Close up of Sydney Opera House
Photograph: Destination NSW
Photograph: Destination NSW

How to have the ultimate arts escape in Sydney

Don't let the Sydney's stunning natural beauty deceive you – the city is the perfect escape for culture vultures

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Melbourne sure likes to claim the title of "Australia's cultural capital", but there are other cities in Australia that house a world-class arts industry. 

Consider this: if Melbourne is a dark and mysterious Charles Blackman painting, then Sydney is a bright and colourful Grace Cossington Smith. Colour, light and heat pervades Sydney and it’s reflected in the city’s zest for culture, not to mention its dining scene and penchant for the outdoors.

Planning an arts and culture escape to Sydney? Here's our guide to making the most of a creative getaway in the Harbour City. 

Recommended: 50 things everyone in Sydney needs to do at least once.

Do

It’s fair to say that anyone who’s grown up in Australia is fairly familiar with the Sydney Opera House. Or are you? As it turns out, there’s a tonne of history, stories and facts about this iconic building that would surprise even a dedicated Sydneysider – and you can find out all about them on one of the Sydney Opera House tours.

These tours take you to all the nooks and crannies that you wouldn’t normally see at a regular Opera House event while also sharing with you some of the venue’s colourful history – from construction disputes to live chickens on cellists. 

You’ll also get to peek inside the new digital experience, which recreates the Sydney Opera House concert experience in an immersive digital theatre.

If you want to visit the raw, beating heart of Sydney's creativity, put aside at least half a day to visit Newtown. The inner west suburb is humming with creativity, with its main drag, King Street, packed with cafés and cool stores. While you could spend all day exploring its every laneway and sidestreet, for first-timers, the big drawcards in Newtown are its array of vintage fashion stores and its collection of street art. 

If the allure vintage and upcycled fashion is what hooks you, drop into stores like Vintage@313, Cream and Uturn to trawl through the thousands of retro threads. The stores themselves are well worth a stickybeak too, even if you’re not set on buying. 

Now if you’re keen to discover Newtown’s street art, it is entirely possible to do so using the “what’s that over there” technique. However, if you’d like a wee bit of guidance, the Newtown Grafitti Map shows you where all the major murals are scattered around the suburb.

If you're interested in the visual arts, a trip to Art Gallery of New South Wales is a must. The grand gallery was established in 1871 and is the leading museum of art in New South Wales and Sydney, as well as one of Australia's foremost cultural institutions. It holds significant collections of Australian, European and Asian art, and presents nearly 40 exhibitions annually. When we visited the showstopping exhibition was Streeton (Nov 7, 2020-Feb 14, 2021), the most significant survey of Australian impressionist, Arthur Streetonthat has ever been held. Notably, AGNSW is the home of the Archibald Prize, arguably Australia's most famous art prize. 

And although White Rabbit Gallery doesn't have the same impressive facade of AGNSW, it's certainly one gallery not to miss. You'll find Judith Neilson's four-storey temple to contemporary Chinese art in Chippendale where it houses one of the world's largest collections of 21st-century Chinese art in a sleek modern outfit. 

You'll also want to make time to pop into the Museum of Contemporary Art. The MCA is one of Australia's leading institutions of art by living artists, and regularly hosts exhibitions that present contemporary artists (both Australian and international) in a manner accessible to all visitors – not just those with an understanding of art history and terms.

Eat

Everyone who visits Sydney should really go to Bondi institution, Icebergs, at least once in their life. Not only will you be treated to fine food, but you’ll also be privy to some of the Harbour City’s best views (when we visited we were treated to a literal rainbow over Bondi Beach at sunset) along with a selection of its most stylish set. 

The location of the restaurant is just the entrée; the combination of refined Italian fare and elegant service is really what puts Icebergs in our restaurant hall of fame (quite, literally).

