This year's best Vivid Light installations
We always love to see one of Sydney’s most exciting artists get a chance to take over a major canvas at Vivid Sydney, and this year we’re most excited about Colombian-born, Sydney-based Claudia Nicholson’s projection on the façade of the Museum of Contemporary Art. She’s best known for her contemporary takes on Colombian traditions; she makes floral arrangements and the colourful ‘alfombra de aserrín’ – a traditional carpet-like artwork created painstakingly over several days using sawdust, glitter and pigment. Four of these artworks will be adapted for a large-scale animation.
There are only a few bugs that inspire a sense of romanticism – butterflies maybe, or ladybugs for their duds – but there’s something dreamy about fireflies and their glowing gracefulness. That’s probably why Dutch artist collective Toer created this delicate light installation simulating a family of 500 fireflies. It will appear to hover above the ground and show the blinking, light-up ritual of fireflies looking for love during mating season. In reality, it’ll be built on a super fine steel structure with flexing rods that give a mesmerising movement to the installation at the Royal Botanic Gardens.
This light-filled playground beside Darling Harbour is accessible to people of all ages and abilities, and celebrates inclusivity and the art of play. This year there’s a space theme across the installations and glowing games, so expect to meet aliens, venture to the moon and back, hear Indigenous dreaming stories that explore the Milky Way, and enjoy a stop-motion animation of the original moon landing. The collaborative creation at Tumbalong is one of our favourite recurring Vivid Light displays.
It’s a relatively simple concept, but always a crowd favourite: glowing, animated animals. Taronga Zoo has an obvious schtick but we’re glad they’re still rolling with it, because it means we can meet luminous Sumatran tigers and their cubs, majestic marine turtles, a family of gorillas and a friendly swarm of bees as we waltz along the trail of sculptures within the zoo’s grounds. It comes with a positive message of environmental conservation, and an interesting 270-degree cinema experience, but this is one you’ll have to pay for – $26.95 for adults and $19.95 for kids – since it’s inside Taronga Zoo.
For 2019, the honour of lighting the Opera House sails goes to Andrew Thomas Huang, a Los Angeles-based artist who directed several Björk videos. His work features native flora moving like a dancer across the sails. You’ll see kangaroo paws, red beard orchards, waratahs and other native species in a colour pallet of movement based on choreography by Toogie Barcelo, performed by dancer Genna Moroni. The fluid, arching movements are an ode to the architectural design of the Opera House.
We met the six-metre tall Marri Dyin (meaning ‘great woman’ in the Eora language) last year, and the luminescent puppet will be gracing the wharf at Barangaroo once again for Vivid. She is undoubtedly the star of the ‘Winter Camp’ installation, which incorporates layers of light and sound to give visitors an insight into how the Indigenous people of Australia work with the seasons as hunters and gathers. This year, Marri Dyin – who represents and honours strong contemporary Indigenous women – will be joined by a school of mesmerising fish puppets. We can’t wait to watch the mastery of this troupe of roaming pupperters over dinner.
If you’re in the market for an internet-breaking Instagram post or a new DP, seek out this cascading waterfall of light by artists Jing Li and Lawrence Liang. The Circular Quay installation allows light-seekers to walk through a cloud of LED bulbs which replicates that pumping snow machine at Thredbo. The tendrils of light will react to pedestrian movement and the weather, so you’ll really feel like you’re in the tundra once the crowds gather.
While much of the Vivid action is reflected off the harbour waters, Chatswood also plays host to some spectacular light installations each year. There’ll be interactive displays across the northern suburb that speaks to its diversity. See giant projection works by Indigenous artist Gambirra Illume, play on a harp installation based on Tibetan prayer flags, explore the light bazaar inspired by the peaceful messages of Islam, and see a six-metre, heart-shaped sculpture of the world.
It’s a warning any harbourside diner knows well, and in Sydney we’ve even employed adorable dogs to guard our chippies. UK artist Simon Grimes has joined forces with Anton Grimes and Kaan Seven to light a monument honouring the pesky gulls. The canopy of glowing birds in the Rocks mimics their real-life counterparts, seemingly flapping independently as they stand vigil over a glowing bag of chips. Should a passer-by try to nab the taters, the LED flock will swoop in to retrieve their prize.
This one’s going to be a beacon for kids and any hopscotch champs from back in the day. You’ll be leaping along 11 motion-sensor pads that resemble the chalk game, but instead of school concrete beneath your feet, you’ll find a hidden world that investigates recycling and sustainability. The installation expands its environmental message with an interactive mobile site that provides a digital interface along with the hands-on component.
The façade of Customs House will be one of the central glowing attractions in Circular Quay. This marine projection by creative Darlinghurst collective Spinifex Group will bring the world beneath the harbour waters onto land for kids and families to meet neon sea creatures and be transported to luminescent deep sea environments. A giant octopus will lead the surreal procession which is the vision of Spinifex’s Los Angeles-based design director Ben Alpass.