Old Royal Naval College Greenwich
Photograph: Shutterstock
Photograph: Shutterstock

Things to do in London today

The day’s best things to do all in one place

Rosie Hewitson
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Friday July 4: Central London is looking especially colourful today, with final preparations for this weekend’s chaotic, rainbow-festooned Pride parade underway. Fancy getting the festivities started a little early? Swing by the Soho branch of Aesop today to pick up your next summer read free of charge, courtesy of the Aesop Queer Library. Read on for more details. 

Got a few hours to kill today? You’re in luck. London is one of the very best places on the planet to be when you find yourself with a bit of spare time.

In this city, you’re never too far away from a picturesque park, a lovely pub or a cracking cinema, and on any given day, you’ve got a wealth of world-class art shows, blockbuster theatre and top museum exhibitions to choose from if you’re twiddling your thumbs.

Use your spare time wisely with our roundup of the best things happening in London today, which gets updated every single day and includes a specially selected top pick from our Things to Do Editor seven days a week.

Bookmark this page, and you’ll have absolutely no excuse to be bored in London ever again!

Find even more inspiration with our curated round-ups of the best things to do in London this week and weekend

If you only do one thing...

  • Things to do
  • Exhibitions
  • Twickenham

There aren’t that many bits of London that are actually secret anymore, but the residents of Eel Pie Island have done a very good job at keeping their island as clandestine as possible. Only accessible by boat or via a little footbridge reaching over the river, a ‘private property’ sign at the entrance usually keeps people out, except for twice a year when the public is allowed to snoop around the place at the island’s Open Studios event. The island’s summer open days take place this weekend, and they’re a laidback affair and a chance to see inside the workspaces of 26 artists, from painters and potters to sculptors. View, commission or purchase yourself some art or craft and leave having experienced a still-hidden part of the city.

