The best things to do in Sydney this weekend

Sculpture by the Sea, the world’s largest free outdoor sculpture exhibition, is back in Sydney until November 2 for its 30th anniversary. Founded by David Handley as a one-day event in 1997, it has since grown into a major cultural fixture, attracting more than 12 million visitors. “It was intended to be a gift to the people of Sydney and add to the sense of community,” says David. This year’s exhibition stretches for 2km along the coast from Bondi to Tamarama and features more than 100 works by artists from Australia and around the world, set against the backdrop of Sydney’s spectacular coastline. “It brings us joy, makes us laugh and makes us reflect,” says Allegra Spender, Federal Member for Wentworth. Keep an eye out for Surface Breach by Andre Braun, a striking white hand that appears to push its way out of the rugged rocks, as though something is reaching up from beneath the earth. Another personal favourite is The Guardians by Ulan and Rachel, a sculptural tree with long, dangling roots that catch the sunlight and create an almost otherworldly silhouette. Then there’s Judy Witherdin’s Phatyma, a riot of multicoloured mosaic that brings a vivid splash of colour to the coastal landscape. While many works spark joy and laughter, others invite us to stop, pause and reflect. Love by Stephanie Quirk is an aerial skywriting artwork created in response to the community following the tragic December 14 Bondi attack. Four times during the exhibition, the word ‘Love’ will be...

Ever since Graham Chapman galloped across the silver screen as King Arthur (with the help of one trusty sidekick and an even trustier coconut) the world has loved Monty Python and the Holy Grail. In 2004, original Python Eric Idle turned the show into a glittering stage musical called Spamalot and the rest, as they say, is history. With three Tony Awards in its saddlebag and global fans made among lovers of classic Python and musical theatre alike, this particular production originated with a sell-out season this year at Planet Royale in Perth. Now, it's galloping into NSW for a limited Sydney season. This time it features the likes of legendary Aussie actor and comedian Stephen Curry (The Castle) as King Arthur and celebrated theatre star Marney MacQueen as the Lady of the Lake. You'll find its first stop at Pyrmont's Sydney Event Centre from October 15-18, before it gallops to Rooty Hill's Coliseum Theatre from October 22-25. Expect plenty of love for the all-time comedic chops of Monty Python and The Holy Grail, reinforced by squires packing coconut shells and sight gags, as well as big Broadway numbers and a bunch of (non-threatening) audience participation. On second thought... let's not go to Camelot... It's a silly place.  You can get tickets for Monty Python's Spamalot here for the Sydney Event Centre (Oct 15-18) and here for Rooty Hill's Coliseum Theatre (Oct 22-25).

A sawfish swimming alongside a sea turtle in the Pilbara. Royal penguins stopped in their tracks by an enormous elephant seal. A Tassie devil fighting for survival. A whimbrel racing an incoming wave with a freshly caught crab in its beak. Flame-like patterns formed by the tides across a Western Australian sandbank. It’s true what they say: a picture definitely does speak a thousand words. Opening at the Australian Museum on September 12, the 2026 Australian Geographic Nature Photographer of the Year exhibition brings you face-to-face with some of the most extraordinary moments in the natural world. From wildlife encounters to otherworldly landscapes, these photographs offer a rare glimpse into the beauty and fragility of nature in our region. This free exhibition, produced by the South Australian Museum, showcases the finest images selected from 2,129 entries by 501 photographers across 17 countries. Spanning Australia, New Zealand, Antarctica and New Guinea, the photographs take in everything from critically endangered species and dramatic animal encounters to patterns and textures of the natural landscape. Western Australian photographer Matt Deakin has been named the 2026 Australian Geographic Nature Photographer of the Year for Ethereal Encounter. His mesmerising aerial photograph captures a critically endangered green sawfish moving towards a group of green turtles in the shallow waters of the Pilbara. Shot in the last light of the day, the milky water gives the...

