Things to do in Melbourne in March

In 1984, director Trevor Nunn was doing press for Andrew Lloyd Webber’s Starlight Express when he offered the perfect maxim for a Webber fan: “Here is my money. Hit me with the experience.” Arguably none of Webber’s shows have hit harder than his 1971 rock-opera, Jesus Christ Superstar, which arrives at Melbourne’s Princess Theatre after a much-lauded run in Sydney. First revived at London’s Regent’s Park Open Air Theatre in 2016 for the show’s fiftieth anniversary, it’s been restaged in Australia by director Timothy Sheader. Sheader favours a ‘more is more’ approach, leaning into every ‘Webber-ism’ that made the show a success in the first place: rock'n'roll maximalism, near-inhuman vocal lines, emotional spectacle. No crucifix is too glittery or top note too loud. Megawatt vocals and an electric ensemble cast make it a cut above the other Webber revivals we’ve seen in the last couple years. Yet its heavy-handed approach also exposes the limits of spectacle for spectacle’s sake, even when it comes to Webber. It’s a dazzling experience, but ultimately soulless.  The curtain rises on a disassembled rock concert: amps, concert speaker boxes and microphone stands peppered around a set of towering balustrades, exposed steel beams and grating that hide the band. Set and costume Designer Tom Scutt puts us somewhere between Rent’s gritty urbanism and the steampunk simplicity of Hadestown. Meanwhile, lighting designer Lee Curran adds a splash of Mad Max to things by throwing dirty...

Arrive at the corner of Flinders Lane and Hosier Lane on pretty much any day of the week and you’ll run into a throng of tourists jostling to get ‘the shot’ of Melbourne’s ever-evolving street art hotspot. No two visits to this spray can alley are ever the same, but from December 12 there’ll be another more stable artistic delight to enjoy on the famous corner. To those in the know, Sandra Powell and Andrew King have become shining lights of the Aussie street art scene, known for supporting up-and-coming artists through acquisitions for their extensive private collection 15 years in the making.  Street art legend Rone says the pair, often known as ‘Sandrew’, have been “champions of Melbourne’s street art community for over a decade”. Now, they’re drawing on their personal collection to create a ripper of a free exhibition, running from December 12 until May 2025 at 167 Flinders Lane (right on the aforementioned iconic corner).  The Outsiders Melbourne will feature more than 100 works from Sandrew’s collection, including art never before displayed in public. Expect gems from local names like Rone, Adnate, Sofles, Vexta, Fintan Magee, Meggs, Kaff-eine and more.  On the international side, feast your eyes on art from Barry McGee, Vhils, Swoon, Invader, Shepard Fairey, Ron English, Elle and an entire room dedicated to Banksy himself. Fans of the mystery artist will be pleased to know that this exhibition will also see his new work ‘Firework’ on display in Australia for the...

Melbourne’s cutting edge digital art gallery, the Lume, is bringing back its beloved opening exhibition for a summer season, after breaking attendance records in 2021. Last time, the immersive experience attracted a whopping 1.8 million visitors between Australia and New Zealand, making it the region’s most visited ticketed cultural event.  Van Gogh made kaleidoscopic waves through the city when it served as the first-ever exhibition at the digital gallery, re-shaping the way Melburnians experience art. The experience reimagines the now-famous painter's works as projections that completely ensconce you in an 11-metre tall gallery, allowing you to feel like you're in van Gogh's bedroom or under that famous starry night. A mirrored infinity room filled with countless sunflowers also features, which is particularly Instagrammable.  For the return season, the Lume is adding a brand-new virtual reality experience called Finding Vincent. Slip on a headset and learn more about van Gogh’s life, alongside friends or companions.  Within the Lume, visitors can experience art all around them. Instead of looking at paintings on walls or sculptures on plinths, art is projected onto the walls to make you feel like you've stepped inside the paintings themselves. Scents and sounds are also pumped into the gallery to add to the experience.  If you get peckish you can also drop into Terrace Café 1888 where you can snack on delights inspired by both van Gogh's work in France and his Dutch...