More things to do in London today

  • Things to do
  • Performances
  • Hyde Park
BST Open House
BST Open House
As well as putting on mega stars – with this year’s lineup including Sabrina Carpenter, Olivia Rodrigo and Zach Bryan – every year BST Hyde Park also hosts Open House, an eight-day-long event that’s mostly free to attend. On this year’s Open House lineup is House Gospel Choir, Dub Pistols, Trojan Sound System, South London Samba and many more. Plus, if you feel like getting raucous there’s a Bongo’s Bingo party. There are plenty of kid-friendly events, such as West End Kids and Brainiac Remixed. And other than the music, BST is hosting eight open-air cinema nights, showing flicks including The Goonies, Wicked singalong, The Fall Guy and Dune Part 2. 
  • Things to do
  • Exhibitions
  • South Kensington
  • 4 out of 5 stars
  • Recommended
The seemingly unstoppable David Attenborough has achieved more since hitting retirement age than most of us - let’s be honest, all of us - will achieve in our entire lifetimes. This new immersive film is his second major project since turning 99 in May, following his more traditional documentary Ocean. Produced by Open Planet Studios, Our Story sees the Jerwood Gallery at the Natural History Museum transformed into a smaller version of the Lightroom in King’s Cross (a sort of projection-based theatre). While ‘immersive’ is a word exhausted by overuse, ‘immersive documentary’ is emerging as a fairly distinct genre with clear hallmarks. As with the Lightroom’s shows, Our Story is based around powerful digital projectors beaming the film onto the four walls of the space, wrapping around the surfaces so there are different images whichever direction you look. You are indeed immersed. It’s still a narrative documentary film, in which Sir David tells us the story of the planet from fiery, lifeless rock to the advent of mankind to a possible future. Attenborough narrates, and appears at the start and end. There’s a fair smattering of expectedly dazzling wildlife footage. But Our Story isn’t really a nature doc in the style of Attenborough’s most famous works, and rather than painstakingly captured original footage of animals, it uses pre-existing stuff plus heavy use of CGI to supplement its storytelling. Occasionally this feels like a minor letdown: though they’re not trying to...
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  • Things to do
  • Film events
  • King’s Cross
Popping up each summer on the steps where the Regent’s Canal passes Granary Square, Everyman’s Screen on the Canal is one of the city’s best loved outdoor cinemas, thanks to its atmospheric setting, eclectic programming and the fact that it doesn’t cost viewers a penny. And this year’s pop-up will be looking more Instagrammable han ever before, thanks to designer and architect Yinka Ilori, who has created an eye-popping screen design echoing ‘the fantastical landscapes’ explored in Disney movies. Pop down on a sunny afternoon to catch live coverage from Wimbledon every day of the tournament, plus the usual mix of live sports, classic movies, family-friendly flicks and recent hits including Breakfast at Tiffany's, Grease, Parent Trap, Top Gun: Maverick, Bohemian Rhapsody, and Encanto. Best enjoyed with a couple of tinned cocktails and some picky bits from the nearby Waitrose, or classic cinema snacks from Everyman’s on-site bar.  Check out the full film schedule here.
  • Things to do
  • Film events
  • Peckham
‘Weather schmeather’ say the people behind Rooftop Film Club. Stratford and Peckham’s rooftop cinema institutions are firing up the projectors early this year – Peckham’s Bussey Building screen opens on April 10, and Roof East in Stratford from April 17 – and they’re employing a secret weapon against a bit of chilly night air this spring: snuggle power. Two-person ‘fireside loveseats’ come with a personal wood-fired heater and hot beverage (regular, snuggle-free seating is available). On the programme are recent hits like Wicked, Nosferatu, Anora and Moana 2, as well as evergreen classics (La La Land, Notting Hill, 10 Things I Hate About You, When Harry Met Sally…), and a Friends watch party. Tickets come in at £18 for adults and £8 for children, and there’s a 20 percent discount if you book before the end of March.
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  • Things to do
  • Exhibitions
  • Twickenham
There aren’t that many bits of London that are actually secret anymore, but the residents of Eel Pie Island have done a very good job at keeping their island as clandestine as possible. Only accessible by boat or via a little footbridge reaching over the river, a ‘private property’ sign at the entrance usually keeps people out, except for twice a year when the public is allowed to snoop around the place at the island’s Open Studios event. The summer open days are usually a laidback affair and a chance to see inside the workspaces of 26 artists, from painters and potters to sculptors. View, commission or purchase yourself some art or craft and leave having experienced a still-hidden part of the city.
  • Things to do
  • Bloomsbury
Get to know the surprising queer histories behind some of the art and artefacts in the British Museum’s vast collection on this free tour of the iconic institution. Led by a knowledgeable volunteer, the 70-minute tour takes in a huge variety of objects ranging from the ancient world to the present day, illuminating the fascinating stories behind some of the musum’s most famous artefacts and lesser-known gems, including the Townley Diskobolos, the Gilgamesh Tablet and the Warren Cup. Can’t make it to one of these dates? There’s also a self-guided version of the tour with free audio commentary you can access through your preferred streaming platform. 
