Things to do in Sydney today

Rugby league’s greatest rivalry hits fever pitch this July, as New South Wales and Queensland go head-to-head in the 2025 Ampol State of Origin decider. To celebrate Game III landing in Sydney, adidas is making sure everyone can get in on the action — even if you’re not heading to the stadium. From July 3–9, adidas is transforming its Pitt Street store into the House of Blue, a free, action-packed hub celebrating the Westpac NSW Blues this Origin Week. Whether you’re backing the Blues or just tuning in for Australia’s biggest sporting showdown, this is the place to kick off Origin Week and get into the spirit. Head in store between 11am and 2pm daily and you can score access to a complimentary nail art and tattoo studio, test your luck with the Locker Lucky Dip (think signed jerseys, vouchers and match tickets), and get your gear sorted with free customisation on any apparel purchase over $60. You’ll find everything: from men’s and women’s jerseys to training hoodies, gym shorts, tees and even retro jerseys. Whether you opt for nail art, tattoos or merch, it’s the perfect chance to show your stripes. This marks the first time adidas is backing the NSW Blues men’s and women’s teams, and it’s clear they’ve gone all out for the home crowd. Now that you’re all kitted out, it's time to tackle your game day plan. Heading to Accor Stadium this July 9? With 80,000 seats to fill, make sure you plan ahead to avoid the crowds. Or, skip the queues altogether and let someone else take...

Considering that when Luna Park opened in 1935, the only other major attraction in Sydney was the Sydney Cricket Ground, the Art Deco amusement park has long been a significant site for the city – an important destination for escapism, especially considering it opened during the Depression. Although new rides have cropped up over the years, the heritage-listed park has retained a lot of its original features – which is why there was a lot of hype when Luna Park announced that it would be opening a brand-new, first-of-its kind, high-tech attraction back in late 2023. After a bumper first season, Dream Circus – the immersive experience created right here by a bunch of talented Sydney creatives and technicians – is back.  This week, Luna Park swung open the doors to a high-tech ‘Magic Box’ inside the existing 3,000 square metre Big Top building – a venue for the immersive adventure that is ‘Dream Circus’. Time Out got a sneak peek at Dream Circus before opening day, and we have to say, it’s hard to sum up in a few sentences what you’re in for. It’s part-3D movie, where actors take you on an adventure through the circus, to the seaside, underwater and into magical dream-like states. It’s part-musical, except that the action envelops you on three sides of the room, as well as the floor and ceiling. It’s a little like a Van Gogh Alive or Frida Kahlo multi-sensory exhibition, except that rather than images being projected onto flat wall and floor surfaces, the set is built with...

Sydney’s Darling Harbour is turning to ice. No, the great big body of water that surrounds our city hasn't hit sub-zero temperatures (although you’d be forgiven for thinking it has based on recent weather) but rather an ice skating rink has arrived in town. Have you always wanted to try a triple axel? Or maybe Home Alone 2 is your favourite cosy movie thanks to the Rockefeller Centre ice skating rink. Well, now is your chance to live out those dreams under our very own city skyline.  If you’re looking for a date night idea or something to occupy (read: tire out)  the kids then this is just the ticket for you. From Saturday, June 28 until Sunday, July 20, you can head on down to the harbourside precinct to strap on the skates and glide like a majestic penguin – or clamber around like Bambi on ice. Knee pads aren’t included, so it might be wise to wear a thick pair of pants to cushion any falls.  Once you’ve had your dash on the rink you may be ready to grab a bite to eat or rest your weary legs. Thankfully, Darling Harbour is within walking distance of plenty of Sydney’s very best restaurants and most delightful cheap eats.  If you love to romanticise winter, skating beneath the lights of Sydney’s CBD towers sounds like the perfect way to lean into the cooler months. The rink is open daily from 10am until 9pm at the Palm Grove Forecourt, and skating costs $28 per adult, $20 for children and $15 for toddlers. Skating penguins can be booked for an extra $10 to keep the little...

There are some stories that feel eternally relevant. Set in ancient Rome, and written more than 400 years ago, the brutal, volatile, ego-driven politics on display in Coriolanus seem to cut like a blade close to the throat of our own century and civilization. This is the second time in Bell Shakespeare’s history the company has mounted Shakespeare’s final tragedy, and director Peter Evans marshals an impressive, vigorous and robust undertaking of the play’s weighted themes. He’s helped by an excellent ensemble and a monumental lead in Hazem Shammas. We, the theatre-going people, are also involved in the play’s politics from the start. Down the subtly lit hall of the Neilson Nutshell, in a small yet meaningful simulation of the class divide, the audience is split down an arbitrary and unbreachable line. Those seated on one side of the theatre are dubbed ‘patricians’ (the contemptuous ruling classes, whom costume designer Ella Butler has in charcoal suits and creamy loose-fitting garments); the other side are the ‘plebeians’ (who are hungry, angry, and fomenting rebellion). It is between these two groups and the Senate that the arrogant warrior Coriolanus becomes embroiled when he returns bloodied and victorious from war with the Volsces, the state’s enemy neighbours, and is offered the honourable role of consul.  Volumnia – a fiercely exceptional Brigid Zengeni, in her Bell Shakespeare debut, who gloats of her son’s many stab wounds with a sick adoring pride – would love...

I have reviewed many shows at the Sydney Opera House, and never – never – before have I been so utterly flabbergasted at the lack of scrutiny and professionalism upheld by a creative team in the running of a production.  For starters, the immense buzz in the the Drama Theatre’s foyer was squashed before the audience had even entered the stalls, as a sign informed us that Hollywood star Tom Cruise would in fact not be appearing at this performance of The Murder at Haversham Manor. This was swiftly followed by the show’s operator, Trevor (Edmund (Eds) Eramiha), wandering up and down the aisles, followed in tow by the stage manager Annie (Olivia Charalambous) as they asked us, the audience, if we had seen a lost dog, Winston, who it appeared was to be a character in the show. Completely unprofessional! After this was resolved, the director of the The Cornley Polytechnic Drama Society greeted us all, ensuring that this production would not follow the mishaps in their previous works, and that they finally have funding and a script that suits their society. It would not be another low budget production (such as their summer season of James, where is your Peach?) and that they do have a full cast, as to avoid a repeat of the debacle of their most recent musical, Cat. The cracks that began to appear even before the curtain lifted on The Murder at Haversham Manor only continued to widen as the show played on, the whole evening building up into a fiasco of disastrous heights – and,...