hania that centres on the final hours of six-year-old Hind Rajab, killed in Gaza after her family’s car came under fire by the IDF. Using Hind’s real emergency calls as its emotional backbone, the film follows Red Crescent dispatchers as they race against time, bureaucracy and fear to reach her. Confined largely to a tense call centre, Ben Hania creates an experience that is intimate, claustrophobic and devastatingly human. Prepare for a gutpunch of a film that received a 23-minute standing ovation at the Venice film festival.

Condo is the best thing to hit London’s art scene every January: a citywide mega-exhibition where galleries from around the world take over spaces across the capital. The idea’s simple — London galleries invite international ones to share their walls for a month, but the results are anything but. In 2026, 50 galleries show across 23 venues, from Sadie Coles HQ hosting Paris’s Sans Titre to The Sunday Painter welcoming Mumbai’s Jhaveri Contemporary. It’s a brilliant way to sample global contemporary art in one hit, and to enjoy watching London’s art crowd parade their questionable winter fashion between stops.

The original Plaza Khao Gaeng surprised everyone with its monumental greatness. A restaurant slipped into a food hall mezzanine isn’t supposed to be one of the best in London, and yet the bijoux, southern Thai-inspired canteen blew minds and mouths with its relentless approach to flavour and fun when it opened in 2022. Run by a Brit, Plaza held up its hands when it came to its inauthenticity, but made up for it with the dedication that chef-founder Luke Farrell poured into the place. Now, Plaza has a space to call its very own in Borough Yards. Menu favourites from the first location remain: creamy massaman curry with huge hunks of tender beef shoulder and the khua kling muu, punchy dry-fried pork with chillies, but there are also plenty of dishes unique to Plaza 2:0: a sexy strawberry dish that’s actually the hardest fruit salad in south London and the gaeng som pla, a sour orange curry with fillets of flaky bass. Go for big Thai flavours, super spice levels and lots of fishy dishes. 

If you’ve ever seen a Cirque du Soleil show at the Royal Albert Hall, you’ll know exactly what to expect from 'Ovo'. Updated for 2026, its essentially a clown comedy, enlivened by a series of jaw-dropping acrobatic interludes. They have some of the best performers in the game so you might find yourself "oohing" and "aahing" at every opportunity. 

Actor-playwright Luke Norris has been more focussed on the ‘actor’ bit of his CV over the last decade, but he returns in style with the opening main house show of the Royal Court’s much-hyped seventieth birthday season. Possibly intentionally titled after the famously soppy children’s book of the same name (possibly not), Guess How Much I Love You? follows a pregnant couple facing up to hard choices at they head in for their 20 month scan. Rosie Sheehy and Robert Aramayo star in the Jeremy Herrin-directed production. 

If you like your horror bold, brainy and genuinely unsettling, 28 Years Later: The Bone Temple is a must-see. This isn’t just another zombie sequel, it’s the most daring and soulful entry in the franchise yet, blending brutal action with sharp ideas about addiction, memory and what humanity becomes when society collapses. With blistering direction from Nia DaCosta, a knockout script from Alex Garland and real, killer performances from Jack O’Connell and Ralph Fiennes, the film delivers shocks that stay with you long after the credits roll. It’s weirdly moving and proof that this series still has new ground to cover.

The Southbank Centre is shining a light on some great artworks this winter – literally. In its annual Winter Lights exhibition, the institution will be bringing a selection of pieces to the streets surrounding the venue. Everything on display uses light and colour to dive into topics like identity, environment and tech, making it both an attention-grabbing and thought-provoking exhibit.

It's no longer impossible to find tasty and satisfying alternatives to pints at London’s pubs and bars – in fact, some of the no-alcohol options on offer right now are even better than their boozy cousins. And they come with an added bonus of leaving you hangover-free. These bars cater to non-drinkers for Dry January and beyond. We've got buzzing drinking dens that also specialise in alcohol-free cocktails, completely dry tasting rooms and pubs with a penchant for low-and-no beers. These zero-percent champions are 100 percent fantastic. 

Rising star Jordan Fein’s sumptuous revival of Stephen Sondheim’s Into the Woods is the first actual proper major Sondheim revival to be staged in this country since the great man’s passing. It’s a clever send up of fairytales that pushes familiar stories into absurd, existential, eventually very moving territory, but it’s also a fiddly musical with a lot of moving parts. You need to get it right, and Fein smashes it, largely thanks to exceptional casting. The whole thing looks astonishing: Tom Scutt’s astonishingly lush, vivid woods are glistening, eerie and primal. The costumes are similarly ravishing. It’s just great, really, a sublime production of a sublime musical with a sublime cast.

