The best things to do in Sydney this weekend

A friend who recently returned from Tasmania's Dark Mofo told me it was her mission to "find the Dark Mofo every day" here in Sydney, and I had to admit it was a pretty good strategy for living well. Tracking down offbeat arts on any given day in the Harbour City generally takes a bit of digging, but during Sydney Fringe, it’s served up on a silver platter. NSW's biggest celebration of independent arts is landing back in Sydney this spring, and I know we say this every year, but seriously – this year's program is bigger than ever. From August through October, Sydney Fringe Festival will transform theatres, warehouses, heritage buildings and public spaces across the city with more than 350 events featuring 2,000-plus artists at 64 venues. From delightfully boundary-pushing theatre to wildly impressive circus acts, conversation-shaping comedy and full-throttle parties, this year's line-up is stacked with shows and events that are pretty much guaranteed to fill your cultural cup, no Tassie trip required. The festivities kick off with Fringe Ignite! on Saturday, August 29, when Darlinghurst's Stanley Street will be closed to traffic and transformed into a free, all-ages street party. Expect live music, roaming performers and plenty of food as one of Sydney's fave inner-city streets comes alive for one wild afternoon and evening. Arts-wise, there's way more on than we can cover in one listing. Among this year's biggest drawcards is Copa on The Rocks, where Andrew Bukenya will...

Regent's Park Open Air Theatre in London has become a home for staggering visuals and reimaginings of classic musicals. The most recent touring production of Jesus Christ Superstar arrived with rave reviews and award-winning performances from its electrifying revival of the rock musical. Now, Fiddler on the Roof gets its turn for a facelift at Theatre Royal Sydney, with a backing from a stellar team whose work covers Olivier and Tony Award-winning productions.  What is the premise of Fiddler on the Roof? It’s 1905 in the fictional shtetl of Anatevka set in Tsarist Russia, twelve years before the Russian Revolution of 1917. A ghostly rise of the curtain sees Ben Adler’s Fiddler on a flat-roofed stage, the name of the village faces backwards towards the band sitting behind a high row of wheat fields. Tevye, a Jewish milkman, leads his family by their proud traditions. This means a loyal wife, visits to the matchmaker, five obedient daughters, and daily conversations with God. But this is a time of change, his daughters wish to break away from the closed community’s traditions amidst the backdrop of a changing world.  Throughout, we see more than just Tevye’s family dynamics needing to grapple with forces far greater than Anatevka can withstand.  Who are the cast and crew of Fiddler on the Roof? Jordan Fein’s direction gives ample scope for spectacle, particularly when Julian Cheng’s choreography is placed front and centre – the high-energy traditional dances are the show’s...

The opening note of ‘The Circle of Life’ may just be one of the most recognisable in a Disney musical. If you don’t agree, then you may have to convince the entire theatre-going audience who were at Disney’s The Lion King on opening night. The full house’s roars could be heard all the way out of the Capitol Theatre’s front doors as the king of musicals triumphantly returns to Sydney – the first time in more than a decade. What type of show is The Lion King? It’s called The King of Musicals for a reason. If it’s not Elton John’s iconically recognisable music, or Tim Rice’s lyrics you’ve sung over a late-night karaoke session, then its Roger Allers and Irene Mecchi’s book featuring the characters you love, the characters you hate, and the ones you undoubtedly cry over – tears were definitely still shed during that scene. What’s so beautiful about The Lion King is the blurring of worlds and culture that merges in between all of these. Julie Taymor’s directorial conception blends African culture, language, movement and costume underneath masks and puppetry of the animal characters. Mufasa’s “crown” is a stoic, strong and towering headdress. The elegant lionesses soar and leap through the sky through Garth Fagan’s choreography as wing-like gowns flow behind them. The animals of Pride Rock are adorned with larger-than-life puppets of intricate designs and architecture: a re-engineered bicycle becomes leaping antelope, birds fly above the crowd on poles manipulated by performers,...