Before checking out the art, entertainment and shopping of Newtown, we suggest fueling up at Cuckoo Callay. This dinky train station café speaks right to Melbourne’s “cafés should be squished into any and all available street space” maxim. Whether you choose to sit inside or outside, there’s an air of the bohemian about the venue, which serves up an all-day menu of brunch and brunch-adjacent fare. There's a strict no bookings policy so head there on a weekday for your best chance of being seated (or opt for takeaway from the window stall).

If you want food as pretty as Sydney itself, Concrete Jungle should be on your list. Conveniently located in Chippendale (an easy walk from Central Station), this café is all about serving up wholesome meals that just happen to look incredible at the same time.

For an edible representation of Sydney, order Concrete Jungle’s signature dish, the Blue Majik Smoothie bowl. The dish consists of banana, pineapple, coconut milk and blue spirulina blended and topped with puffed granola, blueberries, toasted coconut and edible flowers. It looks like the beach and tastes like a summer holiday. If you’d prefer heartier fare, there’s plenty of traditional options available – though if ordering toast we’d recommend opting for it with the house-made banana and blueberry jam.

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Drink

The semi-subterranean Poly might technically be a wine bar, but it's pretty easy to spoil your dinner by generously sampling the bar snacks menu. They say don't fill up on bread but it's hard advice to follow with Poly's anchovy toasts. The grilled mortadella is lighter, though packed with flavour thanks to the pineapple mostarda that turns it into something akin a Hawaiian pizza.

A selected list of wines by the glass is offset by the extensive bottle list, which is largely European. It's not all wine at Poly, though, with a number of sake, cocktails, beers and ciders available too from a bar staff who clearly know their stuff.

Bodega x Wyno is a wine and tapas bar brought to you by the Porteño restaurant family. The venue is a delightful Frankenstein's monster of sorts, combining Surry Hill's old Bodega tapas bar with the site's former occupant, Italian wine bar 121BC.

Its lineage means Bodega x Wyno allows guests to experience the best of both worlds, whether you're looking for a shared dinner of small plates or an evening sampling fines wines. The team know their stuff too; instead of offering wines by the bottle or the glass, all wines are effectively available by the glass. Simply let your server know what sort of wines you're into and they'll find something to suit your tastes. And if nothing else, be sure to order the fish fingers, garlicky slices of charred toast topped with tender ceviche. 

  • Hotels
  • Boutique hotels
  • Surry Hills
  • Recommended

From the website through to the minimalist lobby, every detail in Paramount House Hotel has been carefully considered, meticulously placed and kept affectionately local.

On our recent visit, we stayed in one of the loft rooms, a stylish two-storey space with a secluded courtyard and an elevated bed (complete with the softest linen) overlooking the living space. 

Regarding amenities, the room is kitted out with Aesop hand soap and cream, but also shampoo, conditioner and shower gel in the shower and bath. With loft rooms, you'll want to be very comfortable with any potential roommates because while there's a separate room for the toilet, the shower and bath unit is in the living space. 

Shrug off that prudity by popping open one local bevvies found in the mini-bar fridge tucked away under the sink, which doubles as your dresser, kitchenette and bathroom mirror.

Your mini-bar is a cut above the industry standard and, in addition to a premium selection of beers and wines, comes stocked with all the accoutrements to make a fine cheese platter. Of course, if you don't want to sloth out inside, the hotel is next door to Chin Chin as well as around the corner from DOC. Or enjoy the best of both worlds and order delivery to enjoy as room service.

Want to catch a show while in Sydney?

