The best things to do in Sydney this weekend

Winter is well and truly here, and if you’re keen to embrace festive energy in Sydney, you don’t need to look too far. Just across the bridge in North Sydney (steps away from Victoria Cross Metro Station), a very wintery fiesta is going down for ten magical days – complete with a 20-metre toboggan slide and 50 tonnes of real snow. Yes, you’re reading that right. Kicking off on Friday, June 27, the Greenwood’s Snow Festival will see the sprawling North Sydney venue transformed into a winter wonderland – with a program of seasonal events to transport us into (even) colder climbs. This year’s snow-themed event line-up includes an Aspen-themed launch party (Friday, June 27), poutine-fuelled Canada Day celebrations (Saturday, June 28), Winter Night Markets (June 30 - July 4), a Mario Kart racing event (Wednesday, July 2) and a very special appearance from a Shania Twain tribute band (Tuesday, July 1).Keen to get involved in the cold? You can learn more over here. Want to be the first to know about what's on in Sydney? Sign up for our free Time Out Sydney newsletter, delivered direct to your inbox. RECOMMENDED:  Want more winter fun? Check out our guide to the best things to do in Sydney this winter.Or get cosy at one of these cabins close to the city.Or transport yourself to Paris at this epic festival of all things French.

This June, Riverside’s National Theatre of Parramatta’s inaugural Heartland Festival is coming to Western Sydney performing arts hub, Riverside Theatres. The two-week program, which features a line-up of local and international artists, centres on groundbreaking writing and thrilling performances, with everything from theatre, spoken word and comedy on the agenda.  On week one (June 25-28) you can catch award-winning rapper and poet Omar Musa (Since Ali Died) performing spoken word alongside renowned American cellist and composer Mariel Roberts Musa in The Offering (A Plastic Ocean Oratorio). There’s also Supper Club, a night of thought-provoking performances served up alongside a course of delicious plates. On hosting duties is the captivating Nancy Denis – whose debut solo show Ma’p Boulé earned a four-star review from Time Out. On week two (July 2-5) enjoy a mash-up of theatre and film from re:group performance collective in their smash-hit show POV. With a cast of ten unrehearsed actors, and an 11-year old with a video camera leading the charge, this hilarious and deeply meaningful show is sure to surprise. If you missed tickets to the first Supper Club, you’re in luck – it returns for one more show on July 3. To close out the festival, Bars From The Heart will feature a host of Sydney’s finest wordsmiths performing poetry alongside the UK actor, poet and playwright Azan Ahmed at the mic.  Tickets start from $15 and are on sale now (but selling fast) so grab yours here. 

In musical theatre circles, Cats is the show that everyone loves to hate, dismissing it as “weird” and “uncool”. So let me begin this review by stating that I love Cats. I listened to the cast recording over and over as a child, I met my best friend on a Cats mailing list (remember those?) when I was sixteen, and there's probably still some old Cats fanfiction floating around out there that I wrote in my teens. This much maligned show doesn't deserve the hate it gets.  When Cats was first performed in the early 1980s, it was hailed as groundbreaking, bridging the gap between concept musicals and mega musicals in a way no show had done before. It won both Olivier and Tony awards for best musical, and ran for decades on the West End and Broadway. These days, it’s viewed more as a “guilty pleasure” – the show you secretly enjoy but are supposed to pretend you don’t, lest you be seen as uncultured. But why? Concept musicals based around a theme rather than a traditional narrative have existed since the 1950s, with notable examples including Cabaret, Hair and Company. Dance-heavy musicals are also not a unique concept. Cats isn't even the only show to combine these two elements. But while shows like A Chorus Line and Pippin are hailed as iconic, Cats – which is essentially A Chorus Line with tails – is not shown the same love.  Cats may not be too heavy on the plot, but it’s a show for people who love the little details Much of the criticism surrounding Cats comes from wanting...

