Things to do in Sydney today

Australia’s most popular arts event is back in action for 2026, with the Archibald, Wynne and Sulman Prizes bringing a fresh batch of painterly expressions to the walls of the Art Gallery of NSW from May 9 to August 16.  They call it “the face that stops the nation”, and the Archibald Prize has indeed been courting controversy and conversation for more than a century now. This popular portrait prize is always filled with famous faces, with artists from all over Australia (and also New Zealand) capturing the spirit of the times through paintings that capture the likeness of the personalities that define their communities. Melbourne-based artist Richard Lewer is the winner of the Archibald Prize 2026 – he won over the judges with a stunning portrait of Pitjantjatjara Elder, senior artist and ngangkari (traditional healer) Iluwanti Ken. RECOMMENDED: A beginner's guide to the Archibald Prize. The winner of the 2026 Packing Room Prize was announced a week earlier, with the Packing Room Pickers (a.k.a. the Art Gallery staff who receive, unpack and hang the entries) selecting Sean Layh's striking painting of actor Jacob Collins as their favourite Archibald portrait this year.  Meanwhile, the Wynne Prize awarded the best landscape painting of Australian scenery or figurative sculpture to Yolŋu artist Gaypalani Waṉambi, and the Sulman was awarded to Lucy Culliton for the best genre painting, subject painting or mural project.  The annual finalists exhibition is a real must-see,...

Few songs embed themselves into the cultural DNA quite like Jeff Buckley’s cover of “Hallelujah”. While younger generations are discovering his talent through TikTok, Oscar-nominated filmmaker Amy Berg, who grew up on the grunge and punk of the ‘90s, revisits his life in a tender new documentary It’s Never Over, Jeff Buckley. Pieced together through curated footage of the late singer-songwriter both onstage and off, the documentary is told in large part by the women in his life. We hear from his single mother, Mary Guibert, his good friend Aimee Mann, his former girlfriend Rebecca Moore, and his longtime partner Joan Wasser, who each offer emotional memories and thoughtful insights.  What’s undeniable through their recounts is Buckley’s talent, as Time Out reviewer Elizabeth Weitzman writes: “The punk angel with the four-octave range also had a rare and remarkable mimetic gift – which made him an unusually skilled interpreter of other artists, from Nina Simone to MC5 to Nusrat Fateh Ali Khan.”  Whether you know him for the myth forged by his untimely death – echoing that of his musician father, Tim Buckley – or for his elegiac take on Leonard Cohen’s “Hallelujah,” a rendition that has moved millions, It’s Never Over, Jeff Buckley offers another side of the story. “Fans, of course, will fiercely argue that Buckley has so much more to offer. And in the strongest compliment to Berg’s affectionate portrait, she makes a similarly convincing case, with ample and tender grace.”...

The opening note of ‘The Circle of Life’ may just be one of the most recognisable in a Disney musical. If you don’t agree, then you may have to convince the entire theatre-going audience who were at Disney’s The Lion King on opening night. The full house’s roars could be heard all the way out of the Capitol Theatre’s front doors as the king of musicals triumphantly returns to Sydney – the first time in more than a decade. What type of show is The Lion King? It’s called The King of Musicals for a reason. If it’s not Elton John’s iconically recognisable music, or Tim Rice’s lyrics you’ve sung over a late-night karaoke session, then its Roger Allers and Irene Mecchi’s book featuring the characters you love, the characters you hate, and the ones you undoubtedly cry over – tears were definitely still shed during that scene. What’s so beautiful about The Lion King is the blurring of worlds and culture that merges in between all of these. Julie Taymor’s directorial conception blends African culture, language, movement and costume underneath masks and puppetry of the animal characters. Mufasa’s “crown” is a stoic, strong and towering headdress. The elegant lionesses soar and leap through the sky through Garth Fagan’s choreography as wing-like gowns flow behind them. The animals of Pride Rock are adorned with larger-than-life puppets of intricate designs and architecture: a re-engineered bicycle becomes leaping antelope, birds fly above the crowd on poles manipulated by performers,...

As the nights grow colder and my toddler at home seems permanently on the brink of the next illness, the effort it takes to leave the house can feel outsized. There is comfort in staying put, wrapped in something soft, conserving energy for the long nights ahead. What tempts me out anyway is the possibility that a show might meet me where I am (usually tired, frayed, vulnerable) and change my mood or shift my mindset. Gutenberg! The Musical!, now showing at Hayes Theatre, does exactly that, reminding me how deeply restorative it can be to laugh, to be surprised, and to feel briefly, gloriously lighter. What is the premise of Gutenberg! The Musical!? Gutenberg! The Musical! centres on two hopelessly enthusiastic writers, Bud (Ryan Gonzalez, In The Heights) and Doug (Stephen Anderson, Titanique), who have created a loose, logistically impossible musical about the life of Johannes Gutenberg, the inventor of the printing press, and are desperate to get it produced. The premise is gleefully meta: the audience is positioned as a room full of potential Broadway producers invited to a showcase, while the two performers play not only themselves but every role in their historically questionable show. Armed with nothing but baseball caps to signify characters and an unwavering belief in their own genius, Bud and Doug’s earnest ambition drives the comedy, as the musical becomes less about Gutenberg himself and more about the absurd, scrappy devotion of theatre-makers willing to do...

Been wanting to try the hugely popular Olympic Meats? Now you have an exclusive, one-night opportunity to reserve your spot. To mark Time Out’s Food Month (and our Food & Drink Awards), we’re hosting a Time Out Social Club dinner at this special Award nominee restaurant. Come find out why it’s one of our Food & Drink Award nominees for 2026 – and why there’s always a huge crowd out front. They don’t normally take bookings, but now you don’t have to line up! For one night only, Olympic Meats will be serving a generous Greek feast, designed as a greatest-hits tour of the menu. Bring yourself, bring your mates, bring your yia-yia or your papou! Book over here. When Tuesday, May 12Times 5:30pm & 7:30pm seatingsWhere Olympic Meats, 12 Dudley St, MarrickvilleCost $70 pp set menu(wine, beer & non-alcoholic drinks available for purchase from the menu)Book here Menu: Pita | Sourdough pita breadFava | Split fava dip, wood-fired mushrooms, bukovo, all spiceTarama | Smoked roe, queen may potatoOlympia’s Spanakopita | Wild greens, feta, circa 1961Htapodi Xidato | Pickled octopus, green chilli, onionChips | Tallow, nostimini, triple-cookedKreas | Pork & chicken on the spit, lamb leg kondosouvliTsigaridia me badzaria | Escarolia, fennel tops, dill, shallots, beetrootBougatsa me krema | Wet phyllo, vanilla custard Secure your table over here. Stay in the loop: sign up for our free Time Out Sydney newsletter for more fun stuff to land in your inbox.