The best things to do in Melbourne this weekend

Ditch the crowded malls and get a head start on your Christmas shopping at The Makers and Shakers Market on November 7-8. With more than 120 independent Australian makers, designers and gourmet producers setting up shop at Williamstown’s Seaworks Maritime Precinct, it’s a weekend full of boutique shopping, tasty treats and festive fun.  Celebrating its 10th birthday, the market is also an official partner of the Australian Made Campaign, so you can meet the makers and support local businesses while you shop. Think handmade jewellery, ceramics, art, homewares, skincare and small-batch goodies that make for perfect pressies. Feeling peckish? Grab an Italian-inspired sandwich from Rocco’s Bologna Discoteca, Mexican street food from Taco Truck or baked treats from Cobb Lane. Save room for Billy Van Creamy ice cream and Cannoleria’s sweet treats. Get the whole family included in Awkward Portraits’ gloriously daggy Christmas photo experience. Or opt for illustrated portraits by Eleanora Arosio and Pajama Art. Kids will love the free cardboard Christmas playspace, complete with colouring-in and card-making. Add water views, outdoor spaces and all-vinyl DJ sets, and you’ve got the makings of a very merry day out. So, make your Christmas list and check it twice. The only question is: have you been naughty or nice? The Makers and Shakers Market is at the Seaworks Maritime Precinct on November 7 and 8 from 10am to 4pm. Entry is $5 per adult and kids under 12 are free. Find out more...

Passage: The Art of Atong Atem is a world-premiere exhibition celebrating the thought-provoking work of South Sudanese-born Melbourne-based contemporary artist Atong Atem. Opening at NGV on October 30, this major solo exhibition brings together more than 65 works spanning the past decade, including a new commission created exclusively for the gallery. Born in Ethiopia to South Sudanese parents, Atem moved to Australia with her family in 1997. Known for her striking photographic self-portraits, Atem transforms herself through colourful textiles, paint, costume and symbolic objects to explore identity, race, gender and colonialism. Her images weave together history, memory and imagination, celebrating the resilience of her Dinka Bor culture and Melbourne’s African diaspora while challenging how identity is represented and performed. Her work honours cultural traditions and ancestral stories that have endured displacement and war. A highlight of the exhibition is As Above, a large-scale wall installation exploring the stories held in the skies and constellations. Blending Dinka dance, traditional beading and Catholic iconography, the world-premiere commission brings together different cultural traditions in a striking visual narrative. The exhibition also presents Banksia (2021), a photographic series made at Melbourne’s Immigration Museum that turns the spotlight on African, African American and Caribbean convicts and free settlers who arrived with the First Fleet. ...

Melbourne’s stages have seen a slew of jukebox musicals tread the boards over the past few years. They’ve ranged from the powerful (Tina – The Tina Turner Musical) to the cheesy-yet-crowd-pleasing (Mamma Mia! The Musical) and the glossed-over tributes (MJ the Musical). Thankfully, at a time when it feels more important than ever to encourage people to get out and support the local arts industry, A Beautiful Noise: The Neil Diamond Musical arrives at the Princess Theatre full of razzle-dazzle, an abundance of infectious energy and a stacked setlist guaranteed to appeal to the masses. What is A Beautiful Noise: The Neil Diamond Musical about?  Written by Anthony McCarten, directed by Michael Mayer and created in collaboration with Neil Diamond himself, A Beautiful Noise opens on a dour therapy session between an older Diamond (played with commanding gravitas by Terence Crawford) and his doctor (Monica Sayers). It’s an unflinchingly sharp first introduction to the musical legend – all the more surprising given the heavy involvement of Diamond and his wife Katie – who is being particularly stubborn about revealing anything about the “clouds” that darken his demeanour. Enter the doc whipping out a book of all his lyrics, and suddenly, in true musical theatre fashion, the songs are quite literally spilling onto the stage in the form of the ensemble singing a teasing medley of hits to come.   From there we’re transported back in time as a young Diamond (Will Swenson) gets his big...