Every Friday from 5pm, Chinatown transforms into a vibrant night market selling Asian street food, desserts and gifts. After a month-long closure, the popular night fest is back, now in a temporary new location – next to Paddy’s Market Light Rail stop. RELATED READ: These are the best Chinese restaurants in Sydney. Chinatown Night Market attracts a wide mix of visitors, from tourists and homesick international students to the post-work crowd, who you’ll find wisely padding their stomachs with cumin lamb skewers before hitting the next bar. During peak times, it can get a bit squishy, but the hustle and bustle is also what makes it fun. A number of Chinatown stalwarts run stalls each week, and you'll find everything from yum cha favourites like har gow and mango pancakes to fluffy roti canai. As tempting as those options might be, ration stomach space for the takoyaki – a Japanese savoury doughnut‑hole snack filled with seafood – or dragon beard candy and potato chips on a stick. You’ll also find stalls selling clothes and sunglasses, jewellery and phone cases. On some weeks, there’s even a Scientology stall offering “free stress tests” to the curious. There are no artisanal goods, but more mass-produced, imported products à la Paddy’s Markets downstream. Find out more here. Stay in the loop: sign up for our free Time Out Sydney newsletter for more news, straight to your inbox. RECOMMENDED READS: These are the best things to do in Sydney this weekend Read more about...

If you’ve ever felt the push and pull between expectation versus opportunity, then you should nab tickets to the upcoming Belvoir St Theatre takeover, A Room with a View. This stage adaptation of E.M. Forster’s timeless story is heading to the Surry Hills theatre for a month-long stay from next month, and promises a refreshed take of the original work.   In a production boasting a female-led creative team and an exciting cast, expect a modernised take on Lucy’s whirlwind journey as she navigates romance, hope and challenging social norms.  From Saturday, October 3 ’til Sunday, November 1, this book-to-stage adaptation will grace the cosy upstairs space of Surry Hills haunt, with evening sessions running from Tuesday to Sunday each week. You’ll still be met with all the best elements of the original, including the familiar Edwardian era charm and light comedic streaks. But this time, it’s contemporising the narrative that grapples with femininity, societal pressure, freedom and choosing self-expression – themes that still feel pertinent.  Co-produced with Melbourne Theatre Company, this reimagining of E.M. Forster’s classic by rising playwright and Aussie homegrown talent, Grace Chapple (Never Closer), has Hannah Goodwin (Never Closer, The Wrong Gods) directing and will feature Nathalie Morris (Bump), as Lucy Honeychurch. With tickets from $58, you can delve deep into Lucy’s experiences with womanhood, and the expectations that are attached to it, as she travels from her...

The opening note of ‘The Circle of Life’ may just be one of the most recognisable in a Disney musical. If you don’t agree, then you may have to convince the entire theatre-going audience who were at Disney’s The Lion King on opening night. The full house’s roars could be heard all the way out of the Capitol Theatre’s front doors as the king of musicals triumphantly returns to Sydney – the first time in more than a decade. What type of show is The Lion King? It’s called The King of Musicals for a reason. If it’s not Elton John’s iconically recognisable music, or Tim Rice’s lyrics you’ve sung over a late-night karaoke session, then its Roger Allers and Irene Mecchi’s book featuring the characters you love, the characters you hate, and the ones you undoubtedly cry over – tears were definitely still shed during that scene. What’s so beautiful about The Lion King is the blurring of worlds and culture that merges in between all of these. Julie Taymor’s directorial conception blends African culture, language, movement and costume underneath masks and puppetry of the animal characters. Mufasa’s “crown” is a stoic, strong and towering headdress. The elegant lionesses soar and leap through the sky through Garth Fagan’s choreography as wing-like gowns flow behind them. The animals of Pride Rock are adorned with larger-than-life puppets of intricate designs and architecture: a re-engineered bicycle becomes leaping antelope, birds fly above the crowd on poles manipulated by performers,...

It’s been a big twelve months for Sydney on the art front – with the 25th Biennale of Sydney being named the best exhibition in the world worth travelling for, the beloved Brett Whiteley Studio re-opening in Surry Hills, and Mike Hewson’s Key’s Under the Mat changing the way we think about galleries. Mercifully, we’re not stopping there. This spring, one of Australia’s most celebrated artists is getting the blockbuster retrospective treatment that only the Art Gallery of NSW can offer, with Nolan: Origins landing this spring, exploring the formative years of Sidney Nolan’s career. Bringing together more than 150 works from public and private collections, the exhibition traces the period from the late 1930s to Nolan’s departure for the UK in 1953 – the years in which he developed the bold, distinctive style that would help redefine Australian art. According to the gallery, the major drawcard is Nolan’s iconic Ned Kelly series, with all 27 paintings reunited in Sydney for the first time in more than 60 years. The series sees the bushranger transformed into a mysterious, almost mythical figure, and remains one of the defining achievements of Australian art. But there’s plenty more to discover, from Nolan’s early modernist works developed at Melbourne’s Heide to his vivid paintings of the Wimmera, K’gari, outback Queensland and Central Australia. The exhibition will also explore his fascination with Australian legends, including the Burke and Wills expedition, as well as his...

