The best things to do in Sydney this weekend

This year, Vivid is once again going beyond Circular Quay and lighting up one of Sydney’s trendiest inner city neighbourhoods, Hollywood Quarter in Surry Hills. It's one massive night of food, music and after-dark fun and it all goes down on Saturday, May 30 from 4pm until 4am the next morning. Our advice? Arrive hungry, stay late and get set to party. First up, A Taste of HQ: Street Eats Edition, a one-night-only street food festival across Surry Hills’ Foster and Hunt Streets. Some of Sydney’s best chefs serve up an alfresco food feast from 4pm until 11pm. We’re talking Lennox Hastie (Firedoor and Gildas), Lakhan Bhounsie (Nomad), Nelly Robinson (Nel), Julian Cincotta (Butter), Matthew MacLeod (Chin Chin), Josh Raine (40Res), Remy Davis (Bessie’s), Michael Shafran (Brooklyn Boy Bagels) and Isobel Whelan-Little (Ace Hotel Sydney). The area will be pedestrian-only as these local restaurants dish out hand-held bites designed specifically for the event. Picture a burger in one hand and a refreshing bevvy in the other. There’s also outdoor bars, roaming performers and live music throughout the evening, giving the whole precinct the feel of a giant block party.  As for entertainment, from 10pm through until 4am, HQ After Hours takes over the area’s coolest venues with a late-night program of DJs, live music, immersive performances and club nights. Butter Sydney and Common House will host a dance music takeover led by some of Western Sydney’s most exciting DJs, while Kiln’s...

Epping is getting a new after-dark addition. The suburb’s first-ever monthly night market is launching at Boronia Park, bringing street food, live tunes and a buzzy community vibe to the heart of the neighbourhood.RECOMMENDED READ: These are the best markets in Sydney Kicking off on April 24 and running on the last Friday of every month (with a special end-of-year edition in the works), the Epping Night Markets will see more than 30 stalls serving up everything from artisan eats to handcrafted goods. Expect roving performers, local talent on the mic and plenty of reasons to hang around – with the market taking over the park from 5–9pm. Backed by City of Parramatta and delivered by AMA Event Management, the markets are set to become a regular fixture for this fast-growing suburb – and a solid excuse to cancel your Friday night takeaway plans.You can find out more and plan your visit over here. Stay in the loop: sign up for our free Time Out Sydney newsletter for more news, travel inspo and activity ideas, straight to your inbox. RECOMMENDED:Want more activities? Here’s what’s on in Sydney this weekendAnd here’s what’s on this week.Looking for somewhere for dinner? These are the best restaurants in the city.

The opening note of ‘The Circle of Life’ may just be one of the most recognisable in a Disney musical. If you don’t agree, then you may have to convince the entire theatre-going audience who were at Disney’s The Lion King on opening night. The full house’s roars could be heard all the way out of the Capitol Theatre’s front doors as the king of musicals triumphantly returns to Sydney – the first time in more than a decade. What type of show is The Lion King? It’s called The King of Musicals for a reason. If it’s not Elton John’s iconically recognisable music, or Tim Rice’s lyrics you’ve sung over a late-night karaoke session, then its Roger Allers and Irene Mecchi’s book featuring the characters you love, the characters you hate, and the ones you undoubtedly cry over – tears were definitely still shed during that scene. What’s so beautiful about The Lion King is the blurring of worlds and culture that merges in between all of these. Julie Taymor’s directorial conception blends African culture, language, movement and costume underneath masks and puppetry of the animal characters. Mufasa’s “crown” is a stoic, strong and towering headdress. The elegant lionesses soar and leap through the sky through Garth Fagan’s choreography as wing-like gowns flow behind them. The animals of Pride Rock are adorned with larger-than-life puppets of intricate designs and architecture: a re-engineered bicycle becomes leaping antelope, birds fly above the crowd on poles manipulated by performers,...