Winter is well and truly here, and if you needed a reason to leave the warmth of your home, we’ve got you. This June and July, South Eveleigh will be transformed into a winter wonderland with its brand new offering, Loco Markets. Inspired by the charm of European street markets, Loco will have a rotating lineup of themed nights, live entertainment, artisan stalls selling handmade goods, delicious food and drink, and family fun from June 19 until July 27. Yes, that’s every Thursday to Sunday for six glorious weeks.  What’s more, each week is a fresh experience with new themes to keep you coming back. The music has been curated by ARIA-nominated Stu Hunter to match each week’s theme, and there will be kid-friendly activities like face painting and creative workshops. Entry is free, though some workshops require bookings. Here’s what’s on each week: Artisan Design (June 19–22)Kick things off with bath bomb workshops, live cartoonists and jazz harp performances. Shop 3D-printed gifts from Mewse, playful cardboard costumes by Paper Pops, and stunning jewellery from Stof Studios. Produce & Wellness (June 26–29)Get your glow on with seasonal produce and health products. Don’t miss natural skincare by Stori of Africa, wholesome foods from Soka Pantry, and tea-based wine alternatives by Junco Drinks. Design & Sustainability (July 3–6)Celebrate slow fashion, botanical beauty and sing-along art workshops. Market picks include earthenware from Ignem Terrae Ceramics, sustainable style...

Many of us try not to think about death too much. Even if it is discussed or thought about, it’s considered in the abstract – a distant experience we will deal with someday, maybe later. From beloved Australian novelist Helen Garner, The Spare Room brings the later to now in an unflinchingly raw and brutal confrontation with death. Adapted and directed by Belvoir St Theatre’s artistic director Eamon Flack (Counting and Cracking), these heavy themes are carried with compassion, humour and drama in an evocative performance that lingers long after the final moment.  After going through multiple rounds of chemotherapy and radiation, Nicola (Elizabeth Alexander) decides to stay with her old friend Helen (Judy Davis) in Melbourne for three weeks while she undertakes an alternative cancer treatment. From Vitamin C-infused IV drips to sitting naked in “ozone saunas”, these alternative therapies claim to destroy cancer much in the same manner an octopus can break rocks. (Their words, not mine.) The three weeks force both Nicola and Helen to go beyond the platitudes and formalities, and to confront the raw and infuriating experience of both having a terminal illness, and supporting a loved one through it. a provocative portrayal of the communal experience of death  The play commences with a profound silence, held by Helen for a moment longer than comfortable. Davis’s command and authority are masterfully established in this stillness, and do not falter for the rest of the...

Mother-daughter relationships can be complicated even under the best of circumstances. When you add adoption, a language barrier, and years of estrangement into the mix – well, you get more baggage than a flight from Sydney to Seoul.  You may be familiar with Michelle Lim Davidson from both the stage (The Feather in the Web) and screen (The Newsreader, Utopia, Play School). In Koreaboo, her moving playwriting debut presented by Griffin Theatre Company in association with Belvoir St Theatre, Davidson draws on her own life to investigate the complexities of intercountry adoption, and the precarious experience shared by many adopted children – living caught between two very different cultures, but feeling like they belong to neither.  Davidson plays Hannah, a 30-something-year-old woman who was adopted from Korea as a baby and grew up in Newcastle. After a break-up, she travels to Korea to spend time with her biological mother, Umma (Heather Jeong). Hannah’s plan is to spend time getting to know the woman whose love she’s longed for since before she can remember. She offers to help Umma at the family’s convenience mart, and Umma reluctantly agrees. It’s not until they discover a shared love of K-pop and performing that Umma’s walls start falling down, and Hannah really gets to know her Sex-and-the-City-quoting, Turtle-Chip-eating Umma.  Jeong portrays the cheeky, sassy, larger-than-life Umma with apparent ease, and her command of movement, language and voice is a strong...

Looking for affordable winter entertainment? We’ve got you. From Thursday, June 26 until Saturday, July 19, Barangaroo’s architecturally spectacular Pier Pavilion is playing host to a series of magical alfresco concerts, and they’re totally free to attend. Curated by Musica Viva Australia, Nocturne will comprise a series of transporting soundscapes – brought to life under the stars by talented Sydney instrumentalists.Running every Thursday to Sunday from 6.30pm to 8.30pm, the free shows are the perfect pre-, post- or mid-date experience – with stunning contemporary chamber music and classical interpretations of modern songs performed in the open air by artists including Trio Histoire, Continuum Sax, Alma Moodie Quartet and The Song Company.  Just steps away from Barangaroo metro station, Pier Pavilion is easy to reach from around the city. If you’d rather stay in the area, Barangaroo is home to some excellent restaurants (A’mare and Anason, to name a few), and some of the most charming old-world bars in Sydney (including Henry Deane and The Lord Nelson) are within easy walking distance. Keen? You can learn more over here. Stay in the loop: sign up for our free Time Out Sydney newsletter for more news, straight to your inbox. RECOMMENDED:  Want fun now? Here’s what’s on in Sydney this weekend.In the mood for a show? Here’s our list of the best theatre to see in Sydney this month.And these are the best bars and pubs for live music in Sydney.