The Immigration Museum on Flinders Street is getting its first major exhibition in several years and it’s all about leaning into what makes us happy. The exhibition, called Joy, will run through until August 29, 2025. Joy features seven brand new commissioned installations from leading Victorian-based creatives, each expressing the artists’ own personal joy. You can expect an emotive adventure where colour and storytelling combine, and big happy moments that sit alongside more reflective ones. Experience the vibrant power of joy as you walk amongst room-sized interactive artworks, or contribute your own joy with the collaborative ‘share your joy’ wall. Venezuelan-born Australian artist Nadia Hernández has filled the Immigration Museum’s hallway with bold collage works, ‘future positive’ fashion designer Nixi Killick has created a ‘joy generator’ and queer artist Spencer Harrison has created a runway where you can strut your stuff. Jazz Money, a Wiradjuri poet and artist, has fused sculpture, audio and mural for a work reflecting the history of the museum site, while local artist Beci Orpin has taken over a room with a giant toy rabbit made to be hugged. Afghanistan-Australian visual artist and poet Elyas Alavi and Sher Ali have also created a large-scale mural illustrating a Persian myth.  Lastly, much-loved pop artist and designer Callum Preston has constructed a full-scale replica of a nineties video store, a joy he never thought he would miss until he realised it was...

Whether you’re yet to grace restaurateur Chris Lucas’ opulent Society with a visit or you’re a die-hard dinnertime loyalist, it’s well worth a look in for a weekend lunch. From Friday to Sunday in the afternoons, the swish restaurant is hosting the Society Social, an extravagant multi-course affair featuring a generous array of savoury dishes and a roving dessert trolley to dazzle you at the end.  The offering was inspired by Lucas’ recent adventures in Paris and New York, cities where palatial dining rooms reign supreme and lunch is a social occasion in and of itself. Expect a fine dining experience but with a casual, unstuffy air and minus the enormous price tag (it costs just $77 per person for your choice of two courses or $99 if you opt for a third). You’ll start with artisanal housemade bread and butter and a rainbow of market-fresh crudité hand-picked daily from local farms. Opt for a crisp disc of radish dunked into taramasalata or a tree-like cauliflower bud smothered with smoked eggplant or crème fraiche. Repeat and relish the lavish assortment of textures and flavours before easing into your meal with one of Society’s signature drinks – or a bottle of Champers to make it a long and lazy one.  If you’ve got your eye on another varietal, just ask for the beverage director Loic Avril and his team of sommeliers, one of which will assist you in selecting the perfect drop from the impressive 10,000-bottle cellar. A selection of Society’s cult favourite snacks follow,...

Do you have golden retriever energy, or are you more of a black cat kind of person? Felines and canines form an important part of the everyday lives, pop culture and mythology of humans, and the latest exhibition at the National Gallery of Victoria celebrates the role of these animals.  Cats and Dogs is now showing at the NGV’s Ian Potter Centre until July 2025. The exhibition will feature more than 250 works of art, design and fashion spanning diverse periods and media, all drawn from the NGV’s own collection.  One side of the exhibition is dedicated to all things dogs, with the other side to our feline friends. The cross-cultural and transhistorical collection of artworks spotlights the cultural symbolism of cats and dogs, from their significance in religion, spirituality and the occult, to their appearances in pop culture.  The multifaceted line-up of artists includes Pierre Bonnard, Rembrandt van Rijn, David Hockney and Jeff Koons, as well as local talents Atong Atem, Grace Cossington Smith and Trevor Turbo Brown. In terms of fashion, there are also impressive pieces from Romance Was Born and Alexander McQueen. Find out more about Cats and Dogs including ticket information over here. Feeling arty? Check out the best art and exhibitions happening in Melbourne this month.

Traversing time and space, Wurrdha Marra is an ongoing exhibition celebrating the diversity of First Nations art and design. Since late 2023, the ground floor and foyer of the Ian Potter Centre: NGV Australia has become home to a dynamic and ever-changing exhibition space that displays masterpieces and never-before-shown works from the NGV’s First Nations collection. Translating to ‘many mobs’ in the Wurundjeri Woi Wurrung language, Wurrdha Marra showcases pieces from emerging and established artists from across Australia, including Tony Abert, Treahna Hamn, Kent Morris, Marlene Gilson, Rover Thomas, Christian Thompson, Gary Lee, Nicole Monks, Gali Yalkarriwuy, Dhambit Mungunggurr, Nonggirrnga Marawili and more.  Highlights of the free exhibition include a large-scale installation of fish traps produced by Burrara women from Maningrida – the objects have been crafted over weeks using vines from the bush. Also on display is a new collection of contemporary resin boomerangs by Keemon Williams, a First Nations queer artist hailing from Meanjin/Brisbane. Another unseen work is titled History Repeats by Girramay/Yidinji/Kuku Yalanji contemporary artist Tony Albert, who has used mass-produced objects – from tea towels to ashtrays – to reframe Indigenous histories.  More recently, the exhibition has been updated to include the largest-ever display of the NGV's expansive collection of bark paintings. Bark Salon subverts the traditional European salons of the 18th and 19th...