Things to do in Sydney today

If you’ve ever felt the push and pull between expectation versus opportunity, then you should nab tickets to the upcoming Belvoir St Theatre takeover, A Room with a View. This stage adaptation of E.M. Forster’s timeless story is heading to the Surry Hills theatre for a month-long stay from next month, and promises a refreshed take of the original work.   In a production boasting a female-led creative team and an exciting cast, expect a modernised take on Lucy’s whirlwind journey as she navigates romance, hope and challenging social norms.  From Saturday, October 3 ’til Sunday, November 1, this book-to-stage adaptation will grace the cosy upstairs space of Surry Hills haunt, with evening sessions running from Tuesday to Sunday each week. You’ll still be met with all the best elements of the original, including the familiar Edwardian era charm and light comedic streaks. But this time, it’s contemporising the narrative that grapples with femininity, societal pressure, freedom and choosing self-expression – themes that still feel pertinent.  Co-produced with Melbourne Theatre Company, this reimagining of E.M. Forster’s classic by rising playwright and Aussie homegrown talent, Grace Chapple (Never Closer), has Hannah Goodwin (Never Closer, The Wrong Gods) directing and will feature Nathalie Morris (Bump), as Lucy Honeychurch. With tickets from $58, you can delve deep into Lucy’s experiences with womanhood, and the expectations that are attached to it, as she travels from her...

We all know that politics is a greasy machine where idealism goes to die. A hot new frontrunner for a local electorate seat can hold the bright-eyed hope of youth, while a hard-edged minister eroded by the gravity of office just wants to get the day done so they can head to the nearest bar.  Emily Steel’s Housework aims high, wanting to cover the vast range of staffers of every rank who keep our democracy running – from hopeful interns through to the highest seat in office. Where she lands is often predictable and all-too-familiar territory. The result is an Australian version of House of Cards, but with a lot less blood and a lot more pastries. What is the plot of Housework? First-term MP of a marginal seat in Sydney, Ruth Mandour (Susie Youssef), won her campaign on first-hand experience and relatable candour as a nurse during the Covid-19 pandemic. However, her hard-working Chief of Staff Anna (Emily Taheny) is the real backbone of the successful campaign. With Media Advisor Ben (Laurence Boxhall) and the preppy new junior staffer Kelly (Franca Lafosse) rounding out her team, their task is to keep the energy from Ruth’s win all the way through to the nation’s capital. After a negative Covid test sees Ben replaced by Kelly on a trip to Canberra, Anna uses her previous – possibly intimate – relationship with the Minister for Science, Paul (Johnny Nasser) to help get Ruth’s women’s health bill to cabinet. But Paul’s eyes linger elsewhere as an all-too-familiar scandal...

A sawfish swimming alongside a sea turtle in the Pilbara. Royal penguins stopped in their tracks by an enormous elephant seal. A Tassie devil fighting for survival. A whimbrel racing an incoming wave with a freshly caught crab in its beak. Flame-like patterns formed by the tides across a Western Australian sandbank. It’s true what they say: a picture definitely does speak a thousand words. Opening at the Australian Museum on September 12, the 2026 Australian Geographic Nature Photographer of the Year exhibition brings you face-to-face with some of the most extraordinary moments in the natural world. From wildlife encounters to otherworldly landscapes, these photographs offer a rare glimpse into the beauty and fragility of nature in our region. This free exhibition, produced by the South Australian Museum, showcases the finest images selected from 2,129 entries by 501 photographers across 17 countries. Spanning Australia, New Zealand, Antarctica and New Guinea, the photographs take in everything from critically endangered species and dramatic animal encounters to patterns and textures of the natural landscape. Western Australian photographer Matt Deakin has been named the 2026 Australian Geographic Nature Photographer of the Year for Ethereal Encounter. His mesmerising aerial photograph captures a critically endangered green sawfish moving towards a group of green turtles in the shallow waters of the Pilbara. Shot in the last light of the day, the milky water gives the...

The State Library of NSW is celebrating its 200th birthday – and you’re invited. 200 Years of Awe is a six-week program of performances, talks and free events that brings together First Nations storytelling, live music, theatre, dance and plenty of reasons to visit. RECLAIM: A Contemporary Ceremony September 11-12, Mitchell Library Reading Room Director, choreographer and storyteller Stephen Page AO brings dance, spoken word, poetry and music together in RECLAIM. The powerful work celebrates the resistance, resilience and enduring culture of First Nations peoples. Earth Flow September 18-19, Mitchell Library Reading Room Composer and yidaki (digeridoo) master William Barton presents Earth Flow, a stirring celebration of memory, connection and living knowledge. Joining Barton are Aunty Delmae Barton, Jack Thompson, Ray Martin and the Sydney Street Choir. A Night at the Library September 20, 29, 30 & October 1, Library Auditorium What happens when a young student who doesn’t like reading gets stuck in a library overnight? Bell Shakespeare’s A Night at the Library turns that nightmare into an adventure filled with literary greats, fictional characters and plenty of fun.  The Scott Sisters: Pioneers of Science and Art September 25-27, Library Auditorium Step into the remarkable world of Harriet and Helena Scott, the 19th-century sisters whose exquisite illustrations helped put Australian butterflies on the map. Created by Skye McIntosh, this immersive work blends animation,...

It’s been a big twelve months for Sydney on the art front – with the 25th Biennale of Sydney being named the best exhibition in the world worth travelling for, the beloved Brett Whiteley Studio re-opening in Surry Hills, and Mike Hewson’s Key’s Under the Mat changing the way we think about galleries. Mercifully, we’re not stopping there. This spring, one of Australia’s most celebrated artists is getting the blockbuster retrospective treatment that only the Art Gallery of NSW can offer, with Nolan: Origins landing this spring, exploring the formative years of Sidney Nolan’s career. Bringing together more than 150 works from public and private collections, the exhibition traces the period from the late 1930s to Nolan’s departure for the UK in 1953 – the years in which he developed the bold, distinctive style that would help redefine Australian art. According to the gallery, the major drawcard is Nolan’s iconic Ned Kelly series, with all 27 paintings reunited in Sydney for the first time in more than 60 years. The series sees the bushranger transformed into a mysterious, almost mythical figure, and remains one of the defining achievements of Australian art. But there’s plenty more to discover, from Nolan’s early modernist works developed at Melbourne’s Heide to his vivid paintings of the Wimmera, K’gari, outback Queensland and Central Australia. The exhibition will also explore his fascination with Australian legends, including the Burke and Wills expedition, as well as his...