There are some stories that feel eternally relevant. Set in ancient Rome, and written more than 400 years ago, the brutal, volatile, ego-driven politics on display in Coriolanus seem to cut like a blade close to the throat of our own century and civilization. This is the second time in Bell Shakespeare’s history the company has mounted Shakespeare’s final tragedy, and director Peter Evans marshals an impressive, vigorous and robust undertaking of the play’s weighted themes. He’s helped by an excellent ensemble and a monumental lead in Hazem Shammas. We, the theatre-going people, are also involved in the play’s politics from the start. Down the subtly lit hall of the Neilson Nutshell, in a small yet meaningful simulation of the class divide, the audience is split down an arbitrary and unbreachable line. Those seated on one side of the theatre are dubbed ‘patricians’ (the contemptuous ruling classes, whom costume designer Ella Butler has in charcoal suits and creamy loose-fitting garments); the other side are the ‘plebeians’ (who are hungry, angry, and fomenting rebellion). It is between these two groups and the Senate that the arrogant warrior Coriolanus becomes embroiled when he returns bloodied and victorious from war with the Volsces, the state’s enemy neighbours, and is offered the honourable role of consul.  Volumnia – a fiercely exceptional Brigid Zengeni, in her Bell Shakespeare debut, who gloats of her son’s many stab wounds with a sick adoring pride – would love...

It has been more than a century since the Titanic sank into the icy depths of the North Atlantic Ocean, claiming the lives of 1,496 people, and the legend continues to captivate us.  Sydneysiders can explore detailed life-size recreations of the ship’s interiors and take a deep dive into the stories of the people on board at Titanic. The Human Story, open from May 30 at the historic Pier 2/3 in the Walsh Bay Arts Precinct. Created by award-winning exhibitions producer Musealia alongside one of the world’s foremost experts on the Titanic, renound Swedish historian and author Claes-Göran Wetterholm, the exhibition features a selection of around 200 never-before-seen objects and personal artefacts that unveil touching human stories of the ship’s passengers and crew. Far more than just a display of historic items, this is a unique narrative experience, sharing tales from history’s most legendary ship and its ill-fated maiden (and final) journey. The experience encourages guests to travel back in time through photographs, handwritten letters, cherished keepsakes, and other personal belongings. Having captivated audiences with previous iterations across America and the UK, this exhibition welcomed more than 146,000 visitors during its Australian debut in Brisbane in 2024. (Not to be confused with the similarly immersive Titanic: The Artefact Exhibition in Melbourne.) Tip: you'll want to allow about an hour and a half to explore the exhibiton, and you can book ahead for sessions...

Need a new profile pic? We’ve got you.  One of the world’s biggest immersive experiences has just landed in the Harbour City – serving up a fun, surreal backdrop for your Instagram grid glow-up . Bubble Planet: An Immersive Experience is open now at Paddington Pavilion, Sydney Olympic Park, offering Sydneysiders a transporting, ultra-Instagrammable experience. Already experienced by more than two million visitors around the world, with sell-out runs in Milan, Los Angeles, London and Brussels, Bubble Planet is a fantastical world of optical illusions, cutting-edge virtual reality experiences, giant bubbles, and next-level immersive projections. Visitors to the Sydney site can expect to embark on a dreamlike journey through more than 10 otherworldly rooms, home to giant bubble domes, LED underwater-style wonderlands, selfie hubs and VR dreamscapes.  Almost 10,000 tickets were sold ahead of the official opening, so we expect this one will be another sell-out run for the people who brought the incredible immersive Van Gogh experience to Sydney back in 2020. Session at this bizarre immersive world run for between 60-90 minutes, and the experience is suitable for people of all ages – with kids under four welcomed in for free. Keen? You can learn more and snap up tickets over here.    Stay in the loop: sign up for our free Time Out Sydney newsletter for more news, things to do and travel inspo, straight to your inbox. RECOMMENDED: Want more activity inspo? Here’s what’s on in...