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  • Things to do
  • Barbican
From screeching tube carriages and blaring rickshaws to the lulling podcast we listen to on our commute and the music that soundtracks our walks, noise is constantly shaping our lives, and in bigger, deeper ways than we might at first realise. The Baribican’s Feel the Sound exhibition promises to be a multi-sensory journey into our personal relationship with sound and an exploration of how the world of listening goes way beyond pure audio. Eleven commissions and installations will take over the Barbican Centre from the entrance on Silk Street to the Lakeside Terrace, all exploding visitors to frequencies, sound, rhythmic patterns and vibrations that define everything around us. Even the Centre’s underground car parks will be part action as it’s transformed into a club space. There’ll also be the chance to sing with a digital quantum choir and experience music without sound. Plus, look out for collabs with Boiler Room celebrating underground club culture, Joyride which will mix ‘boy racer’ subculture with DIY music communities and Nexus Studios which will fuse neuroscience and design to capture visitors’ emotional responses to music. This is ‘an invitation to awaken the senses, embrace our sonic world and discover the sound in each of us’, says the Barbican. Sounds like a hit.   
  • Things to do
  • Sport events
  • Haggerston
Women’s football fan collective Baller FC has once again teamed up with craft beer heroes Signature Brew to bring the Women’s Euros to the big screen. Every single England and Wales game will air at the brewery’s Haggerston taproom, as well as a curated pick of group stage clashes and all the knockout stages. This is not just a bunch of screenings, though. This is an all-out month-long footie fiesta. Besides the games themselves, the there’ll be DJs, street skills challenges, foosball contests, karaoke, art takeovers, barber cuts, temp tatts, WoSo-inspired makeovers and the return of Baller’s ‘guess the player by the ponytail’ quiz. No Euros watch party is quite as fun-filled as this one.  
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  • Things to do
  • Exhibitions
  • Battersea
  • 3 out of 5 stars
  • Recommended
It’s up to every primary school parent to wrestle with their own conscience as to whether it’s appropriate to take their dinosaur-loving child to Jurassic World: Rebirth (rating 12A) this summer. But regardless of how much a wuss your kid is, a new installment in the franchise inevitably means a glut of family-friendly mesozoic-related shows. London is full of them this summer holidays, and foremost is the ‘official’ show Jurassic World: The Experience, which was last seen here three years ago at ExCel London (then called Jurassic World: The Exhibition), the last time a Jurassic World film came out.  God help me, I also saw it the last time around, and can report that the only significant change is the location: it’s now staged at NEON, a new venue just outside Battersea Power Station that will apparently be dedicated to similar immersive events. I don’t have a lot to say about NEON – it’s basically a big box – but the Power Station redevelopment is quite a fun place to take little ones to after the show, which is pretty brief.  It’s all good clean cretaceous fun The premise is the same as before. The experience is roughly 45 minutes long and begins with us boarding a ‘ferry’ to get out to Isla Nublar, home to Jurassic World. A handful of impressively gigantic animatronic herbivores greet us, along with some fun interactive bits, and then it’s on to the incubation lab where we can pet a ‘baby dinosaur’ (a puppet) and muck around with more displays. Next up we witness...
  • Things to do
  • Exhibitions
  • South Kensington
  • 4 out of 5 stars
  • Recommended
The Natural History Museum is capable of turning in some pretty giddy exhibitions: notably, the recent-ish Fantastic Beasts: The Wonder of Nature revolved around a series of fictional magical animals invented by JK Rowling. Fair warning, though: the venerable museum’s first ever space-based exhibition is pretty sober stuff, that steadfastly refuses to sensationalise its subject. If you want to know what an alien invasion might look like or how realistic Star Wars is then there isn’t a lot for you in Space: Could Life Exist Beyond Earth? But if you’re interested in the actual question ‘is there life out there and how would we detect it?’ then this is the exhibition for you, made with the usual sophistication and care that defines the NHM’s temporary exhibits (which are always considerably less faded and more contemporary than its permanent collections). The entire exhibition is dimly lit, with soothing background music playing everywhere – the vibe is serene spaciousness, graceful emptiness and cosmic stillness. We begin on Earth, with the first galleries examining the extraterrestrial origins of life here. Nobody can exactly say how life on Earth first came to be, but there’s little doubt that its building blocks – carbon, hydrogen, oxygen, nitrogen and water – were brought to us by asteroids, of which there are several bits here, some of which you can even touch. The carefully curated exhibition instils an appropriate amount of awe Correctly contextualised, it’s hard not...