Ever wonder what goes on behind the closed doors of Parliament House? Housework, a bold political satire, pulls back the curtain on the backroom deals, personal dramas and ruthless ambition that fuel political life in Canberra. Written by Emily Steel and directed by Shannon Rush, this black comedy by Sydney Theatre Company stars Susie Youssef (Deadloch) as first-time MP Ruth Mandour, alongside Emily Taheny (Mad as Hell) as her overworked chief of staff, Anna Cooper and media personality Indira Naidoo who is making her STC debut.  Steel drew on conversations with politicians, political staff and parliamentary workers while researching the play, particularly exploring the experiences of women navigating Australian politics. With sex scandals and secrets, motherhood and manipulation, culture wars and chaos thrown into the mix, the play offers a telling glimpse into the machinations of Australian politics. Following its Adelaide season, Housework arrives at the Sydney Opera House’s Drama Theatre from September 5 to October 17, promising a whip-smart sprint through the corridors of power. Get your tickets here. RECOMMENDED:  Here’s what’s on in Sydney this weekend Our list of the best theatre to see in Sydney this month Sydney's most famous building is set for major event reforms

If a trip to London isn’t on the cards, you can still get a taste of one of its cultural icons right here in Sydney. The Museum of Contemporary Art Australia (MCA) is joining forces with London’s Tate International for Connections: MCA x Tate, a landmark exhibition celebrating one of the most significant international partnerships in Australian contemporary art. Open until March 1, 2027, the exhibition brings together works acquired through the MCA and Tate International Joint Acquisition Program, alongside works from the MCA Collection and newly commissioned pieces. Together, they explore Australia’s ancient and recent cultural histories through a powerful First Nations lens. The joint acquisition program ran from 2015 to 2022, made possible by a $2.75 million gift from the Qantas Foundation. It enabled 35 significant works by 24 Australian artists to enter the collections of two major international institutions, helping bring Australian contemporary art to audiences around the world. The partnership first made waves at Tate Modern in 2021 with A Year in Art: Australia 1992, which attracted almost 1.5 million visitors. It also supported Richard Bell’s acclaimed Embassy, presented in Tate Modern’s Turbine Hall in 2023. Curated for an Australian audience, Connections: MCA x Tate explores cultural exchange, trade, migration, travel and diaspora, while examining the long-lasting impact of British colonisation. First Nations artists are at the heart of the exhibition, with...

Greek mythology is definitely having a moment thanks to Christopher Nolan’s blockbuster The Odyssey, but Sydney’s very own White Rabbit Gallery is the place to be if you want to learn about Chinese mythology.  Established in 2009 to showcase philanthropist Judith Neilson's remarkable collection of 21st-century Chinese contemporary art, The White Rabbit Gallery in Chippendale has become one of Sydney's most fascinating cultural spaces. And now, David Williams brings us Black Myth, the gallery's 33rd exhibition that explores how ancient Chinese myths continue to shape our modern, technology-centric lives. Inspired by the hit 2024 video game Black Myth: Wukong – a modern reimagining of the 16th century Chinese novel Journey to the West – the exhibition examines the darker side of mythology and the enduring power of storytelling. Journey to the West follows the monk Tang Sanzang and his travelling companions: the mischievous Monkey King Sun Wukong, the pig-faced Zhu Bajie and the loyal river ogre Sha Wujing as they embark on an epic quest to retrieve sacred Buddhist scriptures. Mirroring that legendary adventure, the video game Black Myth explores journeys of every kind – physical and metaphysical, inner and outer – while delving into the Chinese ideas of transformation and transcendence. Artists include Sun Xun, whose intricate woodcuts and ink paintings create entire imagined worlds; Zong Ning, who reinvents ancient legends through contemporary photography and everyday...

The Comedy Store in Moore Park has been Sydney’s go-to spot for belly laughs since 1981. Venture inside and watch the stage come alive with top-notch talent with comedic timing – think homegrown favourites, international stars, rising newcomers and the occasional surprise guest. The Comedy Store Showcases run Thursday through Saturday, packing in 90 minutes of back-to-back stand-up with plenty of comedians on the bill. In fact, you can even catch The Saturday Late Show at 8.30pm if you prefer a later line-up. No two nights are the same, but each one guarantees tons of chuckles with new acts added constantly. RELATED READ: Make Tuesdays more fun with this affordable comedy show in the Inner West, featuring a rotating line-up of cracking comedians – plus, you get a free drink. The calendar is also dotted with solo shows and special events, from household names debuting their latest routine to the next big comedian testing out fresh material. What’s more, all tickets come with an alcoholic/non-alcoholic beverage. Still feeling thirsty? Get more drinks and nibbles at the Lounge Bar that keeps cocktails, cold beers and wine flowing with tasty antipasti also on offer. They even have table service, so you’ll never miss a punchline. It’s true what they say: laughter really is the best medicine, so gather your mates and go. Find out more and book your tickets here. Weather not looking so hot? Check out our list of the best things to do indoors in Sydney. Looking for weekday...