Sydney’s immersive art scene is on the up and up, with Balloon Story, Museum of Illusions and Mike Hewson’s The Key’s Under the Mat all alive and kicking in the Harbour City. Now, there’s more. Landing right in the middle of the CBD, DigiPark is a brand-new digital playground that blends science, art, education and entertainment into one futuristic, all-ages experience. Fresh from huge success across Asia, this is the first DigiPark to open in Australia, bringing 19 interactive attractions to Level 5 of Westfield Sydney, just steps from the centre’s ever-busy food precinct. Highlights include the Space & Time Cube, a trippy 3D holographic tunnel that pulls you into a swirling world of light and colour, and the Orbital Cinema (7D) – a flying adventure powered by a massive 180-degree curved screen, motion seats and special effects like wind, vibration and water spray (no VR headset required). There’s also a 3D Figurine Creator Studio, where you can scan yourself and walk away as a custom mini digital avatar, plus dreamy installations like Wandering Planet, Cosmic Space and the Holographic Studio, which blur the line between reality and the virtual world. According to DigiPark’s Head of Sales and Marketing, Jacques Wong, the venue is designed to hook everyone from curious kids to culture-hungry adults – with VR, holograms, kinetic light art, digital play and 3D printing all under one roof. Open seven days a week from 10am to 10pm, DigiPark welcomes all ages (kids under 12...

You should know the premise by now – divorced, beheaded, died, divorced, beheaded, survived all set to a fiery, feminist live band. Henry VIII’s six ex-wives reclaim their stories and their thrones in the worldwide sensation that is Six the Musical. This is the fourth time in (wouldn’t you know it) six years that the queens have graced Sydney stages, the second at the Theatre Royal. So has Toby Marlow and Lucy Moss’ Tony- and Grammy-nominated electrifying pop-concert hit lost some of its glam? The short answer is “No Way”. What is the plot of Six? What started as an Edinburgh Fringe hit went on to capture the hearts of the West End, Broadway, and beyond. At its core, Six retains those fringey roots in its tight 80-minute, one-set, one-act pop-concert musical in what is a song-cycle of the Tudor Queens turned Pop Princesses who remix five hundred years of history to win their crowns. Who had it the worst under Henry’s reign? Who deserves the most sympathy? And is it all about his-story or is it time for a bit of herstory? The beauty of Six is that it’s a star vehicle for female and gender diverse talents. Thankfully, the creative team have offered up six of the best to fangirl over, from young veterans of the stage through to mainstage debuts: Sarah Murr as Catherine of Aragon, Mia Paris Scalise as Anne Boleyn, Cara Bessey as Jane Seymour, Kadesa Honeyhill as Anna of Cleves, Angela Brischetto as Katherine Howard, and Lorinda May Merrypor as Catherine Parr. Alongside them...

How does happiness impact the body? It’s a question that’s crossed all of our minds at one time or another: floating in the ocean or gloriously exhausted after a long run around the city. This year, a globally-renowned exhibition dedicated to answering that question is landing in Sydney. Body Worlds: The Anatomy of Happiness will open in The Rocks on September 17, inviting visitors to explore the links between physical health, emotions and overall wellbeing. Created by plastination pioneer Dr Gunther von Hagens and curated by Dr Angelina Whalley, this blockbuster exhibition explores what happiness actually looks like inside the human body. Through real donated human specimens, interactive displays and multimedia installations, you'll discover how everything from stress and resilience to movement, ageing and social connection leaves its mark on our anatomy. Highlights include an Anatomical Mirror that lets you see where your organs sit inside your own body, side-by-side healthy and diseased organs, brain health displays exploring conditions like Parkinson's and Alzheimer's, and a photographic series examining longevity across 100 years of life. Since launching, Body Worlds has attracted more than 58 million visitors across 175 cities worldwide, with more than 270,000 Australians already stepping inside the exhibition during its stints in Brisbane, Perth and Melbourne. Tickets start from $35 for adults and $20 for children, with general sales opening on July 29. Keen to get...