Things to do on a Sunday in New York

Prepare your costumes and your crosswalks—Halloween is about to take over the streets. The city’s Department of Transportation just announced the return of Trick-or-Streets, its annual Halloween celebration that turns Open Streets and plazas across the five boroughs into car-free zones for candy, costumes and community. This year’s edition will be the biggest yet, with a record 137 events (and counting) planned between October 17 and October 31.

Expect everything from pumpkin patches and hay bale photo ops to live performances, games and Día de los Muertos celebrations. A full list of Trick-or-Streets events and participating locations will be available on the NYC DOT website—because in this city, Halloween is best celebrated curbside.

Leave the gray of the city behind and step into a colorful world of Korean folktales at Genesis House in the Meatpacking District. The venue just launched its latest immersive installation, this one called CHROMA: Tales Between Hues.

The exhibition was inspired by the Obangsaek color spectrum, Korea's traditional palette representing the five cardinal directions, elements and cosmic balance—and it's an absolutely transfixing sight to see. The team at Genesis collaborated with actress and singer Ashley Park who brought her own Korean heritage and her passion for storytelling to the exhibition.

See CHROMA: Tales Between Hues for free at Genesis House (40A 10th Ave. in the Meatpacking District) through December 14. It's open Tuesday to Sunday from 11am-7pm with no reservations required.

Renoir’s sketchbook is moving into the spotlight. The Morgan Library & Museum is about to do something no New York institution has attempted in more than a century: dedicate an entire exhibition to Pierre-Auguste Renoir’s works on paper.

“Renoir’s drawings reveal an artist of tremendous sensitivity and range,” said Colin B. Bailey, the Morgan’s director and curator of the show. And he’s not exaggerating. Renoir Drawings will bring together more than 100 works—pastels, watercolors, prints and even a plaster sculpture—offering a rare chance to see the Impressionist master beyond his sun-dappled oils.

The last time anyone staged a show like this was in Paris in 1921, which makes the Morgan’s exhibition a bona fide art-world event. Renoir Drawings runs October 17, 2025, through February 8, 2026, at the Morgan Library & Museum.

A century ago this fall, Robert Rauschenberg was born in Texas. He went on to become a Pop art pioneer and one of the most renowned American artists of this era. Now, museums and galleries across the globe are planning shows that honor the late artist's expansive creativity, spirit of curiosity and commitment to change.

For its part, Museum of the City of New York is highlighting the artist's time in New York City. "Robert Rauschenberg’s New York: Pictures from the Real World" explores Rauschenberg’s integration of photography and found objects into his art, reflecting his deep engagement with "the real world" and his complex relationship with urban life in NYC. He was a photographer with a bold creative vision which was essential to his art making, and this exhibition celebrates that. 

Heather Christian's divine Oratorio for Living Things welcomes you to worship. To call this genre-nonconforming show a musical would be reductive: It's a sui generis meditation on time and existence, a classical choral masterwork infused with pop, blues and gospel. A dozen superlative vocalists and six marvelous instrumentalists make sense and aural spectacle out of Christian's compositions.

Because the lyrics are dense and can be difficult to parse (some parts are in Latin, sometimes it builds into cacophony), librettos are distributed at the door. You can use them as hymnals to follow along, but engaging fully with Oratorio in all its mysterious glory is a transcendent experience. 

The beloved production has returned for an encore run at the Signature Theatre in 2025. 

For those who have long romanticized the floating city of Venice, the Brooklyn Museum's new exhibit will only stoke those desires. Featuring a rare reunion of Claude Monet's iconic Venetian paintings, visitors are encouraged to "travel" to this dreamy destination and immerse themselves in art inspired by the city's timeless beauty. 

"Monet and Venice" engages audiences through multi-sensory elements, including an original symphonic score inspired by Monet's Venice paintings by the Brooklyn Museum's composer in residence, Niles Luther. The collection marks New York's largest museum show dedicated to Monet in over 25 years, featuring 100 artworks, books and memorabilia, including 19 of Monet's paintings of Venice. It's the first dedicated exploration of these pieces since their debut in 1912.

See it until February 1, 2026. 

The king of creature features, Guillermo del Toro resurrects Mary Shelley’s literary creation in all its full-on gaudy gothic glory. Oscar Isaac is Baron Victor Frankenstein, who is rescued from a monster on the ice by the crew of a ship of polar explorers. He is a man with a tale to tell of how he got there: but, like Dewey Cox in Walk Hard, he has to start at the very beginning: with a childhood of a bad daddy (Charles Dance) and grief that drives an ambition to conquer death itself. 

Isaac is superb as Victor, as much an artist as a scientist; his gruesome work accompanied by Alexander Desplat's joyful waltz as he peels skin and gets elbow deep in viscera.

Del Toro makes no secret of where his sympathy lies and who the real monsters are, but there are surprises here. Not least of which is how moved you might feel in the end. 

It's in theaters now.

We have Rocketman and A Complete Unknown to blame for the idea that actors playing musicians can actually nail the gig. Gone are the days of dodgy impressions (apologies to Val Kilmer’s Jim Morrison and André 3000’s Jimi Hendrix) and in their place are films that replace the concept of rock stars as infallible Gods with messy human beings. 

Whereas A Complete Unknown painted Bob Dylan as a grumpy fuckboy, Deliver Me from Nowhere digs into Bruce Springsteen’s bout with depression and the childhood trauma from which it stemmed, as well as his fastidious dedication to (arguably) his finest album, 1982’s moody Nebraska.  

Jeremy Allen White also slips into Springsteen’s Levi’s with ease. From his spot-on incidental grunts to the uncanny singing voice, it’s clear that White has put in the work, even if it’s sometimes hard to unsee Carmy from The Bear. White delivers Americana and moody bangers in a Boss-opic that’s bigger on vibes than narrative; see it in theaters now.

Tthe 1998 musical Ragtime is being revived on Broadway by Lincoln Center Theater in a first-class production directed by Lear deBessonet and anchored by the superb actor-singer Joshua Henry. The show is a vast panorama of American life in the turbulent early years of the 20th century, as illustrated by the intersecting stories of three fictional families—those of a moneyed white businessman, a Jewish immigrant and a successful Black pianist—as well as a clutch of real-life figures from the period, including Goldman herself. 

Our theater critic says to expect "some of the most magnificent singing I have ever heard on Broadway."

A century ago this fall, Robert Rauschenberg was born in Texas. He went on to become a Pop art pioneer and one of the most renowned American artists of this era. Now, museums and galleries across the globe are planning shows that honor the artist's expansive creativity, spirit of curiosity and commitment to change.

For its part, NYC's Guggenheim Museum on the Upper East Side will host a major show called "Robert Rauschenberg: Life Can't Be Stopped," running through April 5, 2026. The show will feature more than a dozen historic pieces, including Rauschenberg's monumental painting "Barge," all which reflect the artist’s radical legacy.