If the end of Sydney Observatory’s summer music series has left a hole in your Friday schedule, the 2026 Biennale of Sydney is here to fill it. From 6pm every Friday night for the next couple of months, the Biennale’s Art After Dark program will transform White Bay Power Station into a boundary-blending live music venue – with an impressive line-up of acts set to light up the cavernous industrial space (along with bars serving local pours and food stalls serving up your Friday night feed).Curated by Naarm/ Melbourne-based outfit Liquid Architecture, the first three events will feature the likes of Tujiko Noriko, Mara Schwerdtfeger, Ruhail Qaisar, Marcus Whale, Liam Keenan and Allara Briggs-Pattison. Next up, the Inner West Council will present three more nights of live music, with Body Type, Yes Boone and BOY SODA bringing home-grown talent to the historic Rozelle site. The final three nights, curated by Vivid Sydney, will include ambient techno trio Purelink, French-Senegalese singer-songwriter anaiis, and the festival’s closing night party on Friday, June 12, which promises to be a multi-stage celebration of global music (with extended hours until 11pm). Beyond the Friday night fun (and the art, obvs), the three-month festival will also operate Memory Lane Food Markets every Saturday, Africa Day celebrations, six new performance commissions, guided tours of White Bay’s historic spaces, Family Days, youth and education programs, and access initiatives. Art After Dark will...

Australia’s most popular arts event is back in action for 2026, with the Archibald, Wynne and Sulman Prizes bringing a fresh batch of painterly expressions to the walls of the Art Gallery of NSW from May 9 to August 16.  They call it “the face that stops the nation”, and the Archibald Prize has indeed been courting controversy and conversation for more than a century now. This popular portrait prize is always filled with famous faces, with artists from all over Australia (and also New Zealand) capturing the spirit of the times through paintings that capture the likeness of the personalities that define their communities. Melbourne-based artist Richard Lewer is the winner of the Archibald Prize 2026 – he won over the judges with a stunning portrait of Pitjantjatjara Elder, senior artist and ngangkari (traditional healer) Iluwanti Ken. RECOMMENDED: A beginner's guide to the Archibald Prize. The winner of the 2026 Packing Room Prize was announced a week earlier, with the Packing Room Pickers (a.k.a. the Art Gallery staff who receive, unpack and hang the entries) selecting Sean Layh's striking painting of actor Jacob Collins as their favourite Archibald portrait this year.  Meanwhile, the Wynne Prize awarded the best landscape painting of Australian scenery or figurative sculpture to Yolŋu artist Gaypalani Waṉambi, and the Sulman was awarded to Lucy Culliton for the best genre painting, subject painting or mural project.  The annual finalists exhibition is a real must-see,...

Anastasia (1997) was among the first musical films I knew in its entirety. While many children frolicked to Timon and Pumbaa’s playful anthem in The Lion King, I was instead reenacting “Once Upon a December” in my living room, captivated by a heroine whose quiet determination carried her through danger and uncertainty. At the time, I could not have anticipated how deeply this film would shape my relationship with musical theatre. “Journey to the Past” soon became a staple audition piece, and Anya’s unwavering belief in her own worth quietly informed my own developing sense of confidence.  What I did not yet understand, however, was the historical context behind the story: the execution of the Russian imperial family in 1918 and the long-standing myth that Grand Duchess Anastasia Romanov survived. The 1997 animated film leans fully into fantasy, using magic and spectacle to distance itself from historical reality. The stage musical, which premiered on Broadway in 2017 with a book by Terrence McNally and music and lyrics by Stephen Flaherty and Lynn Ahrens, takes a different approach, removing the supernatural elements in favour of a more realistic political setting. This creative decision has lingered uneasily over the production since its premiere, inviting criticism for its revisionist narrative – a species of theatrical “fake news,” further undermined by the musical’s questionable commitment to American accents. In performance, now at Sydney Lyric Theatre, this shift...

If you've ever wondered what would happen if a kid's drawing of their wildest dream utopia suddenly came off the page and into real life, you're in luck, because that's pretty much what's happening right now beneath the Art Gallery of NSW.  Artist and professional disruptor Mike Hewson has taken over the weird subterranean world of The Tank with his one-of-a-kind new exhibition, Mike Hewson: The Key's Under the Mat, where for the first time ever, all the main lights in the normally pitch-dark Tank will be switched on, revealing a weird wonderland of interactive art pieces and play equipment that have to be seen to be believed. We're talking: A steam room with stained glass windows that you can actually sit in, a functioning sauna with bespoke church pews, five actual operating public barbeques that you can cook on, rushing water to play in (seriously, bring your swimmers), a working laundry,  and a free-to-use recording studio, plus a whole plethora of bright and delightful surprises that are all about getting community together, to do cool stuff, for free. Basically, break your imagination and delete all adult expectations. This is unlike anything we've ever seen.  Kids who aren't afraid of some risk are also one of Hewson's big targets with this show (although parents, rest easy, the floor is specially made out of recycled soft rubber that's rated for use in public playgrounds), with the space also home to a wild children's playground. Intrepid kidlets can test their...

