The best things to do in Melbourne this weekend

Melbourne’s stages have seen a slew of jukebox musicals tread the boards over the past few years. They’ve ranged from the powerful (Tina – The Tina Turner Musical) to the cheesy-yet-crowd-pleasing (Mamma Mia! The Musical) and the glossed-over tributes (MJ the Musical). Thankfully, at a time when it feels more important than ever to encourage people to get out and support the local arts industry, A Beautiful Noise: The Neil Diamond Musical arrives at the Princess Theatre full of razzle-dazzle, an abundance of infectious energy and a stacked setlist guaranteed to appeal to the masses. What is A Beautiful Noise: The Neil Diamond Musical about?  Written by Anthony McCarten, directed by Michael Mayer and created in collaboration with Neil Diamond himself, A Beautiful Noise opens on a dour therapy session between an older Diamond (played with commanding gravitas by Terence Crawford) and his doctor (Monica Sayers). It’s an unflinchingly sharp first introduction to the musical legend – all the more surprising given the heavy involvement of Diamond and his wife Katie – who is being particularly stubborn about revealing anything about the “clouds” that darken his demeanour. Enter the doc whipping out a book of all his lyrics, and suddenly, in true musical theatre fashion, the songs are quite literally spilling onto the stage in the form of the ensemble singing a teasing medley of hits to come.   From there we’re transported back in time as a young Diamond (Will Swenson) gets his big...

The Mornington Peninsula, Great Ocean Road and Yarra Valley Chocolateries are famous for their month-long festival dedicated to hot chocolate in all its irresistible forms, and this year’s no different. A total of 31 limited-edition flavours will be available to try throughout August, with decadent options loaded with everything from giant marshmallows to golden syrup dumplings. Some of the flavours already revealed include Tipsy Lemon, which features a white chocolate cup filled with Limoncello ganache, piped meringue and a side of fresh biscotti; and Dot Cake, a take on the viral foodie trend complete with a polka dot-covered vanilla and white chocolate disc atop a milk chocolate hot chocolate. Heaven!  “This year’s Hot Chocolate Festival flavours are next level – we’ve been inspired to create adults-only ways to whisk with boozy accompaniments and extra decadent ingredients for melting, as well as whimsical ways to delight the kids with cute additions to dunk and slurp,” said head chocolatier, Allan Grandjean.  Can’t decide on just one hot choccie? Then the tasting sessions have your name on it. At $28 per person, it’s an opportunity to sample eight different flavours. You'll also get the chance to flex your culinary chops by choosing from different ingredients to make three bespoke creations. Throughout the festival, there’ll be a range of exclusive products available for purchase online, including DIY kits to recreate the hot chocolate magic at home. And you can also...

Decked in a blue Puma tracksuit top and floral-print baggy jeans, Angelique (Lucy Ansell) strikes a sure and steady figure in London playwright Emma Dennis-Edwards’ Scotsman Fringe First Award-winning play, Funeral Flowers. Exuding natural charm and abundant confidence, Angelique’s level-headed for a 17-year-old. There’s poetry to the way she talks and swagger to the way she walks. She’s focused on turning a course in floral arrangement into a small business career. But looks can be, if not deceiving, then certainly misleading in this Australian premiere of Dennis-Edwards’ dazzling show, produced by Red Stitch Actors’ Theatre and directed by the powerhouse Candy Bowers. What do you mean? As Angelique holds court on a playground slide, the bric-a-brac of childhood’s primary colours toys mingle with the empty bottles of booze littering the grass that clings to its stepped stone frame. Funeral Flowers’ subtle but striking signals, captured precisely by set and costume designer Bianca Pardo’s pointed work, remind us that 17 isn’t all that far from childhood. That we still need solid support from the so-called grown-ups in our lives at that age. Support that hasn’t always been there for Angelique, with an absentee father and a mother whose dreams of visiting Paris have been rudely interrupted by a spell inside.  Luckily, Angelique has a newfound rock in Sam. Her proudly queer foster carer supports her goals while insisting the younger woman plays by her house rules of mutual...

