Things to do in Sydney today

While there’s plenty of must-do experiences in Sydney – from the Bridge Climb to a show at the Opera House – the not-so-secret-anymore tunnels under Wynyard station are well worth a visit. Luckily for for any adventurous souls out there, Foot Locker is partnering with On, Swiss sportswear company, to host a one-of-a-kind running experience stretching through the underground tunnels this May.  Foot Locker Fast Lane is set to bring together fitness, fashion and music for an after-dark, five kilometre run on May 21. The exclusive event is almost as secretive as the location with limited spots available to Foot Locker customers only. The event is free, but entry is invite-only. To get in the running, shoppers need to make a purchase of any amount at a Sydney Foot Locker store between May 8 and May 17, then register online via the Fast Lane page with proof of purchase.  The lucky few selected for a spot will be notified from May 19. While the full details are under wraps, runners will have the chance to fuel up ahead of the race and score a finish line reward at the end. There’ll also be rare merch up for grabs and a content crew capturing the action, so no need to worry about where to store your phone on the day. Find out more here.

Australia’s most popular arts event is back in action for 2026, with the Archibald, Wynne and Sulman Prizes bringing a fresh batch of painterly expressions to the walls of the Art Gallery of NSW from May 9 to August 16.  They call it “the face that stops the nation”, and the Archibald Prize has indeed been courting controversy and conversation for more than a century now. This popular portrait prize is always filled with famous faces, with artists from all over Australia (and also New Zealand) capturing the spirit of the times through paintings that capture the likeness of the personalities that define their communities. Melbourne-based artist Richard Lewer is the winner of the Archibald Prize 2026 – he won over the judges with a stunning portrait of Pitjantjatjara Elder, senior artist and ngangkari (traditional healer) Iluwanti Ken. RECOMMENDED: A beginner's guide to the Archibald Prize. The winner of the 2026 Packing Room Prize was announced a week earlier, with the Packing Room Pickers (a.k.a. the Art Gallery staff who receive, unpack and hang the entries) selecting Sean Layh's striking painting of actor Jacob Collins as their favourite Archibald portrait this year.  Meanwhile, the Wynne Prize awarded the best landscape painting of Australian scenery or figurative sculpture to Yolŋu artist Gaypalani Waṉambi, and the Sulman was awarded to Lucy Culliton for the best genre painting, subject painting or mural project.  The annual finalists exhibition is a real must-see,...

To bring a little musical joy to the Harbour City through the cooler months, Sydney’s historic waterside precinct The Rocks is once again transforming Thursday evenings into a free, open-air jazz experience – with Jazz Sessions in The Rocks returning for its third year in 2026. Running from Thursday May 7 until Thursday September 24, the series will take over The Rocks Square each week, delivering intimate live performances set against cobblestone laneways and heritage buildings in the heart of Sydney. Curated in partnership with SIMA (Sydney Improvised Music Association), the program spotlights Australia’s thriving contemporary jazz scene, with a rotating monthly line-up of artists. The opening month features standout acts including the Harley Coleman Trio and Billie McCarthy, with new performers announced at the start of each month to keep things fresh, spontaneous and ever-evolving. Event times (every Thursday) 6:30pm – 7:15pm – First set 7:15pm – 7:30pm – Interval 7:30pm – 8:15pm – Second set 8:30pm – Event concludes To complement the music, visitors can explore a range of nearby food and drink offerings across The Rocks, from fiery Thai at Snake Bark, freshly shucked oysters at Hooked & Harvest, and classic Italian at Sicilian. Pisa Slice will also be serving a $10 slice and soft drink combo every Thursday, while a pop-up bar will be pouring everything from mulled wine to and Spicy Mango Margaritas. Free entry. No bookings required. Sign us up. Find out more over...

Few songs embed themselves into the cultural DNA quite like Jeff Buckley’s cover of “Hallelujah”. While younger generations are discovering his talent through TikTok, Oscar-nominated filmmaker Amy Berg, who grew up on the grunge and punk of the ‘90s, revisits his life in a tender new documentary It’s Never Over, Jeff Buckley. Pieced together through curated footage of the late singer-songwriter both onstage and off, the documentary is told in large part by the women in his life. We hear from his single mother, Mary Guibert, his good friend Aimee Mann, his former girlfriend Rebecca Moore, and his longtime partner Joan Wasser, who each offer emotional memories and thoughtful insights.  What’s undeniable through their recounts is Buckley’s talent, as Time Out reviewer Elizabeth Weitzman writes: “The punk angel with the four-octave range also had a rare and remarkable mimetic gift – which made him an unusually skilled interpreter of other artists, from Nina Simone to MC5 to Nusrat Fateh Ali Khan.”  Whether you know him for the myth forged by his untimely death – echoing that of his musician father, Tim Buckley – or for his elegiac take on Leonard Cohen’s “Hallelujah,” a rendition that has moved millions, It’s Never Over, Jeff Buckley offers another side of the story. “Fans, of course, will fiercely argue that Buckley has so much more to offer. And in the strongest compliment to Berg’s affectionate portrait, she makes a similarly convincing case, with ample and tender grace.”...

The opening note of ‘The Circle of Life’ may just be one of the most recognisable in a Disney musical. If you don’t agree, then you may have to convince the entire theatre-going audience who were at Disney’s The Lion King on opening night. The full house’s roars could be heard all the way out of the Capitol Theatre’s front doors as the king of musicals triumphantly returns to Sydney – the first time in more than a decade. What type of show is The Lion King? It’s called The King of Musicals for a reason. If it’s not Elton John’s iconically recognisable music, or Tim Rice’s lyrics you’ve sung over a late-night karaoke session, then its Roger Allers and Irene Mecchi’s book featuring the characters you love, the characters you hate, and the ones you undoubtedly cry over – tears were definitely still shed during that scene. What’s so beautiful about The Lion King is the blurring of worlds and culture that merges in between all of these. Julie Taymor’s directorial conception blends African culture, language, movement and costume underneath masks and puppetry of the animal characters. Mufasa’s “crown” is a stoic, strong and towering headdress. The elegant lionesses soar and leap through the sky through Garth Fagan’s choreography as wing-like gowns flow behind them. The animals of Pride Rock are adorned with larger-than-life puppets of intricate designs and architecture: a re-engineered bicycle becomes leaping antelope, birds fly above the crowd on poles manipulated by performers,...