Things to do in Sydney today

Most of us know and love the whip-crackin’, brown-leather-pants-wearing character of Calamity Jane from her appearance in the 1953 movie musical of the same name starring Doris Day. This version of her sings like a Disney princess and has perfectly coiffed blonde hair, which is somewhat unrealistic for a woman who dressed in soldier’s uniforms in the 1880s, took responsibility for her six younger siblings, and could outshoot, outdrink and outswear any other man in her hometown of Deadwood, USA. Beloved Australian actor Virginia Gay’s interpretation of the famous Calamity irreverently, lovingly muddies up the too-perfect-movie-musical-version in a brand-new production that is positively stuffed with theatrical treats, now showing at the Opera House. It’s grimy, it’s silly, and the fourth wall is nowhere to be found. It’s also the biggest production since the original staging of this idea, which debuted in 2017 as part of the Neglected Musicals program at Hayes Theatre Co transforming Sydney Opera House’s studio theatre into a grand version of Deadwood’s Golden Garter saloon and theatre. The premise of Calamity Jane is this: Calamity is an unruly local of small-town Deadwood who rides with “Wild” Bill Hickok, and has a hopeless crush on second lieutenant Danny Gilmartin (despite her otherwise masculine appearance, Calamity is still very much a little emotional girl at heart). When the local theatre owner fails to secure a beautiful actress from New York, Calamity vows to...

Springtime in Sydney’s Eastern Suburbs is marked every year by the heady scent of jasmine lacing the air, and gridlock on the Bondi to Tamarama coastal walk. The reason for the uptick in coastal walkers? Sculpture by the Sea: the world’s largest outdoor sculpture exhibition, which will light up the iconic coastal corner of the city until Monday, November 3. Stretching along the clifftop path from Bondi to Tamarama, the 27th edition features more than 90 sculptures from artists across 13 countries – including Japan, Denmark, China and India – and promises a spectacle of creativity set against those unbeatable ocean views. This year, 36 artists are exhibiting for the first time, with 64 Aussie artists on the line-up – reaffirming the event’s reputation as both a global showcase and a proud celebration of homegrown talent. The standout pieces this year include Siren’s Song by James Rogers (a conceptual piece which won the $70,000 Aqualand Sculpture Award), i by WA artist Jina Lee (which won the Waverley Council Mayor’s Award) and Splotcher by Archibald-winning artist Tim Storried AM. In a special milestone, Japanese artist Keizo Ushio is celebrating his 25th consecutive Sculpture by the Sea exhibition – a feat that places him firmly in the event’s Double Decade Club, alongside six other long-serving artists including Ron Gomboc, Stephen King and Philip Spelman. Two more Japanese artists, Koichi Ogino and Haruyuki Uchida, join the 'Decade Club' this year for their tenth...

If you've ever wondered what would happen if a kid's drawing of their wildest dream utopia suddenly came off the page and into real life, you're in luck, because that's pretty much what's happening right now beneath the Art Gallery of NSW.  Artist and professional disruptor Mike Hewson has taken over the weird subterranean world of The Tank with his one-of-a-kind new exhibition, Mike Hewson: The Key's Under the Mat, where for the first time ever, all the main lights in the normally pitch-dark Tank will be switched on, revealing a weird wonderland of interactive art pieces and play equipment that have to be seen to be believed. We're talking: A steam room with stained glass windows that you can actually sit in, a functioning sauna with bespoke church pews, five actual operating public barbeques that you can cook on, rushing water to play in (seriously, bring your swimmers), a working laundry,  and a free-to-use recording studio, plus a whole plethora of bright and delightful surprises that are all about getting community together, to do cool stuff, for free. Basically, break your imagination and delete all adult expectations. This is unlike anything we've ever seen.  Kids who aren't afraid of some risk are also one of Hewson's big targets with this show (although parents, rest easy, the floor is specially made out of recycled soft rubber that's rated for use in public playgrounds), with the space also home to a wild children's playground. Intrepid kidlets can test their...

There’s always a lot going on at Sydney’s favourite house. So much so that it can be hard to keep track – with new headliners dropping every other week, and huge events taking over the various venues seemingly out of nowhere.  Keen to go to a show under the sails over the next few months? We’ve rounded up a few top picks in the Sydney Opera House winter to spring season:  Badu Gili: Healing Spirit, a stunning illumination of the sails This dynamic projection will light up the Eastern Bennelong sails with First Nations artwork five times a night, every night until Friday, December 12.Dates: DailyTickets: Free Backstage tours, a peek behind the curtain Explore the inner workings of Australia's most famous buildings on one of these expert-led tours. Dates: DailyTickets: From $48 On The Steps, open-air summer shows The magical On The Steps open-air performance program is set to bring 50,000 music lovers to the Opera House forecourt for two magical weeks this summer. Highlights from this year’s line-up include Franz Ferdinand, Loyle Carner, Parcels and Boy & Bear. Dates: From December 2 - December 15Tickets: From $81.50 Gatsby at the Green Light, Martini-fuelled cabaret Back by popular demand, Gatsby at The Green Light is as close as you’ll come to West Egg without leaving the country. The raucous interactive show will transform the Studio into a 1920s inspired nightclub once again, complete with fully functional bar. Think of this production as a sort of live concept album –...

Great Scott! All the way from 1985 to 1955 and now 2025, Sydney has landed the opening of mega-movie musical Back to the Future: The Musical, complete with a superb ensemble, captivating visual effects and enough nostalgia to power a time-travelling DeLorean.  For full transparency, Back to the Future is one of my favourite films of all time. Growing up watching Michael J. Fox’s Marty McFly and Christopher Lloyd’s Dr. Emmett Brown travel through time across three films was a large part of my movie-watching childhood. So when it was announced that it would be getting a high-octane staging, I was both ecstatic and sceptical. However, like the show’s original writer (and now the musical’s) Bob Gale said, “we’re not going to do this unless we can do it right”.   Thankfully, of the musical version I can safely say – to borrow from the Doc – “IT WORKS!” What’s the premise of Back to the Future: The Musical? After uncovering an old folder of photos in his parents’ basement, Gale wondered, after seeing a high school version of his father, whether he would have been friends with him back then. “The answer is no,” he joked at the opening night bows. The result of this is classic ’80s nostalgia – in both setting and plot.  BTTF follows teenager Marty McFly in Hill Valley, 1985, whose life is less than spectacular. He dreams of being a rock 'n’ roll star but he’s told he’s too loud and a “slacker” like his father. His family are just as hopeless. None more so than his father George...