  • Musicals
  • Sydney
  • 4 out of 5 stars
  • Recommended
In musical theatre circles, Cats is the show that everyone loves to hate, dismissing it as “weird” and “uncool”. So let me begin this review by stating that I love Cats. I listened to the cast recording over and over as a child, I met my best friend on a Cats mailing list (remember those?) when I was sixteen, and there's probably still some old Cats fanfiction floating around out there that I wrote in my teens. This much maligned show doesn't deserve the hate it gets.  When Cats was first performed in the early 1980s, it was hailed as groundbreaking, bridging the gap between concept musicals and mega musicals in a way no show had done before. It won both Olivier and Tony awards for best musical, and ran for decades on the West End and Broadway. These days, it’s viewed more as a “guilty pleasure” – the show you secretly enjoy but are supposed to pretend you don’t, lest you be seen as uncultured. But why? Concept musicals based around a theme rather than a traditional narrative have existed since the 1950s, with notable examples including Cabaret, Hair and Company. Dance-heavy musicals are also not a unique concept. Cats isn't even the only show to combine these two elements. But while shows like A Chorus Line and Pippin are hailed as iconic, Cats – which is essentially A Chorus Line with tails – is not shown the same love.  Cats may not be too heavy on the plot, but it’s a show for people who love the little details Much of the criticism surrounding Cats comes from wanting...
  • Dawes Point
  • 4 out of 5 stars
  • Recommended
There are some stories that feel eternally relevant. Set in ancient Rome, and written more than 400 years ago, the brutal, volatile, ego-driven politics on display in Coriolanus seem to cut like a blade close to the throat of our own century and civilization. This is the second time in Bell Shakespeare’s history the company has mounted Shakespeare’s final tragedy, and director Peter Evans marshals an impressive, vigorous and robust undertaking of the play’s weighted themes. He’s helped by an excellent ensemble and a monumental lead in Hazem Shammas. We, the theatre-going people, are also involved in the play’s politics from the start. Down the subtly lit hall of the Neilson Nutshell, in a small yet meaningful simulation of the class divide, the audience is split down an arbitrary and unbreachable line. Those seated on one side of the theatre are dubbed ‘patricians’ (the contemptuous ruling classes, whom costume designer Ella Butler has in charcoal suits and creamy loose-fitting garments); the other side are the ‘plebeians’ (who are hungry, angry, and fomenting rebellion). It is between these two groups and the Senate that the arrogant warrior Coriolanus becomes embroiled when he returns bloodied and victorious from war with the Volsces, the state’s enemy neighbours, and is offered the honourable role of consul.  Volumnia – a fiercely exceptional Brigid Zengeni, in her Bell Shakespeare debut, who gloats of her son’s many stab wounds with a sick adoring pride – would love...
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  • Surry Hills
  • 4 out of 5 stars
  • Recommended
Mother-daughter relationships can be complicated even under the best of circumstances. When you add adoption, a language barrier, and years of estrangement into the mix – well, you get more baggage than a flight from Sydney to Seoul.  You may be familiar with Michelle Lim Davidson from both the stage (The Feather in the Web) and screen (The Newsreader, Utopia, Play School). In Koreaboo, her moving playwriting debut presented by Griffin Theatre Company in association with Belvoir St Theatre, Davidson draws on her own life to investigate the complexities of intercountry adoption, and the precarious experience shared by many adopted children – living caught between two very different cultures, but feeling like they belong to neither.  Davidson plays Hannah, a 30-something-year-old woman who was adopted from Korea as a baby and grew up in Newcastle. After a break-up, she travels to Korea to spend time with her biological mother, Umma (Heather Jeong). Hannah’s plan is to spend time getting to know the woman whose love she’s longed for since before she can remember. She offers to help Umma at the family’s convenience mart, and Umma reluctantly agrees. It’s not until they discover a shared love of K-pop and performing that Umma’s walls start falling down, and Hannah really gets to know her Sex-and-the-City-quoting, Turtle-Chip-eating Umma.  Jeong portrays the cheeky, sassy, larger-than-life Umma with apparent ease, and her command of movement, language and voice is a strong...
  • Drama
  • Surry Hills
  • 4 out of 5 stars
  • Recommended