Banksy is renowned for his thought-provoking, boundary-pushing and disruptive works. And now, the elusive, world-famous street artist is bringing his artwork to Melbourne in a new exhibition: Banksy Limitless at the Melbourne Convention and Exhibition Centre in November 2026. This new showcase features more than 250 works, large-scale installations, sculptures, digital displays – plus an impressive state-of-the-art hologram experience. Visitors can uncover untold stories behind iconic works including Cinderella at Dismaland, London Zoo and Ice Cream Van, while immersive rooms and bold visual storytelling invite audiences to step inside Banksy’s provocative universe. Renowned for his sharp wit and unflinching social commentary, Banksy continues to challenge perspectives on politics, culture and human rights. In keeping with his humanitarian ethos, a portion of proceeds from Banksy Limitless will support the M.V. Louise Michel, an independent high-speed lifeboat rescuing migrants in distress. So much more than a traditional exhibition, Banksy Limitless is a powerful, multi-sensory experience that will pull you in. Don't miss it.  The exhibition will run from November 25 to April 25, 2027, and tickets are on sale now. Adult tickets start at $39, and children at $28. You can get yours here. Stay in the loop: sign up for our free Time Out Melbourne newsletter for the best of the city, straight to your inbox. RECOMMENDED: A Chapel Street icon is getting a ‘lucky’ makeover after...

Ever wanted to soar above a rainforest canopy or wander beneath the frozen surface of the polar seas? Melbourne Museum invites you to do just that with Our Wondrous Planet, a breathtaking, immersive exhibition celebrating the interconnected magic of life on Earth. Spanning reef, rainforest, ice and soil, this multisensory experience drops visitors into the planet’s most vital ecosystems. Room-sized projections, interactive moments and storytelling bring the natural world to life. More than 800 remarkable animals from across the globe take centre stage, appearing in environments that pulse, swirl and shimmer. Witness the beginnings of a coral reef, come face-to-face with rainforest icons, glide through icy waters and explore hidden root networks and organisms working quietly beneath our feet. The exhibition is anchored by distinct spaces: Our Family, showcasing animals from the much-loved Wild gallery and exploring the human place in the tree of life; Our Roots, a reflective First Peoples-led space centred on care, reciprocity and connection to Country; and Our Moment, an interactive zone encouraging visitors to work together on the planet’s biggest challenges. What sets Our Wondrous Planet apart is its blend of First Peoples and scientific knowledge, showing how everything on Earth is connected and how small human actions can make a difference. Family-friendly, visually spectacular and thought-provoking, this exhibition entertains while leaving plenty to reflect on. Our...

There’s more than a good drop on offer at Hanging Rock Winery – this vineyard has morphed into an outdoor gallery. Art in the Vines – Art in Motion 2 is a free outdoor exhibition at Hanging Rock Winery, running daily from 17 October 2026 until the end of April 2027 with Hanging Rock and Mount Macedon providing a spectacular backdrop.  Spanning three acres of the winery’s grounds, the exhibition features more than 20 kinetic sculptures by local, Victorian and interstate artists. With the wind and weather constantly changing, the sculptures will move and interact with their surroundings, meaning no two visits will be quite the same. The standout attraction is a special showcase of five works by acclaimed Australian kinetic sculptor Rudi Jass, whose creations combine precision engineering with an artist’s eye for movement, balance and natural forces. Drawing on skills developed during his years working for Porsche, Jass creates carefully balanced sculptures that respond to the slightest breeze with seemingly effortless grace. The exhibition has already recognised some standout talent, with Mark Reyment winning the Hanging Rock Winery Sculpture Prize for At least you know it’s trying, a quirky work inspired by the Hanging Rock Races. Local chainsaw artist Paul Hurley took home the Arcare Prize for best up-and-coming artist for Black Cockatoo. Curator Malcolm Thomson says the kinetic theme challenged artists to make movement an integral part of their work, producing a...

It's time to don your sharpest business suit once again, because American Psycho – The Musical is back. After a sell-out 2025 season, this blood-spattered cult hit returns to Chapel Off Chapel from October 29, inviting audiences into the twisted mind of Patrick Bateman – the Wall Street golden boy who's as obsessed with status as he is with murder. Although set in the money-obsessed Manhattan of the 1980s and based on Bret Easton Ellis's infamous novel, the razor-sharp musical is seen through a 2026 lens. It holds up a mirror to our current world where status and success, capitalism and consumerism have such a strong hold over us. Conor Beaumont (recently seen in Heathers the Musical) reprises his acclaimed lead performance alongside a stellar cast of Australian musical theatre talent, including Mia Dabkowski-Chandler, Alexandra Cashmere, Harley Dasey, Jake Ameduri, Jordan Twigg and more. Directed by Mark Taylor (Next to Normal), the show blends a razor-sharp book by Riverdale’s Roberto Aguirre-Sacasa with an atmospheric score by Grammy and Tony winner Duncan Sheik (Spring Awakening). Plus, there’s a banging '80s score peppered with hits from Phil Collins, Tears for Fears, New Order and Huey Lewis and the News. American Psycho – The Musical is showing at Chapel Off Chapel from October 29 to November 21. Find out more and get your tickets here. For more show-stopping numbers, check out the best productions in Melbourne this month.