This is not the Amazon. Neither the jungle, nor the multinational behemoth set on destroying any semblance of local community in our bonfire, AI-driven destiny of poisoned skies, blazing fires and toxic slop waters.  But Break of Day’s giant revolve on the Malthouse’s mighty Merlyn stage allows us a diorama cut-through of an analogous production line packing facility where Who’s Afraid of Virginia Woolf? star Kat Stewart’s put-upon Pamela works like a dog all night long just to make nowhere near enough money to get by.  Like many of us, she feels thoroughly invisible in a system that’s designed to crush her into dust. We love Kat Stewart! We do! Savage River playwright Steve Rodgers has crafted a very specific character in the magnificent Stewart’s Pamela. One that’s all-too recognisable in our late capitalist death-spiral that purposefully crushes the human spirit. A worn-thin single mum, she’s trying to keep food on the table and is forced to share a bed with her teenage daughter, the academically-minded Rae (Sherry-Lee Watson), in their poky one-bedroom rental.But as strong as Pamela is on the page, with her pin-drop monologues about walking the estate in an outer city suburb somewhere in Australia, it’s Stewart who nails the bone weariness of Break of Day. As directed with urgent authority by Sarah Goodes, Stewart’s an empathy machine you can’t take your eyes or ears off. What’s Break of Day all about?  The working class. An increasingly amorphous group too-rarely...

There’s something so comforting about a pie. What’s not to love about the flaky, flavour-packed pocket of joy, warmed to perfection and slathered in tomato sauce? It’s little wonder, then, that one of the region’s most beloved winter drawcards is all about the hearty pastry. Returning for its fourth year this August 1-31, Ballarat’s Best Pie will see 30 bakeries, cafes, restaurants and pubs battle it out for the coveted title.  Take your pick from savoury and sweet (or both), with twists on traditional favourites and brand-new creations competing for the crown. This year’s line-up might be the most inventive yet, featuring everything from a chicken parma pie to a cheeseburger pie and an ice-cream pie inspired by Wagon Wheels.  Judging will take place on August 1, with a panel awarding winners across six categories before the full line-up is made available to the public, who have the entire month of August to try them out and vote for the People’s Choice. Better still, anyone who casts a vote will go in the draw to win a getaway to Ballarat.  Whether you’re a pie connoisseur or simply looking for a foodie getaway, there’s plenty to do in Ballarat this winter as the city warms up with a jam-packed program worth rugging up for. From a short film festival to a jousting championship, it's easy to see why Ballarat was recently named Australia’s happiest place with so much fun to be had. You can view the map of participating venues and follow the pie trail here.

It’s lights, camera, action for the Melbourne International Film Festival (MIFF) this August, when a red carpet will be rolled out for a massive eighteen days of cinematic revelry. The festival celebrates Australian and international filmmaking with a huge program of flicks. With so much to see, we've cut through the curtain to unveil everything you need to know.   What is the Melbourne International Film Festival? Now in its 74th year, MIFF is one of the oldest film festivals in the world, alongside Cannes and Berlin. The annual festival is held over three weeks each year throughout Melbourne and surrounds. Founded in 1952, the festival presents a curated global program of screen experiences and the world's largest showcase of Australian filmmaking.  When is the Melbourne International Film Festival? Running between August 6 and 23, MIFF will include 18 days of bold in-cinema programming with star-studded events, world premiere screenings, headline features and filmmaker talks.  What sort of things can we expect from the program? At this stage, we've only just scored a first look at the MIFF line-up for 2026, but let's just say it's already getting a standing ovation (Cannes style, of course) from us. Here are some of the highlights so far. MIFF will host the world premiere of The Airport Chaplain, a drama series set in Melbourne Airport, starring Hugo Weaving and Shabana Azeez, and inspired by a real encounter with Tullamarine's own chaplain. Straight outta Berlinale...

If you thought history class was boring, Six the Musical is here to change your mind. Created by Toby Marlow and Lucy Moss, this high-energy musical returns to Australia and will be at Melbourne’s Comedy Theatre from July 24. In this foot-tapping show, the six wives of King Henry VIII are reimagined as modern-day pop stars out to reclaim their stories. One by one, Catherine of Aragon (Sarah Murr), Anne Boleyn (Mia Paris Scalise), Jane Seymour (Cara Bessey), Anna of Cleves (Kadesa Honeyhill), Katherine Howard (Angela Brischetto) and Catherine Parr (Lorinda May Merrypor) take the mic, wowing you with their power ballads and rock anthems. Since its breakout debut at the Edinburgh Festival Fringe in 2017, the show has become a global sensation thanks to its infectious songs, sharp wit and empowering message. It’s making a triumphant return to Australia, so get ready to say “Yasss Queen”. For more info and to secure your tickets, head to the website.  Read on for our five-star review of Six the Musical from 2024. *** Divorced, beheaded… live? This unconventional pop rock musical takes a dry historical topic and turns it into a rowdy 80-minute concert to rival the Spice Girls themselves. Everyone knows that King Henry VIII had not four, not five, but six wives – enough to require a mnemonic technique to keep track. History has reduced the legacies of these ladies to little more than singular words in a rhyme detailing their fearsome fates, but what if we carved out space to...