Many of us try not to think about death too much. Even if it is discussed or thought about, it’s considered in the abstract – a distant experience we will deal with someday, maybe later. From beloved Australian novelist Helen Garner, The Spare Room brings the later to now in an unflinchingly raw and brutal confrontation with death. Adapted and directed by Belvoir St Theatre’s artistic director Eamon Flack (Counting and Cracking), these heavy themes are carried with compassion, humour and drama in an evocative performance that lingers long after the final moment.  After going through multiple rounds of chemotherapy and radiation, Nicola (Elizabeth Alexander) decides to stay with her old friend Helen (Judy Davis) in Melbourne for three weeks while she undertakes an alternative cancer treatment. From Vitamin C-infused IV drips to sitting naked in “ozone saunas”, these alternative therapies claim to destroy cancer much in the same manner an octopus can break rocks. (Their words, not mine.) The three weeks force both Nicola and Helen to go beyond the platitudes and formalities, and to confront the raw and infuriating experience of both having a terminal illness, and supporting a loved one through it. a provocative portrayal of the communal experience of death  The play commences with a profound silence, held by Helen for a moment longer than comfortable. Davis’s command and authority are masterfully established in this stillness, and do not falter for the rest of the...
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  • Drama
It’s the first time in three decades that Bell Shakespeare is revisiting one of William Shakespeare's most political and turbulent works. This June and July, The Neilson Nutshell at Pier 2/3 transforms into a volatile Rome for Coriolanus. The drama is the second production to form Bell Shakespeare’s major 35th anniversary season, headed by artistic director Peter Evans. Hazem Shammas (Macbeth, The Twelve) leads a powerhouse cast as the fierce Roman general Coriolanus who has it all: a victory over the invading Volscians, a sweet wife and a Senate nomination for consul. All, except for the people’s vote to officially take the title.  When Coriolanus’ contempt for the public and refusal to play the political game backfires, he’s banished from the city he once protected. Will he regret his decision to team up with old rival and leader of the Volscian army and attack his former home?  Visceral, fast-paced and politically charged, Coriolanus is a blood-soaked thriller about pride, power and the price of vengeance. The Sydney season of Coriolanus runs from June 20 to July 19 at The Neilson Nutshell, before the production tours to Melbourne. You can learn more and book tickets over here.
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  • Drama
  • Sydney
  • price 3 of 4
  • 5 out of 5 stars
  • Recommended
I have reviewed many shows at the Sydney Opera House, and never – never – before have I been so utterly flabbergasted at the lack of scrutiny and professionalism upheld by a creative team in the running of a production.  For starters, the immense buzz in the the Drama Theatre’s foyer was squashed before the audience had even entered the stalls, as a sign informed us that Hollywood star Tom Cruise would in fact not be appearing at this performance of The Murder at Haversham Manor. This was swiftly followed by the show’s operator, Trevor (Edmund (Eds) Eramiha), wandering up and down the aisles, followed in tow by the stage manager Annie (Olivia Charalambous) as they asked us, the audience, if we had seen a lost dog, Winston, who it appeared was to be a character in the show. Completely unprofessional! After this was resolved, the director of the The Cornley Polytechnic Drama Society greeted us all, ensuring that this production would not follow the mishaps in their previous works, and that they finally have funding and a script that suits their society. It would not be another low budget production (such as their summer season of James, where is your Peach?) and that they do have a full cast, as to avoid a repeat of the debacle of their most recent musical, Cat. The cracks that began to appear even before the curtain lifted on The Murder at Haversham Manor only continued to widen as the show played on, the whole evening building up into a fiasco of disastrous heights – and,...
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  • Theatre & Performance