Theatre on in London today

  • Immersive
  • Deptford
In 1983, the year the internet was created, a doomsday cult of nerds decided to create a repository for every web page ever created. These would be printed out in binary, put into bound editions, and then fed to a weird network of fluffy fungi, with the understanding that on January 1 2025 some sort of rapture would be achieved out of all this data. Unfortunately it didn’t happen – a non event described as ‘the epic fail’ – possibly because the system was being poisoned by the toxic levels of fake news now contaminating the web. But maybe YOU can help..? As far as I can make out from actually having seen it, that's the basic premise behind new immersive theatre company Sage & Jester’s inaugural show Storehouse, which I think is worth sharing because beyond ‘it’s an immersive theatre show’ it was pretty unclear what was actually involved on the basis of the advance publicity. Unfortunately Storehouse is also absolute nonsense, a pretty but torpid vanity project that’s the brainchild of businesswoman Liana Patarkatsishvili, who I assume also bankrolled this expensive show, staged in a gargantuan Deptford warehouse.  Patarkatsishvili – daughter of the late Georgian billionaire and media mogul Badri Patarkatsishvili – is clearly concerned with ‘misinformation’: last year she funded an art installation in Edinburgh called Illuminated Lies on the same subject. Which is fine but simply lobbing money at an idea you care about doesn’t inherently make for great art, even with...
  • Drama
  • Covent Garden
  • 4 out of 5 stars
  • Recommended
This review is from 2022. My Neighbour Totoro is now running at the Gillian Lynne Theatre in the West End with a mostly new cast. Studio Ghibli’s 1988 cartoon masterpiece My Neighbour Totoro is a stunningly beautiful, devastatingly charming film, in which not a huge amount happens per se.  It follows two young sisters who move to the countryside with their dad and basically get up to a lot of extremely normal things… while also fleetingly encountering a succession of astounding otherworldly creatures, most notably Totoro, a gigantic furry woodland spirit, and the Cat Bus, a cat that is also a bus (or a bus that is also a cat, whatever). Its most iconic scene involves young heroines Mei and Satsuki waiting at a bus stop, and Totoro shuffling up behind them, chuckling at their umbrella (a new concept to him) and then hopping on his unearthly public transport. So if you’re going to adapt it for the stage you’re going to have to absolutely nail the puppets you use to portray Totoro and co.  The RSC absolutely understood the brief here, although you’ll have to take my word for it, as for this first ever stage adaption – by Tom Morton-Smith, overseen by legendary Ghibli composer Joe Hisaishi – the company hasn’t allowed a single publicity photo of a single puppet (bar some chickens) to be released.  Nonetheless, the puppets – designed by Basil Twist, assembled by Jim Henson's Creature Workshop – are fucking spectacular. They have to be fucking spectacular because that’s the...
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  • Comedy
  • Covent Garden
  • 4 out of 5 stars
  • Recommended
Following in the vein of 2016’s The Comedy About A Bank Robbery, Mischief Theatre – they of The Play That Goes Wrong – are now aiming their slick brand of ever-escalating theatrical farce at the spy genre in this West End premiere. When a top-secret file is stolen by a turncoat British agent, a deeply mismatched pair of KGB agents and a CIA operative and his over-enthusiastic mother collide in pursuit of it – along with an over-the-hill actor and a young couple – at the Piccadilly Hotel in London in swinging 1961. General chaos ensues. Writers and original Mischief Theatre members Henry Shields and Henry Lewis mine plenty of daft comedy from spy staples like bugged radios and improbable gadgets while paying homage to a decade in the UK rocked by the revelations of double agent Soviet Union spy rings. It’s low-hanging fruit, of course, but ramped up by Mischief Theatre’s trademark ability to spin seemingly minor mishaps into total comedy meltdowns. Director Matt Dicarlo handles these set-pieces and Shields and Lewis’s penchant for fast-moving wordplay deftly, allowing us half a knowing wink before whisking us on to the characters’ next blunder. He’s greatly aided by David Farley’s set design, a colourful cartoon of ‘60s London. A split-level cutaway of the Piccadilly Hotel is a neat visual shorthand for introducing us to the characters and snappily showing us the chaotic consequences of a bugged radio being moved between rooms. A talented cast know their mission, steering...
  • Musicals
  • Shaftesbury Avenue
  • 4 out of 5 stars
  • Recommended