When winter rolls around in Sydney, Vivid steps in to bring a little light to our streets for those first chilly weeks. And while Circular Quay sparkles with kaleidoscopic projections, the real magic often happens indoors – on the stages and dancefloors where the festival’s music program comes to life. Keen to plan ahead this year? Two of the city’s most iconic live music venues – Sydney Opera House and Carriageworks – have just dropped the details of their music programs for 2026. From May 22 to June 13, Vivid Live will take over Sydney Opera House, with more than 50 artists lighting up every corner of the World Heritage-listed landmark. Masterful tastemaker Ben Marshall (Head of Contemporary Music at the house) has curated another divinely diverse program spanning genres, generations and geographies – featuring everything from Detroit techno to Arnhem Land surf rock and the one and only Erika de Casier. In the Concert Hall, indie icon Mitski will headline four sold-out nights, performing in-the-round with songs from her new album Nothing’s About to Happen to Me alongside all-time fan faves. Meanwhile, Matt Berninger – best known as the frontman of The National – will deliver a rare, intimate set featuring material from his reflective solo album Get Sunk. Scottish post-rock pioneers Mogwai will celebrate 30 years together with a career-spanning performance, while Yolŋu rock heroes King Stingray make their Opera House debut (indoors at least, they opened for Parcels on the...

If you’re the type to hibernate the second Sydney dips below 20 degrees, consider this your cue to rethink your winter-on-the-couch itinerary. Carriageworks – Redfern’s industrial arts hub – is rolling out a stacked cold-season program that’s less “cosy night in” and more “culture-packed calendar”, running from late May through August. Here’s what you need to know about the Carriageworks winter line-up. Things kick off in a big way with Vivid Sydney (May 29–June 14), as Carriageworks transforms into one of the festival’s key music hubs. The lineup is genuinely stand-out this year, featuring hip-hop royalty Lil’ Kim, R&B hitmaker Ella Mai, EDM heavyweights Alison Wonderland and Porter Robinson, plus genre-bending acts like Skin On Skin and Teletech. It’s not all late-night beats, either – the free Awesome Black Block Party brings a vibrant celebration of First Nations culture, and the (already sold-out) Warakirri Dining Experience will serve up native ingredients in a seriously immersive setting. From there, the program will shift gears towards a more playful artsy offering. Comedy fans should make a beeline for Garry Starr: Classic Penguins (June 16– July 5), a chaotic, mostly-naked sprint through the entire Penguin Classics catalogue that’s already earned cult status on the global festival circuit. Visual art lovers, meanwhile, can explore the Incognito Art Show (June 24–July 5), a massive anonymous exhibition where you can snap up original works without the gallery price...

Thought-provoking. Boundary-pushing. Unapologetically disruptive. The elusive yet world-famous street artist Banksy has another exhibition coming to Sydney. If you missed the chance to see The Art of Banksy: Without Limits at Sydney Town Hall in 2024, you’re in luck. Banksy Limitless opens at The Rocks (155 George Street) on April 1, 2026 for a limited season, following a sold-out run in London.  This new showcase features more than 250 works, large-scale installations, sculptures, digital displays – plus an impressive state-of-the-art hologram experience. Visitors can uncover untold stories behind iconic works including Cinderella at Dismaland, London Zoo and Ice Cream Van, while immersive rooms and bold visual storytelling invite audiences to step inside Banksy’s provocative universe. Renowned for his sharp wit and unflinching social commentary, Banksy continues to challenge perspectives on politics, culture and human rights. In keeping with his humanitarian ethos, a portion of proceeds from Banksy Limitless will support the M.V. Louise Michel, an independent high-speed lifeboat rescuing migrants in distress. So much more than a traditional exhibition, Banksy Limitless is a powerful, multi-sensory experience that will pull you in. Don't miss it.  Ticket prices are from $42 for adults, $30 for children. Get your tickets here. Stay in the loop: sign up for our free Time Out Sydney newsletter for more news, travel inspo and activity ideas, straight to your inbox....