Get ready: One of the most iconic love stories of all time is hitting the stage, with Pretty Woman: The Musical coming to Sydney in 2025 – bringing a star-studded cast, memorable one-liners and a whole lot of bangers. The Broadway and West End sensation is having its Aussie premiere in Brisbane later this year before delighting Sydneysiders when it comes to the Harbour City this spring. Adding even more buzz, Aussie pop superstar Samantha Jade will make her musical theatre debut in the starring role of Vivian. This is going to be big. And we mean BIG! HUGE! Since its debut on Broadway in 2018, Pretty Woman: The Musical has broken box office records and captivated audiences in London’s West End, as well as in Spain, Italy and Germany. Based on one of Hollywood’s most beloved rom-coms – the 1990 blockbuster Pretty Woman, starring Julia Roberts and Richard Gere – this musical adaptation tells the iconic tale of a chance meeting between Edward (a ruthless businessman) and Vivian (a free-spirited escort) in a whole new way.   Photograph: Marc Brenner   One of Australia’s favourite triple threats, Samantha Jade will play the role made famous by one of her own favourite actors, Julia Roberts. The X Factor Australia winner says, “I was so familiar with the movie, and it felt like all the stars were aligning when I got the first email to come and audition.” “I’ve been lucky enough to sing and dance and act, but separately,” Jade continues. “Doing them at once, live on stage,...
  • Drama
  • Kirribilli
  • 3 out of 5 stars
  • Recommended
On my seven-month-old baby’s bookshelf sits a brightly illustrated children’s book about Marie Curie. Its pages celebrate her love of science, her marriage to physicist Pierre Curie, and her status as the first woman to win a Nobel Prize. These are the facts most often recited, but women are rarely one-dimensional. Alongside moments of triumph, often lie moments of despair and self-doubt. It is one of those lesser-known chapters that Lauren Gunderson explores in The Half-Life of Marie Curie, a play that premiered off-Broadway at the Minetta Lane Theatre in 2019, and was later released as an audio drama on the Audible platform. The play now makes its Australian premiere at Sydney’s Ensemble Theatre under the direction of Liesel Badorrek (The Glass Menagerie). Gunderson, frequently referred to as “the most produced living playwright in America”, has a signature formula across her 20-plus plays: identify a compelling duo, hone in on a pivotal historical moment, inject sharp, rhythmic dialogue, and keep it snappy – 90 minutes or less. The result is a biographical vignette interspersed with theatrical poetry. The plays often just recount history – however, at its best, her formula  can thrillingly heighten a core emotional conflict. In this case, it’s the friendship between Marie Curie and Hertha Ayrton, and the impact these women had on each other. Though often relegated to a footnote in Curie’s story, here Ayrton commands center stage... The narrative begins at Curie’s...
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  • Sydney
City icons that spark pride are a divisive topic for Sydneysiders. For example, Bondi Beach – Sydneysiders either rate it, or hate it. Same goes for the humble bin chicken – either glorious, or disgusting. But, there is one certified icon that bucks the trend: Sydney Opera House. Our reader research confirms that essentially every Sydney dweller loves this UNESCO World Heritage Listed architectural masterpiece (whether they’ve been inside it or not). After all, it isn’t just one of the most famous buildings in Sydney, but one of the most famous buildings in the whole world. Just try not to pull out your phone for a pic as you’re walking past or cruising by on a ferry (we dare you).Sandwiched between the Royal Botanic Garden and the water in Circular Quay, the Sydney Opera House is our city's premier venue for classical and contemporary music, theatre, dance, high-end cabaret, and of course, opera. Holding true to its original ambitions as “The People’s House”, the Opera House also hosts various talks and workshops that explore interesting ideas.Many have pondered the building’s design over the years, comparing it variously to shells, waves, and even a family of swans. Apparently it’s meant to be a big cloud. We'll always see it fondly as The Dishrack, though. If you don't feel like shelling out on a show or a tour, it's still free to sit on the steps for a quick lunch, and walk by the water and marvel at those 1,056,000 pearly, self-cleaning Swedish tiles.As peaceful as it...
If you’re the designated ticket-booker in your theatre-going party, you know how stressful it can be to pick the right seats. How far back can you sit and still make out an actor’s facial expressions? Will you end up with neck cramp if you sit in row B? Just how restricted is that ‘restricted view’ seat on the side? Will you feel like you’re in another postcode if you can only afford the back row? What even is the difference between the stalls and circle? (Hint: Stalls are always downstairs – the upstairs balconies in a theatre are called the circle or the mezzanine). Our editors have spent thousands of hours sitting and awing at dramas and comedies and one-woman experimental monologues, so along the way we’ve gathered plenty of intel on exactly where you want to be in Sydney's theatres. Here are our tips, from the absolute best seats to the surprising bargains you can sometimes nab. RECOMMENDED: How to score cheap theatre tickets in Sydney. 

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