This review is from 2024. What a long, strange trip it’s been. Indie-folk musician Anaïs Mitchell’s musical retelling of the Orpheus story began life in the mid-’00s as a lo-fi song cycle, which she gigged around New England before scraping the money together to record it as a critically acclaimed 2010 concept album that featured the likes of Bon Iver’s Justin Vernon and Ani DiFranco on guest vocals as the various mythological heroes and villains. Going through the next 14 years blow-by-blow would be time-consuming, but in short thanks to what I can only describe as THEATRE MAGIC, Hadestown is now a full-blown musical directed by the visionary Rachel Chavkin, its success as a show vastly outstripping that of the record. It played the National Theatre in 2018, on its way to becoming the most unusual Broadway smash of the modern era. And it’s finally come back to us. Now in a normcore West End theatre, its otherness feels considerably more pronounced than it did at the NT. The howling voodoo brass that accompanies opener ‘Road to Hell’ is like nothing else in Theatreland. Mitchell”s original songs are still there but have mutated and outgrown the original folk palette thanks to the efforts of arrangers Michael Chorney and Todd Sickafoose. Rachel Hauck’s set – which barely changes – is a New Orleans-style saloon bar, with the cast all dressed like sexy Dustbowl pilgrims. It’s virtually sung through. It is essentially a staged concert, but it’s done with such pulsing musical...
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  • Musicals
  • Covent Garden
F Scott Fitzgerald’s estate seems pretty chill. Over the years they’ve licensed innumerable adaptations of his magnum opus The Great Gatsby, from the blockbuster Baz Luhrmann film (itself the fourth major screen adaption) to that immersive version that did the rounds a while back, to GATZ, Elevator Repair Service’s legendary eight-hour unexpurgated theatrical reading of the entire novella. Never at any point during the 1925 book’s near century in copyright did Fitzgerald or his heirs allow a musical adaptation and you have to hand it to them: they were right.  However the copyright expired in America two years ago and suddenly there are two big US musical adaptations hovering around: Florence Welch’s Gatsby and this, from Kait Kerrigan, Jason Howland and Nathan Tyson, with direction from Marc Bruni. Transferring over in double quick time (possibly to head off Welch), The Great Gatsby looks absolutely ravishing and will doubtless cater to those who see the book as a bling-encrusted parable of how being rich is awesome but also sometimes sad.  Let’s not get all lit crit though. The biggest problem here is not so much how the creatives have gone about making a Great Gatsby musical, but rather that it only takes a few minutes to conclude that the very idea of a Great Gatsby musical is inherently flawed.  On the one hand, the book is inevitably so heavy on Fitzgerald’s own perfectly weighted prose that it feels asinine when we lurch into vaguely jazzy showtunes with lyrics...
  • Drama
  • Victoria Embankment
If you’re a big fan of burlesque and can take or leave acting and narrative then you will love Diamonds & Dust, an impressive-if-you-like-that-sort-of-thing series of cabaret setpieces, strung together with a creaky yarn about a lady gambler as embodied by Faye from Steps. I’m going to be honest and say that burlesque is not really my thing. On the one hand I fully get that the performers here – foremost among them kittenish ’90s legend Dita von Teese, who barely appears to have aged – are incredibly talented, and that their bodies and costumes are all part of an exquisitely honed athletic, artistic and to a degree comedic act. It’s not just posh stripping! I know that!! On the other hand it is a bit like watching a series of skits that uniformly end the same way – she’s taking her top off but… she’s wearing nipple tassels!! Of course if you’re into burlesque this is fine, and me complaining about this would be akin to somebody moaning to me that they always talk funny in Shakespeare plays. What complicates matters is that Diamonds & Dust – which is the brainchild of performer and director Tosca Rivola – isn’t just an evening of burlesque. Staged in the agreeably dramatic confines of the Emerald Theatre (as far as I can tell is just a reskinned version of the Proud Embankment cabaret club), the show is billed as ‘London’s newest theatrical production’ and certainly there is an arch but considerable dramatic dimension to it.  There is a plot, and it revolves around Faye...
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  • Circuses
  • West Brompton
  • 3 out of 5 stars
  • Recommended
Come Alive is a tricky one to review because the question here is less ‘is this a good example of a mash up of a circus and the songs from The Greatest Showman?’ and more ‘what the hell are the criteria for a good mash up of a circus and the songs from The Greatest Showman?’ Conceived and directed by Simon Hammerstein, the brains behind posh strip club The Box, Come Alive occupies a huge building in Earl’s Court dubbed the Empress Museum, formerly called the Daikin Centre and home to an immersive David Attenborough documentary.   The actual big top-style performance space is comparatively intimate: 700 seats is not tiny, but if an obvious point of comparison is Cirque du Soleil’s annual shows at the Royal Albert Hall, then Come Alive offers similarly skilled acrobats at appreciably closer range – you can see each muscle contort and flex. The rest of the building has been given over to a sort of Greatest Showman-themed mini-mall: overpriced food, overpriced drinks, overpriced fancy dress clobber - but done in high travelling-circus style and there’s a little bit of gratis pre-show acrobatics in one corner of it that’s well worth catching. Anyway. Circus. And the songs from The Greatest Showman. I think one basic point here is that presumably literally every person who has bought a ticket to Come Alive will love the Benj Pasek and Justin Paul tunes from the film already. They’re done well – performed live and with personality, but also very faithfully, ie no drastic sonic...