Movie nights are fun. Movie nights with front-row seats overlooking Sydney Harbour? Now we're talking. Pier One Sydney Harbour is giving movies a decadent glow-up with Harbourside Cinema by Pier One – a private open-air cinema set on its Sunset Balcony Suite. Available until September 30, the experience transforms the suite's waterfront terrace into your own luxe outdoor cinema, complete with a cosy love seat, blankets and a projector screen framed by our spectacular harbour. You pick the movie – whether it’s a rom-com or an action-packed adventure – then settle in as the Sydney Harbour Bridge and Luna Park provide a stunning backdrop. Getting to the all-important movie snacks: a dedicated Ultimate Movie Night trolley rolls up to your suite loaded with buttery popcorn and DIY Yo-Chi frozen yoghurt, complete with toppings. Feeling hungrier? Order everything from loaded fries and Wagyu cheeseburgers to baked brie and artisan cheeseboards from the Pier Bar food and drink menu which is sent straight to your room. Harbourside Cinema by Pier One costs $150 per experience on top of the nightly suite rate, so this is definitely a treat-yourself experience. Additional guests are $50 per person, with a maximum capacity of eight guests per booking. Once you book the Harbourside Cinema package, their team will be in touch to organise any additional guests, movie night trolley timings, plus food and drink pre-orders. All you need to do is pick the movie. Find out more here.  Stay in...

Acclaimed First Nations artist Tony Albert’s major solo exhibition, Tony Albert: Not a Souvenir, has opened at the Museum of Contemporary Art (MCA). The exhibition explores the commodification and misrepresentation of Aboriginal people and culture – both historically and today – while also celebrating survival, resilience and cultural pride. Bringing together Albert’s photography, sculpture, painting and installation works, the exhibition draws inspiration from the MCA’s location on Sydney Harbour and The Rocks, an area shaped by early colonial contact and now closely tied to tourism and souvenir culture. In tandem with this exhibition, Albert and the MCA have launched the Aboriginalia Appeal, an initiative encouraging everyday Australians to donate mass-produced souvenirs and household items that reduce Aboriginal culture to stereotypes. From ashtrays and tea towels to decorative boomerangs and figurines, these objects are a familiar part of Australian popular culture. Albert uses Aboriginalia as a way to understand the imagery and messages he encountered growing up as a young Aboriginal boy. “I’ve been collecting Aboriginalia since I was a child. And if I had my way, I'd love to take the whole lot of it out of circulation,” says Albert. “It’s about taking these objects and turning them into something that celebrates our survival as the world’s oldest living culture.” The Aboriginalia Appeal gives the public a chance to contribute to that process. Visitors can donate...

Dust off your sequins – a glittery-as-heck night of disco, circus and cabaret is taking over the Sydney Opera House this winter. Showing in the Studio from July 24 to September 13, Velvet Inferno is the very sparkly new evolution of the hit Australian production Velvet, promising wildly impressive acrobatics, powerhouse vocals and a solid soundtrack of disco anthems. The brilliant Marcia Hines will own the role of The Diva, with beloved multidisciplinary star Brendan Maclean taking on the fan-favourite role of Country Mike. Joining the Velvet family for the first time is singer-songwriter KYE as Gloria, whose coming-of-age story unfolds beneath a sparkling Studio 54-inspired mirrorball. The circus line-up is just as impressive. Expect next-level hula-hooping from Craig "Hula Boy" Reid, the Australian debut of Ukrainian roller-skating duo Duo Stardust, plus terrifyingly impressive aerial performances from Oleg Tatarynov and Zoe Marshall. Hyper-talented vocalists Emma Feliciano and Mateja Sardelis round out the cast. Soundtracked by disco classics including It's Raining Men, If You Could Read My Mind and No More Tears (Enough Is Enough), Velvet Inferno reunites the original creative team behind the global hit: director Craig Ilott, musical director Joe Accaria and choreographer Amy Campbell. More than a decade after Velvet first wowed audiences, the production continues to tour internationally, with an ongoing residency in Hamburg. Tickets start at $49.90. You can learn more...