NGV Friday Nights is back to kick-start your weekend with a glamorous glow-up. Taking place every Friday night until October 2, the National Gallery of Victoria will become the ultimate after-dark destination with the arrival of Cartier, the 2026 Melbourne Winter Masterpieces exhibition – yes, that's the same French luxury brand known for its designer jewellery and watches. Adding to the experience, ticket holders will also get access to Ragnar Kjartansson: Mercy, a new exhibition showcasing eight distinct video and film works from the Icelandic artist. NGV Friday Nights is your chance to wander through the gallery and enjoy a rotating line-up of live music, film screenings, food and, of course, Champagne. Each Friday brings a completely different vibe, with music residencies hosted by some of Melbourne’s biggest cultural names including the MSO, Melbourne International Jazz Festival and Wax Museum Records. Expect everything from jazz and soul to classical performances and DJs, with artists including Marley Del Prete, Yunior Terry Quartet, Raleigh Williams, Plexus and the MSO Cello Quartet taking the stage. Opera lovers are also in for a treat. On July 24 and September 11, Melbourne Opera will present Diamonds for the Diva – a special tribute to legendary Australian soprano Dame Nellie Melba GBE, who was one of Cartier’s early clients. Some of Melba’s Cartier jewels and memorabilia are also featured in the exhibition. Adding to the glamour are film screenings of classics...

It’s a play considered to be one of the greatest of all time, and after undergoing a show-stopping run in 2023, 'Death of a Salesman' – with award-winning stars Anthony LaPaglia and Alison Whyte reprising their roles – is returning to Melbourne once again. Showing from August 11 to 22, Arthur Miller’s inimitable play will be staged at Her Majesty’s Theatre for a limited season that you don't want to miss.  First performed in 1949, the Pulitzer Prize-winning production explores the promises and pitfalls of the American Dream. The two-act tragedy is told through a montage of memories, confrontations, arguments and dreams of protagonist Willy Loman who tries to navigate what it means to be successful in post-war America. For more info and to secure your tickets, head to the website. Read on for our four-star review of Death of a Salesman from 2023. *** The curtains of Her Majesty’s Theatre open on Neil Armfield’s magnificent production of Arthur Miller’s Death of A Salesman to reveal a towering grandstand; rusted and weather-stained, ‘Ebbets Field’ printed across the top of its commentary box. All but one of the 14-strong cast are sitting on the bleachers, waiting. "Willy?", Linda Loman asks as her husband limps on stage holding two suitcases. It’s one of the most recognizable images of 20th-century theatre, and it’s keenly watched by the entire ensemble. Miller’s Pulitzer Prize-winning script seemed like a death knell for the American Dream when it premiered in 1949, but 70...

Actress Elizabeth Taylor’s stunning diamond and ruby necklace. Dazzling tiaras worn by singer Rihanna. Princess Margaret’s rose-shaped diamond brooch. Treasured pieces owned by Australia's first international opera singer (and beloved Melburnian) Dame Nellie Melba. Yes, we’re talking obviously Cartier. Founded in Paris in 1847 by Louis-François Cartier, this French brand is synonymous with high-end luxury – and now, you can see it in all its glittering glory up close and personal.  The NGV’s blockbuster Winter Masterpieces exhibition, Cartier, will give you a chance to see some of the world’s most famous jewels on display. Exclusive to Melbourne and running from June 12 to October 4, the exhibition brings together nearly 400 jewels, gemstones, watches and decorative objects, many of which have never travelled to Australia before. Created by London’s Victoria and Albert Museum in partnership with the NGV and Cartier, the exhibition explores the evolution of the legendary French maison. Check out more than 20 spectacular tiaras, the iconic ‘Tutti Frutti’ collection with colourful rubies, emeralds and sapphires, as well as timeless timepieces and contemporary creations featuring Australian opals from Lightning Ridge. It promises to be a glittering journey through nearly two centuries of artistry, innovation and timeless style. Interested? Find out more here. Stay in the loop: sign up for our free Time Out Melbourne newsletter for the best of the city, straight to your...