  • Shakespeare
  • South Bank
  • 3 out of 5 stars
  • Recommended
Doing something genuinely original with Romeo and Juliet is no mean feat. Contemporary productions all tend to try and modernise it, from Jamie Lloyd’s divisive recent West End run and Kit Connor and Rachel Zegler’s sequin-clad 2024 Broadway show to its earnest, teen suicide stats-filled last outing at the Globe in 2021. That Sean Holmes’s latest Globe version refuses to go down this path at all should be commended in and of itself. Instead, it transposes fair Verona to the rootin’ tootin’ American West, the cast donning stetsons and petticoats befitting a trad production of Oklahoma! as the sighs of our star-cross’d lovers are scored by a banjo and intercut with the odd ‘yee-haw!’ Does it make things a little confusing that all the actors speak in their own accents? Absolutely! Yet the actual originality – as opposed to quote-unquote edgy Romeo and Juliets that have become highly predictable – is admirable. Given the double suicide foretold up top, this Romeo and Juliet is remarkably unafraid to have fun. The Western theme is wrung tightly to eke out every last drop of comic potential, from the awkward line dancing at the Capulet ball to a brief appearance of The Good, The Bad and The Ugly theme. Equally up for embracing their comic sides are the cast. Played by recent drama school graduate Rawaed Asde, the Romeo we first meet longing after Rosalind is more frustrated than infatuated, and Juliet (Lola Shalam) matches his loud, boisterous energy. She is no dainty, helpless...
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  • Drama
  • Tottenham Court Road
  • 3 out of 5 stars
  • Recommended
Well, this is certainly different: a dystopian musical tribute to the life and works of Oscar Wilde in a basement venue dressed to look like a mashup of a Berlin club and Mad Max: Beyond the Hippodrome. If you’re eagerly looking for a meaty plot, you’re in for slim pickings. Originating in New York and the brainchild of its book-writer Mark Mauriello (also playing ‘Oscar’), this is a production big on vibes: a loud confection of shiny surfaces, breathless choreography and a thumping, punky score. If the kids from Fame were queer fugitives hiding underground from a totalitarian state in a climate-wrecked near future, it might be a bit like this. That's basically also the premise. For these social renegades and misfits on the run, Noughties pop culture has become their religion, evil step-mum Julie Cooper from The OC their goddess and The Real Housewives their saints. This show is not bezzie mates with understatement, as Mauriello goes nuclear on how performance is reality. As the rise of Twitter gets thrown into the mix, it’s about as deep as a puddle and as subversive as taking a photo of your middle finger in front of Trump Tower. But in spite of this – maybe even because of its raucous earnestness – it sweeps you up. And as part of the in-show musical re-telling of his life that the characters stage every night, the re-imagining of Wilde as the original social media influencer is absurdly enjoyable. Andrew Barret Cox’s score is a frantically vibrating wall of sound into...
  • Musicals
  • Strand
  • 3 out of 5 stars
  • Recommended
This review is from 2021. The current cast is headed by Ben Joyce (Marty) and Cory English (Doc).  This long-gestating musical version of ‘Back to the Future’ – it has literally taken longer to bring to the stage than all three films took to make – is so desperate to please that the producers would doubtless offer a free trip back in time with every ticket purchase if the laws of physics allowed. It is extra as hell, every scene drenched in song, dance, wild fantasy asides, fourth-wall-breaking irony and other assorted shtick. You might say that, yes, that’s indeed what musicals are like. But John Rando’s production of a script by the film’s co-creator Bob Gale is so constantly, clangingly OTT that it begins to feel a bit like ‘Back to the Future’ karaoke: it hits every note, but it does so at a preposterous velocity that often drowns out the actual storytelling.  As with the film, it opens with irrepressible teen hero Marty McFly visiting his friend ‘Doc’ Brown’s empty lab, where he rocks out on an inadvisably over-amped ukulele. Then he goes and auditions for a talent contest, hangs out with his girlfriend Jennifer, talks to a crazy lady from the clock tower preservation society, hangs out with his loser family… and takes a trip 30 years into the past in the Doc’s time-travelling DeLorean car, where he becomes embroiled in a complicated love triangle with his mum and dad. It is, in other words, the same as the film, with only a few minor plot changes (the whole thing...