Amazing news for lovers of neat symmetry, loud primary colours and twee outfits. West London’s Design Museum will be staging a blockbuster show delving into the iconic aesthetic of another of Hollywood’s most distinctive auteurs, the Texas-born Oscar- and Golden Globe-winning director Wes Anderson. The film director’s first official retrospective promises to be a different beast. A collaboration between the Design Museum and Cinémathèque Française, it has been curated in partnership with Wes Anderson himself and his production company American Empirical Pictures and follows his work from his early experiments in the 1990s right up to his recent Oscar-winning flicks, featuring original props, costumes and behind-the-scenes insights.

If you boil a sauna down to its nuts and bolts, it’s essentially just a really hot room and some water to create steam with. Wild, then, how much of a positive affect those two simple ingredients can have on our bodies, healing weary muscles, doing wonders for our skin, and helping all the horrible toxins we insist on putting in our insides get back out. There are a wealth of top saunas around the city. From plunge pools and infrared therapy rooms to Finnish-style homages and ones soundtracked by DJ sets, you’ll find the steam sesh for you in the capital.

Alan Ayckbourn’s 1985 play Woman in Mind, has been a West End hit a couple of times before, in productions directed by Ayckbourn himself. Here, Michael Longhurst does the honour, in an alluring revival. Sheridan Smith plays Susan, an embittered middle-aged mother who begins the play having taken a bump to the head that’s caused her perception of reality to become unmoored. She believes she’s a model parent with a dream life, before long Susan’s ‘real’ family intrudes, headed by her windbag vicar husband Gerald (Tim McMullen), who she drawlingly tears strips off while yearning for his imaginary counterpart. It’s an extremely handsome production with something melancholic and Chekhovian at its core. 

Look, we love London. But even so, we can't deny that this city is devilishly good at coming up with ways to drain your bank balance. As Time Out editors, we’ve become experts at hunting down ways to enjoy the city on a shoestring. Lots of us started out as broke students here, and since then, we’ve scoured every corner for cheap things to do before payday hits. Read on for some fab, free ways to make yourself (and your bank balance) very happy indeed. 

Expectations have been high for Ivo van Hove’s revival of Arthur Miller’s 1947 breakthrough All My Sons, because Van Hove made his own UK breakthrough with his extraordinary 2014 production of Miller’s A View from the Bridge. And by Hove, he’s done it again. To some extent the secret of his triumph here is ‘cast really really good actors’, foremost Bryan Cranston and Paapa Essiudu, who offer two of the best stage performances of 2025. But what van Hove has done is discretely uncouple Miller’s play from the naturalism that often stifles it. The whole thing plays out symphonically, building to an astonishing crescendo. Right near the end, Joe finally says the play’s name, its meaning clear at last. When I’ve seen the play before, there’s been no special reaction. Here, the audience gasped.

Clown princess Natalie Palamides is back with ‘Weer’. The show's core concept is that Palamides plays both halves of a fractious young couple – Mark and Christina – at the same time, with her outfits and wigs divided asymmetrically down the middle (Mark on the right, Christina on the left) and her flipping from side to side depending on who’s speaking. Add to that, it’s a parody of ‘90s rom coms: it’s set in 1996 and 1999 and the pair are a Gen X couple who meet cute in the most ’90s way possible. It is certainly another virtuoso piece of batshittery from Palamides but it is genuinely remarkable stuff and she's a star. 

At first sight, Candice Lin’s g/hosti, a new commission from the Whitechapel Gallery, evokes a childlike playfulness. At its centre is a maze of cardboard panels which are painted with animals like dogs, cats, and mice, cavorting in a mythical forest. Its simplistic style and bright, warm colours feel akin to the sort of whimsical mural you might find painted on the wall of a primary school. The more you weave through the circular labyrinth, however, the more you realise you’re immersed in something altogether more sinister and political than first meets the eye. g/hosti is a show that could be misconceived if you do not linger long enough to absorb its hidden details. The more it unfolds, the more it unsettles and makes you think. 

The London International Mime Festival was a true city staple, bringing weird and wild physical theatre from across the globe to the capital each year. Rarely ‘mime’ in the stereotypical sense, the fest brought mind-expanding theatre to London for 47 years straight. The 2023 edition was its last, but MimeLondon is the same idea in all but name, and returns for its third year in January 2026. This year events will take place at Sadler's Wells and The Place and you can check out their website for the full schedule.

In a city where eating out seems to be getting pricier by the minute, this list remains one of Time Out London's handiest guides. We've given the list a seasonal spin and here you'll find some of the cosiest (and best value) meals for embracing winter in London, such as Durak Tantuni's comforting Turkish meat wrap, a champion curry at Indian YMCA, and a visit to the Oyster Shack in Epping Forest - perfect to cap off a woodland walk in the wilds of the suburbs. 

