Let spring sweep you up in its lovely embrace by partaking in some of the best NYC events in April. Celebrate Easter in New York by enjoying a meal at one of the best brunch spots followed by picking up some sweets at one of the city’s most mouth-watering chocolate shops. Take advantage of checking out the best NYC parks, while all the flowers and trees are blooming. Speaking of greenery, there’s even something for outdoorsy Earth-lovers—Earth Day, duh!
RECOMMENDED: Full NYC events calendar in 2017
Featured events in April 2017
Easter Sunday: The day of pastels, egg rolling, and rabbity propaganda doesn’t seem very “cool New York” at first blush, but as with all things to do in spring, they’re as entertaining as you make them. You can gawk at the Easter Parade, seek out the best brunch NYC serves or use this as an excuse for some leisurely day-drinking at an outdoor bar.
Robert De Niro and co.’s Tribeca Film Festival has long shown a spotlight on local indie features, documentaries, foreign films, the latest from big-name talent and the greatest from up-and-coming filmmakers. We’ve got your complete one-stop-shopping guide to this year’s festival: our personal must-see picks, showtimes, ticket info, a list of nearby bars and restaurants and oh-so-much more.
Not to be confused with the season’s other stupendous garden party, the Macy’s Flower Show, the New York Botanical Garden’s Orchid Show NYC exhibits thousands of species of beautiful blossoming orchids. Learn about the “Orchid Delirium” of the 19th century and view movie screenings and performances while enjoying the lush scents and sights of one of the best gardens in NYC.
The Brooklyn Folk Festival, which has inhabited Kings County live-music venues like the Jalopy Theater and the Bell House in past years, returns to St. Ann’s Church for its ninth-annual iteration. With its cavernous ceilings, the capacious church nave of the historic Brooklyn Heights venue is a great place to hear acoustic music of any genre. Don’t be fooled by the fest’s name: The gathering brings together acts that deal in Americana and blues as well as global sounds from places like the Middle East and Guinea.
Free NYC events in April 2017
Music events in April 2017
Justin Sayre, an avatar of retro-queer cultivation, poses as chairman of the International Order of Sodomites in this delightfully droll monthly gay variety show, which features wittily scripted riffs and rants, plus sketches and musical interludes. The January edition includes a tribute to the late George Michael.
Alt-rock icon PJ Harvey’s latest release, The Hope Six Demolition Project, is another singular statement. The record balances weighty tone and musical simplicity, as when Harvey builds tracks like “The Ministry of Defence” and “The Words That Maketh Murder” around ominously bellowing horns and eerie chanting. As ever, it’s unclear just what makes Harvey tick creatively, The Hope Six Demolition Project being just the latest example of her penchant for dark, compelling songwriting rooted in odd moods. Nevertheless, her output is always arresting. Her gig is one of the best excuses to check out Williamsburg’s new, long-awaited cavernous concert digs, Brooklyn Steel, a 20,000-square-foot, 1,800-person-capacity converted warehouse run by Bowery Presents, the folks behind venues such as Terminal 5 and Music Hall of Williamsburg.
Woody Allen has always been a better clarinetist than he'd care to admit, which means that his weekly hit with a hot-jazz band isn't just some superstar vanity trip. Cheap, though, it's no.
Part cabaret, part piano bar and part social set, Cast Party offers a chance to hear rising and established talents step up to the microphone (backed by the slap and tickle of Steve Doyle on bass and Billy Stritch at the ivories, plus the bang of Daniel Glass on drums). The waggish Caruso presides as host.
Arts events in April 2017
Minter had already been working in New York for 30 years before her career breakout in the 2006 Whitney Biennial, and in the ensuing decade, she’s dialed up her exploration of how women are objectified by fashion and the media to a Nigel Tufnel–worthy 11. Focusing on various details of the female anatomy, her photos and hyper-realist paintings demolish cultural conventions of beauty and femininity with increasingly garish élan. As the title of Minter’s first-ever career retrospective suggests, her work draws a connection between "sexy" and "filthy."
A painter, sculptor and installation artist, Marisa Merz was the sole female member of that otherwise all-boy’s club known as Italian Arte Povera. The late-’60s movement took a somewhat nihilistic approach to form and material, with works that often looked like they’d been made out of refuse. Merz followed suit but added some definite feminist flavor to the recipe. This show covering her 50-year career represents her first major retrospective in the United States.
Simone Leigh, A particularly elaborate imba yokubikira, or kitchen house, stands locked up while its owners live in diaspora
A little corner of Zimbabwe has landed in Marcus Garvey Park in the form of three imbas, or kitchen huts native to the region. As welcoming as they appear, these huts, created in collaboration with architect Maxwell Mutanda, are actually closed forms that can’t be entered. According to the artist, they’re meant to celebrate the “expansiveness of the African diaspora,” while also evoking the “experience of living outside the place considered home.”
Somewhat unusually, this Frick exhibit involves a contemporary artist: Arlene Shechet, a noted ceramics sculptor whose year-long installation pairs 18th-century Royal Meissen porcelain from the collection with her own porcelain made at the Meissen factory during residencies in 2012 and 2013. A historical meditation on our fascination with the material’s delicate beauty, the show overlooks the museum’s Fifth Avenue Garden from the Portico Gallery.
Thanks to Donald Trump, the decade of greed is back, so naturally there’s renewed interest in art from the Ronald Reagan era. The Whitney dusts off some prime examples from its collection, including works by Jean-Michel Basquiat, Kenny Scharf and Ross Bleckner.
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Eating in Midtown can be tough. There are so many restaurants, and yet the prospects still seem bleak. When you find a place that’s consistent and tasty, you stick to it. one such restaurant is Norikoh, located just a few blocks south of Bryant Park. Though the restaurant’s interior is reminiscent of any Asian fusion restaurant in the city (stone walls, deep woods and the like), the food is not—it’s better. An order of shrimp cilantro gyoza ($6.75), pan-fried dumplings filled with the aforementioned seafood, scallions and celery, emerged from the kitchen piping hot and extremely enjoyable—these fresh, thin-skinned pockets went quickly. Also delicious was an appetizer of sweet bun sliders ($7), a riff on the ubiquitous pork belly bao sound in many Asian restaurants in New York. This time, though, you get to choose your meat (barbecue ribeye, braised pork belly or spicy pork). They’re garnished with pickled cabbage, cilantro and peanut powder, all of which help cut through the unctuous, fatty meat. Sushi is dependable here—a tuna avocado hand roll ($6.50) was fresh if a bit unwieldy. The namesake roll of the restaurant ($16) combines spicy salmon and jalapenos with tuna and tops it off with lemon, cilantro and tobiko. A volcano roll ($14) of crunchy spicy tuna, avocado, and cucumber topped with spicy kani salad, scallions, sesame and sweet Thai chili sauce was less successful, overwhelmed by its cloying sauce. In case you need warming, the restaurant offers an array of ramen a