Exhibitions on in London today

  • Art
  • Bankside
  • 4 out of 5 stars
  • Recommended
Fashion icon, model, club promoter, musician; Leigh Bowery was a multi-hyphenate before multi-hyphenate became a thing. But above all else, he was a muse, as the Tate Modern’s extensive new exhibition tracing the Melbourne native’s life and legacy does an excellent job of portraying.  Starting with his arrival onto London’s New Romantic scene in 1980, we’re whisked through Bowery’s many different eras in loose chronological order, from his early days as a club promoter for the short-lived but influential Taboo, through to his later practice as a performance artist, clothes designer and life model for Lucian Freud.  Re-invention was what Bowery stood for, and the Tate does a great attempt of categorising his many selves, from the walls (the first section is plastered in the Star Trek wallpaper from his home, the next his favoured polka-dot motif, and so on), to the clothes, video clips and portraits on display, which grow ever more out-there as Bowery gained confidence in his craft and voice with each year he lived in London. In the final room, beautiful blown-up fashion photographs show him literally shape-shifting, wrapping and warping his flesh like a sculptor working the wheel.  Photos show him literally shape-shifting, wrapping and warping his flesh like a sculptor In the curator’s tour, we’re told that this exhibition could have been called ‘Leigh Bowery and Friends’ and perhaps that would have been more appropriate: the Bowery on show here wouldn’t exist without...
  • Art
  • Trafalgar Square
  • 4 out of 5 stars
  • Recommended
It’s hard to know if Italian Renaissance master Andrea Mantegna was issuing a doom-laden warning or just a doe-eyed love letter to history. Because written into the nine sprawling canvases of his ‘Triumphs of Caesar’ (six of which are on show here while their gallery in Hampton Court Palace is being renovated) is all the glory and power of Ancient Rome, but its eventual collapse too. It starts, like any good procession, with a load of geezers with trumpets, parping to herald the arrival of victorious Caesar. As they blare, a Black soldier in gorgeous, gilded armour looks back, leading you to the next panel where statues of gods are paraded on carts. Then come the spoils of war, with mounds of seized weapons and armour piled high, then come vases and sacrificial animals, riders on elephant-back, men struggling to carry the loot that symbolises their victory. The final panel, Caesar himself bringing up the rear, remains in Hampton Court, so there is no conclusion here, just a steady, unstoppable stream of glory and rejoicing.  The paintings are faded and damaged, and have been so badly lit that you can only see them properly from a distance and at an angle. But still, they remain breathtaking in their sweeping, chaotic beauty.  Partly, this massive work is a celebration of the glories of the classical world and its brilliance, seen from the other side of some very dark ages. But along with its rise, you can’t help but also think of Rome's demise, of what would eventually...
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  • Museums
  • Art and design
  • Kensington
  • 4 out of 5 stars
  • Recommended
As anyone who has ever tried to secure a booking at the London Fields Lido on a warm summer day will know, us Londoners love a good dip. So it’s only natural that the capital’s Design Museum should stage an exhibition dedicated to our adoration of swimming.  With more than 200 objects, Splash! presents a whistle-stop tour for water babies taking us all the way from bizarre Victorian bathing carriages, to the present-day mermaidcore TikTok trend. From the politics of the pool (and who gets to learn to swim) to the evolution of swimwear and pool architecture, Splash! covers a lot of ground. The show is split into three sections – the pool, the lido and nature – and perhaps the most fun part, each section is designed to mimic different swimming spaces which feature in the exhibit, including the London Aquatics Centre and the art-deco Penzance Jubilee Pool.  In the first part, ‘the pool’, is quite the collection of stuff, focussing largely on Olympic swimming – a model for the London Aquatics Centre, a swimming cap belonging to Syrian swimmer Yusra Mardini, a jumper knitted by Tom Daley, and a 1984 David Hockney poster for the Los Angeles Olympics are all show. It also wouldn’t be an exhibition about pool design without some pretty Wes Anderson-style photography. The highly controversial LZR racer swimsuit is another gem on display – the suit designed by Speedo and NASA was responsible for 94 percent of swimming gold medals at Beijing 2008, and was subsequently banned for...
  • Museums
  • History
  • Lambeth