Short films are where many of the greats – Martin Scorsese, Lynne Ramsay, Paul Thomas Anderson et al – got started, and for over two decades, the London Short Film Festival has been a trusty showcase of new talents and small, but perfectly formed short films. Returning for its 22nd year, the 2026 edition features a whopping 204 new shorts across more than 60 programmes, as well as a bunch of talks, workshops and walking tours. Loads of great cinemas and arts spaces across the city are hosting screenings, including the BFI Southbank, the ICA, Rich Mix, the Rio and SET Peckham. Highlights of the programme include the opening night which features new work from Andrea Luka Zimmerman and John Smith who delve into their own lives as artists across the decades, from Smith’s emergence in the early 70s artschool scene to Zimmerman’s own forays into 90s music and fashion; Trans Sister Seventies! featuring newly unearthed archival shorts charting the trans-feminine experience of the 1970s; My Eye Is My Ear – a selection of new UK short films exploring Deaf lives, culture and identity; Everybody’s Darling: Melodrama in 80s & 90s Punk Cinema – a series of short films platforming women and queer artistes and the legacy of Warhol’s ‘superstars’, John Waters’ trash cinema and the Cinema of Transgression and a night of films exploring emo subculture in the early 2000s. 

Happy Dry Jan! In the past those two words have signified a dull month of self-discipline, with mango and passionfruit J2O being the most exciting non-alcoholic beverage on offer. But over the last few years that’s all changed. The ‘no and low’ drinks market is now huge and London now has a vast spread of sober events happening throughout January. Among them is the brand new G0.0D Week festival. The nine-day fest will involve zero-alcohol masterclasses and tastings, restaurant hopping tours, live music and a one-night-only street food bonanza at Market Place St Paul’s. 

Even we culture-mad London superfans have to admit that every once in a while, it’s nice to have a little break from it all. When the capital’s hustle and bustle leaves you feeling a little drained, you can find some escape from the crowds and hordes of tourists by getting up and getting out just for a day. In dire need of crisp country air, a relaxing spa day or a gorgeous, long walk? These day trips from London are all under two hours from Zone 1 and will give you the relief you need this winter.

Lee Miller lived many lives. Starting her career as a model, she went on to become the muse for Man Ray and the Surrealist movement, starred in films, and then pivot into a famous photographer before traversing war-torn Europe as a daredevil journalist. Later, she settled in Sussex and became a celebrity chef. All of those eras are up on the Tate Britain’s walls for the gallery’s blockbuster exhibition. Dividing Miller’s extraordinary career chronologically, it’s a time-travelling experience as well as a showcase of her technical and compositional skills.

London’s established winter art fair features over 120 international galleries showing modern art, photography, sculpture and everything in between. The 2026 edition of the London Art Fair will feature large-scale installations and thematic group displays from some very influential 20th and 21st century artists, including Tracey Emin, Barbara Hepworth, Francis Bacon, William Kentridge and Louise Bourgeois, while a Platform section will be presenting work from artists ‘redefining the boundaries between craft, applied art, and fine art, and challenging artistic expectations around materials’. A new partnership with the National Trust will see the conservation charity present an exhibition of surrealist and post-war abstract works from the collections of The Homewood and Erno Goldfinger’s 2 Willow Road, never before exhibited outside these iconic modernist homes.

This exhibition will put the work of two rivals – and two of Britain’s greatest painters – J.M.W. Turner and John Constable side by side. Although both had different paths to success, they each became recognised as stars of the art world and shared a connection to nature and recreating it in their landscape paintings. Explore the pair’s intertwined lives and legacies and get new insight into their creativity via sketchbooks, personal items and must-see artworks.

Gecko’s fantastic dance-theatre production The Wedding is back on in London. Surreal, funny and full of heart, The Wedding takes a poke at the marriage contract, takind the audience on a wild trip through a dystopian world where we are all brides, wedded to society. Part of MimeLondon, this production will be a stripped back imagining of Gecko’s beloved production. 

‘Take tissues’ is a hopeless cliché for Chloé Zhao’s (Nomadland) Tudor tearjerker. Tissues won’t do. You’ll need towels. With Jessie Buckley and Paul Mescal delivering the performances of their careers, Hamnet tells the story behind Shakespeare’s great tragedy – Hamlet – and much more besides. The wild power of motherhood; the fearsome responsibility of parenting; the jolting anxiety of nurturing something precious in a time of death; the drive for creative expression. Zhao holds all these primal but relatable forces in check before unleashing them in an emotionally totalising final reel. Hamnet is a deep-felt ode to loss and resilience. Zhao doesn’t just tell you about the healing power of art, she shows you. Prepare your tear ducts accordingly.