From Cleopatra and Mark Antony's empire-toppling romance to Romeo and Juliet's family-defying affair, love has often been an act of rebellion. Rebel Heart: Love Letters and Other Declarations takes matters of the heart seriously in this sweeping, immersive new exhibition at the State Library, drawing on its extraordinary archives to trace how people have dared to love across centuries of Australian history. The exhibition runs for almost a year and brings together handwritten letters, private diaries, rare manuscripts and deeply personal objects to weave a tapestry of passion, heartbreak and devotion. You’ll encounter Victorian-era same-sex couples living together against the odds, a mid-century interracial marriage that challenged the White Australia policy, and the prison romance between bushrangers Captain Moonlight and James Nesbitt. Fragile keepsakes are also featured in the show, including a haunting 1853 mourning brooch woven from lovers’ hair, alongside letters that read like a late-night confessional. What makes Rebel Heart especially distinctive is how it bridges the past with the present. Historical stories are amplified by newly commissioned music from Australian artists Angie McMahon, Mindy Meng Wang, Mo’Ju and Amos Roach, each responding to real love stories held in the library’s collection.  The exhibition also explores how rebellion and romance play out today – from DMs and fandoms to fan fiction and even AI relationships. It’s set to be a smart,...

As Jane Austen wrote in Northanger Abbey, “The person, be it gentleman or lady, who has not pleasure in a good novel, must be intolerably stupid.” So bookworms and bibliophiles, this one's for you. World of the Book, Australia’s largest and longest-running rare book exhibition, returns to State Library Victoria with more than 300 extraordinary works spanning from around 2000 BCE to the present day. This year's exhibition shines a spotlight on some of literature's most influential women writers. We're talking rare and remarkable editions by Jane Austen, Agatha Christie, Octavia E. Butler, Virginia Woolf and the Brontë sisters, including a newly acquired first edition of Jane Austen's Emma (1816) in its original Regency-era binding. You'll also be able to admire special versions of Austen's Pride and Prejudice, Sense and Sensibility and Persuasion, alongside rare editions of Agatha Christie's best-loved mysteries featuring her legendary detectives, Miss Marple and Hercule Poirot. Head to the beautiful domed La Trobe Reading Room to check out everything from intricate miniature books to Australian punk music fanzines, early comic books and centuries-old treasures. One must-see is The Mystery of a Hansom Cab (1886) – Melbourne's first publishing blockbuster, which famously outsold Sherlock Holmes. “The Fund’s first ever purchase, A Room of One’s Own by Virginia Woolf, will be displayed in a space intentionally designed to celebrate extraordinary women writers,” said State...

From the bush to our own backyards, the eucalypt has long shaped the Australian landscape and imagination. A new exhibition at the Potter Museum of Art delves into the significance of this iconic tree with more than 163 works and five significant new artist commissions. Opening on July 10, Ngarn Wa’ngal: Art of the gum tree draws on Australian art history and contemporary works from the University of Melbourne's collection, alongside major loans from across the country to explore the tree as a source of creative inspiration. Colonial paintings by John Glover, Eugene von Guérard and Frederick McCubbin will sit alongside 20th century works by Arthur Boyd, Hans Heysen, Albert Namatjira, Grace Cossington Smith and Jessie Traill, as well as contemporary artists like Nici Cumpston, Vincent Namatjira, Joan Ross and Christian Thompson. Translating to “breathing for us” in the Woi Wurrung language, Ngarn Wa’ngal considers the gum tree as both subject and symbol, prompting conversations around Indigenous sovereignty, Australian identity, ecology, climate and the global legacy of the eucalyptus.  A major feature of the exhibition is five new commissions created specifically for the showcase, including a photographic work by Jane E. Brown using early carbon-printing techniques; an installation of seed-filled papier-mâché forms by artist Dean Cross of Worimi descent; a large-scale piece by interdisciplinary artist Megan Evans featuring eucalyptus leaves collected over decades; a...