‘Wherever conflict erupts, sexual violence is present.’ So it’s surprising that until 2025, the UK has never had a major exhibition on sexual violence in conflict. This year the Imperial War Museum is hoping to shed light on the topic that remains widely under-discussed.  Through first-person testimonies, objects, artwork, propoganda posters and papers, Unsilenced will investigate the different ways in which sexual violence in conflict can manifest. It will span the untold stories of child evacuees, victims of trafficking, prisoners of war, and survivors from the First World War to present-day conflicts, and highlight the ongoing efforts of those fighting for justice and working to prevent conflict-related sexual violence. It’s expected to be a sobering, ground-breaking exhibition.  NB: This exhibition includes cases of rape, sexual humiliation, torture and child abuse in conflict. IWM advises that this exhibition is only suitable for those aged 16 or over.   
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  • Art
  • Spitalfields
  • 4 out of 5 stars
  • Recommended
At first, this show seems distinctly uninviting to anyone not deeply in the fold with today’s art scene. It fills three floors with austere works by artists I mostly haven’t heard of. Found objects, subtle installations and elliptical messages abound here; it’s enough to draw a groan from any contemporary art cynic. In the first room, dodging between Gilli Tal’s installation of looming streetlamps and hearing what sounds like an urban field recording by Solomon Garçon, you might feel like you’re navigating a party full of strangers. No artwork is given any context beyond a spreadsheet-like booklet containing the artist’s biographical details and the artwork’s medium, date of creation and exhibition history.  That last, seemingly unimportant detail brings the show to life. Reading through the handout’s fourth column, you’ll see the names of a number of grassroots artist-run exhibition spaces. Almost every artist in the show has been involved in or shown their work at such a venue. Many are now defunct and I’m sure none were ever as well-appointed as this gallery. It is this detail – call it the show’s DIY-pedigree – that animates Fake Barn Country. This is an exhibition about exhibitions This is an exhibition about exhibitions and about exhibition-making as an act of passion, generosity and curiosity shared between artists. Every image, sound and object here is like a mushroom grown from a vast, international and intergenerational network of mutual support and encouragement...
  • Art
  • Whitechapel
Having studied at Goldsmiths College with them in the late 1980s, the late Pakistani-born intermedia artist Hamad Butt is often associated with the YBAs. As this impressive survey exhibition, travelling from IMMA in Dublin, reveals, the body of technically ambitious and precisely engineered sculptural work completed before his untimely death at 32 is entirely singular. Navigating the thin boundary between desire and danger, this exhibition will reveal Butt as a subtle master of both chemistry and social critique.
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  • Art
  • Camberwell
Chaotic explosions of wood, scrap metal and cotton cascade through the gallery in the work of Brooklyn-based artist Leonardo Drew. Known for using found natural materials that are oxidised, burned, and left to decay, Drew creates visceral, large-scale installations that reflect on the cyclical nature of existence. His sculptures evoke the scars of America’s industrial past, while also suggesting forces beyond human control. At the South London Gallery in London, Drew will unveil a new site-specific work that engulfs the walls and floor of the main space, with fragmented wood appearing as if battered by extreme weather, natural disasters, or what he calls ‘acts of God.’
  • Art
  • New Cross
After getting her breakthrough as part of the renowned artist group BANK, Milly Thompson went on to carve out a place for herself in the art world as a painter, sculptor, video artist and writer in her own right. A selection of her work from 2010 onwards will be on display here, showing her trademark blend of irony and sincerity as the pieces tackle the hegemonic force of luxury consumer culture on women, the libidinal power of the middle-aged female body, and more.
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  • Art
  • New Cross
Sophie Podolski’s work will be presented solo for the first time in the UK at this exhibition, with the display spanning the poet, writer and artist’s drawings, etchings, archival materials and texts. Although she died tragically at 21, Podolski made a huge impact on literature and culture and celebrated radical creativity and personal freedom through her work.
  • Art
  • Sculpture
  • Hyde Park
Another London summer beckons: clouds clearing, days lengthening, an imaginative structure being erected in Kensington Gardens. This year’s pavilion, ‘A Capsule in Time’ by Marina Tabassum Architects, is a modular wooden structure outfitted with translucent screens that will filter the sun’s light like the leaves of a tree, encouraging inhabitants to bask in its diffused glow. The highly adaptable space with kinetic elements is inspired by shamianas: South Asian tents used for weddings, feasts and other ceremonial occasions.
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