As the only remaining building from the 1939–40 World’s Fair, the Queens Museum was certainly due for some TLC. But when the institution reopens this fall, after a two-and-a-half-year renovation, visitors will be welcomed by an airy, open redesign that goes far beyond a mere touch-up. In addition to improvements such as a new café and a light-flooded atrium, the museum will double its size and unveil a new Grand Central Parkway–facing facade, a transparent glass entryway that reflects its community-focused approach to programming and art. Inside, new studio spaces will allow for eight resident artists to create work on site. At the reopening, visitors can see Pedro Reyes: The People’s UN (pUN), a performance-based model legislature convenes in the new interior courtyard; “Peter Schumann: Black and White,” a retrospective of the puppet maker’s installations; “Queens International 2013,” a biennial show of borough-based artists; and “New York City Building Time Lapse, 2009–2013: Photographs by Jeff Chien-Hsing Liao,” which documents the museum’s history and expansion. Much of the programming—such as a series of events at Corona Plaza—highlight the borough's individual neighborhoods, while other efforts are aimed toward special-needs, LGBT, recent-immigrant and teen visitors.